House with Villa Silhouette Irving Smith Architects

2016-12-08 17:00

建筑师提供的文字说明。彻奇彻奇地震后的房子。一个有创意的家出现了，另一个出现，新的剪影，提醒，重新安置，提供血统。

Text description provided by the architects. A house after the Christchurch quakes. One creative home comes down, another goes up, the new silhouetting the old, reminding, resettling, providing lineage.

 © Patrick Reynolds

帕特里克·雷诺兹

 © Patrick Reynolds

帕特里克·雷诺兹

以前的别墅坐落在正方形和内向的地方，新的层层穿过南边的景色，塑造成剪影以获得光明，并使人们对日常生活有了更大的鉴赏力。

Where the former villa sat square and inward, the new layers out across the southern view, shaping to the silhouette for light, and framing a greater appreciation of the everyday.

 Floor Plans

平面图

木材追踪旧房子的轮廓，提供温暖和隐私，通过打开和关闭视野，在一个朝南的阴影和暴露的地方寻找阳光和住所，以及在它的近邻之间层层排列的方式进进出出。我们很难从远处认出这座房子，但仍然对它的亲密社区开放，这证明了我们在2015年布拉格国际建筑艺术节上展示的“软建筑：软环境”的理念。别墅的剪影作为一个时刻完成，但期待它的邻居，为未来的重新整理。它是软的，并参与了一个不断变化的景观，无论是在身体上还是作为一个社区。

Timber traces the silhouette of the old house, providing warmth, and privacy by opening and closing the view, finding sun and shelter on a south facing shadowed and exposed site, and layering ways in and out amongst its close neighbours. That the house is hard to recognise from afar, but remains open to its close community, is testament to the notion of resettling with surrounding context, ideas we exhibited at the 2015 Prague International Architecture Festival entitled Soft Architecture : Soft Context. House with Villa Silhouette is finished as a moment in time, yet looks to its neighbours for future re-finishing. It is soft and participates with a landscape that continues to shift both physically and as a community.

 © Patrick Reynolds

帕特里克·雷诺兹

对于艺术家的主人来说，这所房子提供了一个负担得起的延续，取代了他们深爱但地震毁坏的别墅；是一个充满工艺、创造力和世系的地方。地震后，他们发现人们对小东西重新产生了兴趣：挂着一棵盆栽，烘干一件湿衣，为猫做脚印，让猫行走，对1970年的美学…感兴趣。框架为未来的发挥、适应、新的努力、变革提供了机会。地震后的时间越来越长。

To its artists owners', the house provides an affordable continuation in lieu of their much loved but earthquake destroyed villa; a place of craft, creativity, and lineage through the earthquakes. Post quake, they find renewed interest in small things: hanging a pot plant, drying a wetsuit, making tracks for the cat to walk on, an interest in 1970’s aesthetics… Frames are left to provide opportunity for future play, adaption, new endeavours, change. Post-quake time has become more continuous.

生活还在继续，保持(像莱特尔顿一样)谦逊、随和、忙碌，充满了和以前一样的折中家具和故事…但重新安置并准备好更多。

Life goes on, remaining (like Lyttleton) modest, informal, busy, and full of the same eclectic furniture and stories as before... but resettled and ready for more.