架构师提供的文本描述。位于巴西演员EduardoOkamoto家的后方，这座建筑容纳了SIM！Cultura的剧院制片人办公室以及业主的工作室。

Text description provided by the architects. Located at the rear of brazilian actor Eduardo Okamoto’s home, the building houses the theater producer’s office of SIM!Cultura as well as the owner’s studio. 

 © Djan Chu

(朱德扬)

 © Djan Chu

(朱德扬)

这些场所为研究以及戏剧排练和实验提供了充足的工作空间。

These premises provide ample working space for research as well as theatrical rehearsals and experimentation.

 © Djan Chu

(朱德扬)

工作空间在一个砖石白色的盒子里，里面还包括一层的客房/更衣室和上层的一间办公室。

The working space is inside a masonry white box which also contains a guest room / dressing room on the ground floor and an office on the upper floor. 

这个白色的砌体盒子位于一个仓库里，仓库的前后都有铰链的门，其结构是铝制的，上面覆盖着聚碳酸酯泡沫塑料。

This white masonry box is located inside a warehouse which has hinged doors at the front and rear constructed of aluminum overlaid with alveolar polycarbonate sheet.

 © Djan Chu

(朱德扬)

除了作为关闭和提供照明和通风的需要，这些门也可以打开和关闭作为戏剧表演的一部分。

In addition to serving as closures and providing both illumination and ventilation as needed, these doors also can be opened and closed as part of a theatrical performance. 

 © Djan Chu

(朱德扬)

用演员自己的话来表达他对建筑师的感激之情：

In the actor’s own words expressing his appreciation to the architect:

“.而且，最重要的是，除了它的美丽，我觉得空间将节省我多年的戏剧研究。这座建筑被浓缩到了它的核心，开启了新的风景，真正激起了我的情感。很多时候，我看着这些工作室的形状，沉浸在冥想中，建筑线条的简单让我平静下来。不久，我希望说服建筑师为我的舞台剧设计风景。“

“... And, most importantly, beyond its beauty I feel the space will save me years in theatrical research. The architecture, condensed as it is to its essential core opens new scenic perspectives and truly stirs my emotions. Many times I look at these studio shapes and lose myself in meditation and the simplicity of the architectural lines calm me. Soon I hope to persuade the architect to design sceneries for my stage plays.”

 © Djan Chu

(朱德扬)