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建筑师提供的文字说明。海明，一个几乎2000名居民的村庄位于RiverriesInn和Salzach的会议上。河流、山谷和草地的自然环境描绘了尼德格恩的景观。稀有鸟类物种在自然储备"UntererInn"中筑巢和繁殖，许多海狸做他们的工作。在村庄的西部，在奶牛牧场和森林后面，你可以看到附近工业区的烟雾弥漫的烟囱及其精炼厂和化工厂。新的SV海明俱乐部体育大厅的设计也产生了类似的"值"的矛盾。尽管修建了许多建筑，但村庄中心仍然完好无损。新体育厅的城市设置是指这种和谐的参照系。它遵循约束和服从的首要地位。戏班实际上甚至是设计的起点。在建筑方面，而且在建筑和正式层面，大厅似乎取自当地木材建筑和预制工厂的目录。

Text description provided by the architects. Haiming, a village with almost 2000 inhabitants lies at the meeting of the rivers Inn and Salzach. The natural environment of both rivers, their valleys and meadows, characterise the landscape of the Niedergern. Rare bird species nest and breed in the nature reserve "Unterer Inn" and numerous beavers do their work. In the west of the village, behind the cow pastures and the forests, you can see the smoky chimneys of the nearby industrial area with its refineries and chemical plants. The design for a new club sports hall for SV Haiming also results from a similar ambivalence of "values". Despite many built banalities the village centre is still intact. The urban setting of the new Sports Hall refers to this harmonious frame of reference. It follows the primacy of restraint and subordination. The play with banality actually is even the starting point of the design. Construction wise, but also on an architectural and formal level, the hall seems to be taken from the catalogue of local timber construction and precast factories.

 © PK-Odessa

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它指的是最便宜和卑劣的细木工手段-镀锌钉板和相应的粘结剂和墙面系统。在空间框架的意义上-实际上并非如此-屋顶建筑创造了支撑元素过剩的细丝图像。另一方面，柱子、条形和对角线作为大的墙面图形而被使用。打破这一规则，就像南方墙内部的肥壮、雕塑式混凝土梁，以及仅仅悬挂在外面的预制柱一样重要，就像规则和它们的形式本身一样重要。

It refers to the cheapest and ignoble means of joinery – to the galvanized gang nail plate and corresponding binder and wall systems. In the sense of a spatial framework – which it actually isn’t – the roof construction creates the image of a filigrees surplus of supporting elements. On the other hand the posts, bars and diagonals are appropriated as large wall graphics. The breaking of the rule, as in the case of fat, sculptural-formed concrete beam on the inside of the south wall and the merely suspended prefabricates columns on the outside, are just as important as the rules and their formalisms themselves. 

 1st Floor Plan

一楼图则

结构的直接吸引人的形象，相对于什么是真正的承载和仅仅是它的图像的一种模糊。这最终导致了对立的紧张，比如外在的强迫平庸与浪漫尺度，以及建筑实用主义与内在“英雄”夸张的建筑。

The direct catchy image of a structure vs. a sort of vagueness of what is truly load bearing and what is only an image of it. This ultimately results in a tension in contrasting pairs such as forced banality vs. a romantic scale on the outside and constructional pragmatism vs. "heroic" exaggerated construction on the inside.

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产品描述。我们想要实现这个明确的愿望，建造尽可能便宜的运动场。我们试图将这一(限制)事实解释为一种设计自由。因此，我们非常高兴，但同时又非常自律，我们正在寻找可能破坏一个共同的和通常的体育场馆的标准。这也是美丽，如果标准是不适用的，因为那将是太昂贵的建筑。那么我们就不能再依靠它了。如果不是这样的话，大厅可能会像其他许多人一样。因此，我们使用了一种技术转让，使用的木材建筑系统通常不用于公共建筑，但主要用于农业建筑或折扣商店，如Aldi或Lidl：镀锌钢钉板。这是最便宜、最卑劣的细木工手段。通过与之相对应的粘结剂和墙体系统，我们试图创造一种空间框架-实际上并非如此-但屋顶的建造创造了支撑元素过剩的细丝图像。另一方面，柱子、条形和对角线作为大的墙面图形而被使用。

Product Description. We wanted to fulfil the explicit wish to build the sports hall as cheap as possible. We tried to interpret this (restraining) fact as a design freedom. So with great pleasure but with extreme discipline at the same time we were searching for possibilities of undermining the standards of a common and usual sports halls. This is also the beauty, if the standard is not applicable, because then the building would be too expensive. Then one cannot fall back on it. If this had not been the case, the hall would probably look like many others. Therefore we have used a kind of transfer of technology by using a timber construction system that is usually not used for public buildings, but mainly for agriculture buildings or for discount stores such as Aldi or Lidl: the galvanized gang nail plate. This is the cheapest and ignoble means of joinery. And with their corresponding binder and wall systems we tried to create a kind of a spatial framework – which it actually isn´t – but the roof construction creates the image of a filigrees surplus of supporting elements. On the other hand the posts, bars and diagonals are appropriated as large wall graphics.

 © PK-Odessa

(c)PK-ODESA

 © PK-Odessa

(c)PK-ODESA

我们想要创造一种“感觉”-一个理想的甚至英雄的空间，一个非常实用甚至放松的空间-仅仅是为了做运动。因此，我们承认，我们试图创造一种只涉及结构和光的神圣空间，一方面是…。但我们也试图避免这种空间和大气层的后果。因此，使用者当然不应在练习运动时感到恼火。因此，运动场是一个非常坚固的空间。我们试图通过选定结构的分期(Inszenierung)来实现这一目标，特别是通过北墙，在结构前面有聚碳酸酯元素，光线通过它进入大厅。另一方面，通过使用非常健壮的材料和简单的细节，也通过一种文化的原始/简单。

We wanted to create the “feeling” both of an ideal or even heroic space and of a very functional even relaxed space – just for doing sports. So we admit that we tried to create a kind of sacred space dealing only with structure and light on the one hand … But we also tried to avoid the consequences of such a space and atmosphere. So the user should of course not be irretated in practicing sports. The sports hall therefore is a very robust space. We try to achieve this by the staging (Inszenierung) of the selected structure and, in particular, by the north wall with its polycarbonate elements in front of the structure and the light incident filtered through it into the hall. And on the other hand, by using very robust materials and simple details, and also by a culture of the raw / simple. 

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Architects Almannai Fischer Architects, Harald Fuchshuber Engineer

Architects in Charge Florian Fischer and Harald Fuchshuber

Area 1800.0 m2

Project Year 2016

Photographs PK-Odessa

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