历史建筑的改造

Renovation of a Historical Building

历史建筑具有许多强烈的空间特征和生存特征，体现了一定时代的意义。面对一座历史建筑的翻新，我们的第一个意图是“重新指定”空间的初始姿态，以保持时间痕迹可以体验的条件。因此，仔细而独特地插入一个元素来塑造新的空间成为这个项目的关键问题。(鼓掌)

The historical building contains many strong characteristics of space and living and it expresses the significance of the certain age. While facing the renovation of a historical building, our first intention is to “re-specify” the initial gestures of the space in order to remain the condition for the traces of time could be experienced. Therefore, carefully but distinctive inserting an element to shape new spaces become the key issue of this project.  

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结构为家具

Structure as furniture

最大限度地利用历史空间和重复利用原始材料是我们设计的主要理念。前房零售商店的主木桁架引入了“结构为家具”的理念，这是一个独立的独立构件，与现有的墙壁分离。适度干预的想法，最小的附加和较少的锚定，将破坏现有的建筑正在进行的这个项目。

Minimal utilizing the historic space and re-using original materials are our main concept of the design. The main timber truss for the retail shop at the front room introduces the idea of “Structure as furniture”, a free-standing individual component that is detached with the existing wall. The idea of moderate intervention with minimal attaches and less anchoring that will undermine the existing building is taking place in this project. 

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 Structure Diagram

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木桁架是一种结构，旨在支持展示架，并整合照明和空调设备的布线。桁架以倒框架的形式出现，是对旧建筑新插入的适度反应。(鼓掌)

The timber truss is a structure designed to support the display shelf and to integrate the wiring of lighting and air-conditioning units. The truss appeared as an inverted frame is a modest response to a new insertion to an old building.     

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YehFamily是位于Dihua街的许多粮食店之一，在那里是台北中央商业区。我们仍然有相当多的现有家具和粮食设备被放回空间，以提供它在历史背景下的存在。用于屋架的木材是由日本柏树制成的，也用来同时制作餐具。除了这种形式的温和明确的反应外，材料和纹理的隐含连接也是我们对历史建筑的设计思想。

Yeh family is one of the many grain stores locate in Dihua street, where it is the central commercial area of Taipei during the time. We remain considerable amount of existing furniture and grain equipment replaced back to the space to give its presence of the historic context. The timber used for the truss is made from Japanese cypress that is also used to make gain utensils at the time as well. Besides the gentle explicit response of the form, the implicit connection of materials and textures is also our design thinking towards a historic building.

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嘿！芝士