© Hemant Patil

赫曼特·帕蒂尔

架构师提供的文本描述。该项目是一个摄影工作室综合体的年轻摄影师谁专门从事汽车，产品和时尚摄影。

Text description provided by the architects. The project is a photography studio complex for a young photographer who specializes in automobile, product and fashion photography. 

 © Hemant Patil

赫曼特·帕蒂尔

这座建筑位于印度浦那(Pune)，较早时是一座工厂建筑群，由于多年未使用，它处于一个废弃和破旧的状态。它包括一个大的工厂棚，仆人的宿舍和一个看守的小木屋，前面有很大的空旷空间。这一地区处于无发展区，因此不允许在建筑群现有结构范围之外建造任何额外的有盖结构。因此，这项工作是提供所有所需资源，同时保持现有结构的足迹。

The premise, based in Pune, India, which was earlier a factory complex, was in an abandoned and dilapidated state as it was unused for many years. It comprised of a large factory shed, servants’ quarters and a watchman’s cabin with a good amount of open spaces in the front. This area was in a no-development zone, hence it was not allowed to build any additional covered structure outside the limits of the existing structures in the complex. The exercise therefore, was to provide all the requirements while maintaining the footprints of the existing structures.

 © Hemant Patil

赫曼特·帕蒂尔

工厂的棚屋由于面积大、高度高而被改建为摄影工作室，而看守室和仆人宿舍则分别改建为图像处理单元和办公室。新办公室(以前的仆人宿舍)与工厂棚屋之间约有7英尺(约7英尺)的闲置空间，后来被改建为过渡法庭，办公室对此进行了调查。这座法院在上面安装了一个M·S·珀戈拉(M.S.Pergola)，为办公室提供了光线和通风，办公室两侧都是空墙。一堵L形的墙位于前侧的球场两侧，提供了一些围护设施，并容纳了L形的Pergola，突出了办公室的入口处。木质木板的线形、多色的窗户，打开办公室的外墙，通往铺好的、美化的入口庭院，有现有的和新增的植物和几个绿色长凳。(鼓掌)

The Factory shed was converted into the studio for the photography due to its expanse and the height available, while the watchman’s cabin and the servants’ quarters were converted into an image processing unit and an office respectively. An unused space of about 7’ between the new office (erstwhile servants’ quarters) and the factory shed was converted into a transition court, which the office looked into.  This court, which is secured with a M. S. Pergola above, provides light and ventilation to the office, which has blank walls on 2 sides. An L- shaped wall flanks the court on the front side, providing some enclosure and housing the L shaped pergola, which highlights the entrance to the office. Linear, multi-colored windows in wood planks, open out the office façade to the paved, landscaped entrance court with existing and added plants and a couple of green benches.  

 Courtesy of Lovekar Design Associates

Lovekar设计协会提供

在地块的另一边是通往工厂棚的主要通道，里面有一个看守木屋和一个室外厕所。这一领域的工作是重新设计厕所，增加墙，隐藏厕所门，并创造一个框架砖瓦，使一个身份的空间。这个框架内有一根竹子，上面有盆栽的弗朗吉帕尼和一张黄色的长凳，为室外的座位创造了一个围栏。

On the other side of the plot was the main access to the factory shed with a watchman’s cabin and an outdoor toilet. This area was worked on by re-designing the toilet, adding a wall that hid the toilet door and creating a frame in brickwork that gave an identity to the space. This frame houses a bamboo pergola with a potted Frangipani and a yellow bench, creating an enclosure for outdoor seating. 

 © Hemant Patil

赫曼特·帕蒂尔

可持续性是通过使用现有结构来实现的，而对架构足迹的更改是最小的。印度气候炎热，不允许大开口和玻璃的使用。因此，该结构有极小的窗户，只有通过前面的彩色窗户和向天空开放的侧庭院才能获得光线和通风。设计的特点也是最小的，几乎没有装饰。自然元素，如光和空气，以及建筑特征和色彩，是当地的热带气候的印度形成设计语言。一个闲置的工厂建筑群因此被改建为一个年轻摄影师的当代工作室，花费最少，时间也很短。

Sustainability is achieved by using the existing structure with minimal changes to the architectural footprint. The climate in India being hot, doesn’t allow for large openings and use of glass. The structure, therefore, has minimal windows and obtains light and ventilation only through the front colored windows and the side court, which is open to sky. The design character too is minimal, with almost no decoration. Natural elements such as light and air along with architectural characters and colors that are local to the tropical climate of India forms the design language. An unused factory complex was thus converted into a contemporary studio for a young photographer with minimal expenditure and in a short time frame.

 © Hemant Patil

赫曼特·帕蒂尔

产品说明。该项目需要对其进行原始的和乡村的感觉。因此，普通水泥混凝土地板（称为“印度专利石”）用于地板，并突出了一些墙壁。除此之外，在粉刷墙壁上使用了油漆，以获得原始外观。天花板被漆成黑色，而门窗则涂在明亮的丙烯酸乳胶漆中。

Product Description. The project needed a raw and rustic feel to it. Hence plain cement concrete flooring, which is called “The Indian Patent Stone”, was used for flooring and highlighting a few walls. Other than this, paints in earthen shades were used on hand-plastered walls to give a raw look. The ceiling was painted black, while the doors and windows were painted in bright shades of acrylic emulsion paint.

 © Hemant Patil

赫曼特·帕蒂尔

Architects Lovekar Design Associates

Location Pune, Maharashtra, India

Category Offices

Architects in Charge Ashwin Lovekar, Anjali Lovekar

Area 4800.0 ft2

Project Year 2016

Photographs Hemant Patil

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