架构师提供的文本描述。该项目区在北侧有阿部卡瓦河床和一排樱花树，与雄伟的山。富士远在天边。

Text description provided by the architects. The project area had the Abe-kawa river bed and row of cherry blossom trees on the north side with the majestic Mt. Fuji in full view beyond that.

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

另一方面，南侧有一栋三层楼高的房子，所以不能指望得到多少阳光。

On the other hand, there was a three-story house adjacent to the south side, so it couldn't expect to get much sunlight. 

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

在这样的条件下，我们造了一堵像门一样敞开的大墙，把它设计成北方美丽风景的框架，与外面有联系。

Under such conditions, we made a wide open wall like a door, and designed it to act as a frame for that beautiful scenery to the north and had connection with the outside.

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

在二楼的起居室里，三楼的天窗发出的阳光照在墙上，墙上挂着轻巧的悬臂楼梯。

In the living room on the second floor, sunlight from a skylight on the third floor shines on the wall that holds lightweight cantilevered stairs.

这种阳光反射在大墙壁上，设计使整个客厅都能被柔和的阳光照亮，即使在相邻房屋所在的南侧没有窗户的情况下也是如此。

This sunlight reflects off the big wall and is designed to allow for the entire living room to be brightened with soft sunlight even without windows on the south side where the adjacent house is located. 

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

船主名字中的日本字有月亮和太阳的反差成分。因此，我们也希望在这个体系结构中包含对比元素。因此，我们有这个美丽，光滑，白色的墙在里面对抗粗糙，暴露，钢筋混凝土墙在外面。我们也有一个巨大的，可怕的墙，与巨大的开放空间的客厅。

The Japanese characters of the owner's name have the contrasting elements of the moon and the sun. Therefore, we wanted to include contrasting elements into this architecture as well. Thus, we have this beautiful, smooth, white wall on the inside against the rough, exposed, RC wall on the outside. We also have a huge,  formidable wall against the large open space of the living room. 

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

这种对比成为建筑设计理念的重要组成部分。

These kinds of contrasts became a very important part of the design concept for the architecture.