Five Terraces and a Garden corpo atelier

2017-01-24 11:00

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

“O terra o era o prodígio da casa，nele passava o vento.eu comara a descobrir o corpo e tinha a luz por suliente.”

"O terraço era o prodígio da casa, nele passava o vento. eu começara a descobrir o corpo e tinha a luz por confidente."

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

欧热尼奥·德安德拉德(Eugénio de Andrade)布兰科不是布兰科·康托是个默默无闻的人

Eugénio de Andrade . Branco no branco contra a obscuridade

高尔夫球场受到空旷的场地的限制，这些空地是独立的房屋和分散的各种类型和高度的树木。在地面上，一片巨大的草坪只会被沙箱和低矮的植被所打断。在它上面，在树梢的树叶之间，我们发现远处的海洋(向南)和山(向北)。

A golf course is limited by empty plots for detached houses and scattered trees of various types and heights. At the ground level an immense lawn is only interrupted by sandboxes and low vegetation arrangements. Above it, between the foliage of the treetops, we discover the distant views of the ocean (to the South) and the mountain (to the North).

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

堆叠五个白色露台，使我们能够垂直移动，体验周围景观的不同规模。它们之间的空隙为人类和植物的占领创造了空间，不断地隐藏或揭示，形成了一个内部花园或外部房子的幻觉。

Five white terraces are stacked to allow us to move vertically and experience these different scales of the surrounding landscape. The voids between them create space for human and vegetal occupation, constantly hidden or revealed, formalizing the illusion of an interior garden or an exterior house.