架构师提供的文本描述。在那明珠寺有一个小村庄。它不是一个大的村庄，有着大的住宅，而是类似于小乡村的我们童年的节日记忆。村子里住着的不是年轻人，而是老人。不仅是长者让时间过得慢，而且建筑的建造可能与此有关。厌倦了生活中的烦恼和健康，房主们蜂拥到这个村庄，希望能和父母一起住在这里。

Text description provided by the architects. There is a small village in Namyangju-si. It is not a large village with large residential houses, but similar to small countryside villages of our childhood memories on holidays. The village isn’t occupied by young folk, but with elders. It’s not only the elders that make the time pass slowly, but the construction of the buildings may have to do with it. Tired of life’s troubles and health, homeowners flock to this village and hope to live with their parents here.

当我们致力于住宅空间项目时，我们的目标是赋予住宅空间公正，并相信我们必须提供不同的观点，而不仅仅是作为设计师和建设者。因为住宅空间是由住宅业主建造和规划的，所以我们必须考虑他们的生活方式、偏好和背景。最终，这是住宅业主将花费在这些房子的未来，所以在100 A，我们将放弃我们不必要的自我设计，以满足业主的需要。

As we gear towards a residential space project, we aim to give residential space its justice and believe that we must provide different viewpoints than as designers and constructors alone. Because residential spaces are made for and planned by residential owners, it’s imperative that we consider their lifestyles, preferences, and backgrounds. In the end, it’s the residential owners that will spend the future in these homes, so at 100A we will give up our unnecessary egotism of designers to fulfill the needs of the home owners.

为了实现这一目标，我们试图在他们的办公室或现有住宅等房屋所在地与房主会面。我们坚持这一点，以便有一个真实的对话，在一个共同的空间，业主将舒适的。我们还可以观察照明，家具，自行车，绘画和其他文物的他们的生活，以了解更多的生活。

To achieve this, we try to set up meets with the homeowners at their pesonal locations such as their office or current homes. We are adamant about this in order to have a truthful conversation in a common space the homeowners will be comfortable in. We are also able to observe lighting, furniture, bikes, painting, and other artifacts of their lives to find out more of their lives.

在这个特别的项目开始时，我们参观了居民业主和他们的父母的房屋。他们两人的风格不同，但他们的日常生活方式却很相似。由于风格上的差异，业主的房子很简单，而父母的房子却很张扬，但两者都井井有条，干净整洁。它是如此干净，事实上，很难相信人们真的住在那里。“生活空间是那么的完美，这是一个模范的家吗？”我们问了房主，但她说这是受她母亲影响的。在成长过程中，她习惯于看到母亲是多么的有条理，如果事情没有组织起来，我就觉得不舒服。想想看，父母的地方只有他们所需要的东西。

At the inception of this particular project, we visited the homes of both the resident owner as well as their parents. They were both different in style, but similar in the way they live their day to day lives. Due to the style differences, the owners’ house was very simple while the parents’ home was very ostentatious, but both were well organized and clean. It was so clean in fact that it was hard to believe that people actually lived there. “The living space is so immaculate, is this a model home?” we asked the homeowner, but she said it was influenced by her mother. Growing up, she was used to seeing how well kept her mother was that if things are not organized, I don’t feel comfortable. Come to think of it, the parent’s place had only what they essentially needed.

我们关注的三个主要问题是：如何保持这两个家庭的偏好生活方式，如何自然地塑造这两个家庭，以及如何在这两个家庭中保持隐私。关注的主要领域是室内设计不仅保持了风格和偏好，而且保持了距离和交流的状态。为了做到这一点，我们把草坪放在中间，公共空间彼此面对。与此同时，卧室和浴室都保持在彼此的另一边。同时，业主之间的高度分布“房间和父母”房间大约是1个故事。最后，前门和入口通过一座桥连接，以便相当方便地进入。

The 3 main points we focused on this project are: how to maintain the lifestyle of preferences of these two homes, how to mold these two homes naturally, and how to maintain privacy in both homes. The main area of concern was how the interior design will not only keep the styles and preferences intact, but maintain a state of distance and communion. To do this, we kept the lawns in the middle with both the common spaces facing each other. Meanwhile the bedrooms and bathrooms were kept on the further sides of each other. Also, the height distribution between the owners’ rooms and parents’ rooms are about 1 story apart. Last, the front gate and entrances are connected by a bridge for fairly easy access.

最小1号房

House no.1 _ minimal & edge

“我希望我们的房子像画廊一样。”

‘I’d like our house to be like an art gallery’

住宅业主居住在所有的白色居住空间。生活空间也是极简主义的，所以不能有任何杂乱。高高的天花板(3.5米)，狭长的窗户穿过狭窄的厨房，卧室里的墙上灯火通明，空间显得宽敞而开阔。看到他们父母的结构，透过草坪往前看，就好像他们父母的房子是从他们的房子里看到的另一件艺术品一样。为一些隐私而设的陷阱也是一些地方。客厅的内部有一间小房间，有一张床和一间壁橱，还有一间给母亲的办公室，里面有浴室和卧室。楼下还有另一间办公室，丈夫可以在那里学习，并成为他日常生活的重要组成部分。

The residential owners live in all white living space. The living space is also minimalist, so there mustn’t be any clutter. With high ceilings (3.5m), long windows seen across a narrow kitchen, wall lighting in bedrooms, the space felt voluminous and open. The sight of their parents’ structure seen across the lawn out looking the front window, it was as if their parents’ house was another work of art seen from their house. A trapdoor for some privacy was places as well. Adjacent the inner part of the living room was a small room for a bed and closet, and an office for the mother in which gives entry to the bathroom and bedroom. Downstairs is another office in which the husband can use to study and be a big part of his everyday lifestyle.

2号房最小号

House no.2 _ minimal & classic

我想把我父母的家具带来。家具必须与内饰相匹配。

‘I want to bring in my parents’ furniture. The furniture must match the interior’

在父母的共同空间里有很多想法。在第二次与房主父母的会面中，第一件引起我们注意的是他们所拥有的优雅而宏伟的家具。这套家具在一间公寓里的搭配并不完全是齐头并进的。感觉好像家具被困在一个很小的地方。手边的任务是让美丽的家具在开阔的空间里自由呼吸和流动。通过增加大胆的颜色和一些最后的修饰，家具能够被用来发挥它的潜力。

There was a lot of thought put into the parents’ common space. At the second meeting with the residential owners’ parents, the first thing that caught our eyes were the elegant and grandiose furniture they owned. The fitting of this furniture in an apartment didn’t quite go hand in hand. It felt as if the furniture is trapped in a small area. The task at hand was to let the beautiful furniture breathe and flow freely in an open space. By adding bold colors, and some finishing touches, the furniture was able to be used to its potential.

一楼的公共空间被赋予高高的天花板(6米)，家具背景采用深色饰面，以便突出美丽的图案和注意事项。天花板和起居室窗户的形状和大小，再加上前面草坪长窗的位置，都在上下文中。高高的窗户意味着两家人可以轻松地相望。厨房和海岛厨房的窗户让母亲看到四季的变化，就好像这是一幅艺术画。一盏水晶吊灯俯瞰一楼的餐桌，为二楼增添了一种古典的感觉和过渡。二楼有一间办公室，父亲可以俯瞰草坪和客房。

First floor’s common space was given high ceilings (6m), and dark color finishes were used for the furniture background so that the beautiful designs can be highlighted and notices. The shapes and sizes of the ceiling and living room windows coupled with the location of the long window of the front lawn are within context. The high and tall windows are meant for the two homes to look upon each other with ease. The windows in the kitchen and island kitchen allow for the mother to see the 4 seasons change as if it’s an art painting. A crystal chandelier overlooks the dining table in the first floor to add a classical touch and transition to the second floor. The second floor has an office for the father to overlook the lawn as well as guestrooms.