架构师提供的文本描述。一个坚实的黑暗的体积，当它被雕刻，一个明亮和发光的内部被发现。该建筑项目沿圣塞巴斯蒂安市，艺术活动在里面发展，音乐。

Text description provided by the architects. A solid dark volume that when it is carved, a bright and luminous interior is discovered. The building projects along the city of San Sebastian, the artistic activity developed inside, music.

 © Jorge Allende

c.Jorge Allende

Musikene，巴斯克国家的高等音乐学校，被认为是欧洲规模的一个学习中心。

Musikene, Higher School of Music of the Basque Country, considered a reference as a learning centre in European scale. 

 © Jorge Allende

c.Jorge Allende

这在一个有限的地块中塑造了建筑对密集和分隔的需求方案的反应。

This sculpted building responses to dense and compartmentalised needs programme in a constrained plot.

 © Aitor Ortiz

C.Aitor Ortiz

这种情况使得建筑物使用法规允许的最大体积，并且尽可能地扩大FAOF的表面，以便照亮每个空间和每个空间。

This situation makes the building use the maximum volume allowed by the regulations and enlarge the surface of the façades as much as possible in order to light each and every space.

 Longitudinal Section

音量遮住了里面一件珍贵的东西-礼堂，它成了大楼的中心。

The volume veils a precious piece inside, the auditorium, which becomes the heart of the building.

 © Aitor Ortiz

C.Aitor Ortiz

此外，大楼内还有75个不同大小的声学教室、32个单独的练习室、图书馆、音乐档案馆、行政和教师区以及许多其他设施。

In addition the building houses 75 different size acoustic classrooms, 32 individual practice cabins, library, music archives, administration and teacher areas along with many other facilities.

 © Aitor Ortiz

C.Aitor Ortiz

尽管这座建筑看起来像是一座随意的雕塑，但这个项目是经过精心调整，使之适应几何图形和情节要求的结果。导致一个设计，这是寻求代表的艺术活动，发生在里面。

Even though the building can appear to be an arbitrary sculpture, the project is the result of meticulously adapting the needs to the geometry and demands of the plot. Leading to a design, which seeks to be representative of the artistic activities that take place inside.

 © Aitor Ortiz

C.Aitor Ortiz

建筑作为一个内部自给自足的元素出现，但它的答案是它周围的环境，给出了对城市结构和附近建筑物的反应。

The building arises as an inner self-sufficient element, nevertheless answers back to its surroundings giving a response to the urban structure and nearby buildings.

 © Aitor Ortiz

C.Aitor Ortiz

建筑的正式设计来自于扩大立面以照亮不同空间的需要。三个令人印象深刻的切口，通过一些清晰而直接的切割，塑造了坚实的体积，将灵魂和建筑的亮度投射到城市。

The buildings formal designs comes from the need of enlarging the façades surface in order to illuminate the different spaces. Three impressive incisions sculpt the solid volume  through some clear and straight cuts, projecting the soul and the brightness of the building towards the city.

 © Aitor Ortiz

C.Aitor Ortiz

不同的立面之间的对比通过在覆盖部分使用高亮度黑色和在剪裁中使用黄金颜色而得到加强。

The contrast between the different façades has been strengthen by the use of high brightness black colour in the covering part and gold colour for the cuts. 

这些材料以一种微妙的语言唤起人们对乐器的精加工。

The materials evoke with a subtle language the finishing of the musical instruments.

 © Jorge Allende

c.Jorge Allende

这是一座简单而清晰的建筑，但它的技术发展是艰难而复杂的。

This is a building with a simple and clear concept but with a tough and sophisticated technical development.

 Cross Section

地基深度达25米，潜水面为-2.5米。建筑结构由钢骨架组成，支撑着主楼层礼堂大空间条件下复杂的几何形状。

The foundation reaches 25 meters of depth with the phreatic surface at -2.5 meters. The buildings structure consists of a steel skeleton witch supports the complex geometry conditioned by the big open space for the auditorium at the main floor. 

需要考虑的最重要的问题是影响建筑物所有空间的声学需求，需要确保建筑物功能的成功。

The most important issue to take into account is the acoustic needs that affect all the spaces of the building, needs that ensure the success of the functionality of the building.

 © Aitor Ortiz

C.Aitor Ortiz

从技术上讲，突出正面对比的需要已经解决了，用光滑的黑色漆铝覆盖建筑的表皮，这强调了窗户的孔。然而，为了给庭院提供一个抽象的特征，穿孔镀金的金色托盘已经被使用，这允许光通过，当他们被盖印时，阳光也被反射出来。

Technically the need to highlight the contrast of the façades has been solved by covering the skin of the building with smooth black lacquered aluminium, which stresses the window holes. Nevertheless, to provide the courtyards with an abstract character, perforated galvanized golden trays have been used, this allows light to go through and as they are stamped, sunrays are reflected too.

 © Aitor Ortiz

C.Aitor Ortiz

玻璃与钢的结合，以及对建筑表皮的严格调整，有助于控制经济成本。

The combination of just glass and steel and the strict modulation of the buildings skin contributes to make control of the economic cost.

建筑设计遵循可持续性标准，以节能和设施优化为基础。

The building is designed following sustainability criteria, based on energy saving and the optimization of the installations. 

 © Aitor Ortiz

C.Aitor Ortiz

Architects GA, Atxurra Zelaieta Arquitectos

Location Europa Plaza, 20018 Donostia, Gipuzkoa, Spain

Category Music Venue

Architects in Charge Aitor Gurtubay Gálligo, Asier Atxurra, Unai Zelaieta Garate

Area 13.096 m2

Project Year 2015

Photographs Jorge Allende, Aitor Ortiz

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