© Filip Šlapal

(C)ŠLapal

架构师提供的文本描述。一栋新的写字楼，在底层有零售区域，这是德约夫区的基本城市概念。一座八层楼高的建筑的设计也包含了附近公园的景观设计。

Text description provided by the architects. A new office building with retail areas on the ground floor follows up the basic urbanistic concept of the Dejvice borough. The design of an eight-storied building also contained a landscape design of the nearby park.

 © Filip Šlapal

(C)ŠLapal

德杰维社区以其20世纪20年代初发展起来的城市化概念而闻名于世。它的建筑师安顿·恩格尔(Antonín Engel)在很长一段时间内制定了建筑物的定位规则，除了一些轻微的豁免外，它们仍然被遵循。

The Dejvice neighbourhood is renowned by its urbanistic concept developed at the beginning of the 1920s. Its architect Antonín Engel set down the rules for positioning buildings for a long time ahead, and they have still been followed aside from some minor exemptions. 

 © Filip Šlapal

(C)ŠLapal

 Ground Floor Plan

因此，很明显，这座建筑的基本形状必须遵循这一地区第一个城市化的建筑物定位方案。然而，该项目的发展必须与周围环境密切相关。这意味着它必须连到那些扰乱这一计划的建筑物。该建筑物严格遵循指定的北侧街道线，处理东侧公园的开放空间与沿街道线的建筑物标准高度之间的水平差异。在西方，对于外交官酒店，这座建筑重新定义了城市化的实质属性，重新整合了建筑之间的空间，为酒店前面可能延伸到街道线的酒店做好了准备。另一章是规划建筑和公园的共存。该建筑物(与其他现有建筑物相同)使用公园作为对其他繁忙地点的实质性补偿手段。建筑物中的大部分功能至少在视觉上与公园有关。

It was, therefore,  clear that the basic shape of this building must abide by the first urbanistic scheme of positioning buildings in this area.; However, the project had to be developed as very closely linked to the surroundings. That means it had to link even to those buildings disturbing this scheme. The building firmly follows the specified street line on the north side and deals with the difference in level between the open space of the park on the east side and the standard height of buildings along the street line. On the west, towards the Diplomat hotel, the building redefines the substantial attributes of city urbanism by reintegrating the space between buildings preparing it for the possible extension in front of the hotel whose footprint could reach to the street line. A separate chapter is a coexistence of the planned building and the park. The building (the same as the other, existing buildings) uses the park as a substantial means of compensation to the otherwise busy location. Most functions in the building are at least visually related to the park. 

 © Filip Šlapal

(C)ŠLapal

这座建筑物在光学上被分成几个方案，根据周围的建筑物调整其规模。原则上分为两翼。他们的简约建筑使用相似的建筑属性，但最终区别于它们。显然，与Evropská平行的较小的机翼是更正式的部分，包括入口和公共区域；相反，沿公园设计的较大的机翼纯粹是功利主义的。两个视觉独立块的概念是由较大机翼上使用的正面构造所支持的。一条深色的条状，独特的元素变成了支撑和控制台，有一个精心选择的构造。它的任务并不简单，也就是说。它吸收了一些经常有争议的特定空间条件和在谈判中对项目提出的要求。这种清晰的切割效果打断了中央物质的必要的后退或切割，而这种方式似乎是清晰的和清晰的。

The building is optically divided into several plans adjusting its scale to the surrounding buildings. That is into two wings in principle. Their minimalistic architecture uses similar architectural attributes, but eventually distinguishes between them. It is evident that the smaller wing parallel with Evropská is the more formal part including entrances and public areas; the larger wing, on the contrary, designed along the park is purely utilitarian. The concept of two visually independent blocks is supported by the tectonics of facades used on the larger wing. A dark strip, the distinct element turning into buttresses and consoles has a carefully selected tectonics. Its task is not simple; that is to say. It absorbs some often controversially specified spatial conditions and requirements laid on the project during negotiations. The clear-cut effect interrupts the necessary stepping back or cutting from the central mass that seems to be clear and legible this way. 

 © Filip Šlapal

(C)ŠLapal

建筑的布局-功能概念是明确的。主要的行政功能完全存在于底层以上的所有楼层。一楼设有支持办公室(接待大厅、食堂、自助餐厅)和面向街道的零售的功能。地下室里有停车场、技术区和后台。BLOX是一座城市办公楼的典型代表，它以其混合用途的概念来支持城市环境。

Layout – functional concept of the building is clear-cut.  The major administrative function is entirely present on all storeys above the ground floor. The ground floor accommodates functions supporting the offices (reception lobby, canteen, cafeteria) and retail facing the street. A parking garage, technology areas, and back-of-house are in the basement. THE BLOX is a typical representative of an urban office building by its mixed-use concept supporting the city environment.

虽然描述的材料在建筑物的大小或技术参数方面并不是最重要的，但它在公共室内区域的影响是非常重要的。它主要支持预定的极简主义概念，更喜欢清晰的区域和开阔的空间，它们的边界是直观的，而不是严格定义的。

Product Description. Although the described material is not the most important in the building regarding the size or technical parameters, its effect in the public interior areas is more than important. It crucially supports the intended minimalistic concept preferring clear areas and open spaces whose borders are rather intuitive than strictly defined. 

当我们决定地板完成贯穿整个入口大厅，形成一个连接平台的几个功能部分，我们选择了一个经典的材料。天然的，浅灰的水磨石。

When we decided for floor finishes running through the entire entrance lobby and forming a sort of a connecting platform of several functional parts we chose a classic material. Natural, light grey terrazzo. 

 © Filip Šlapal

(C)ŠLapal

虽然水磨石的应用并不容易-首先是湿法，然后需要研磨、抛光和浸渍-结果完全符合我们的预期。这种材料几乎是无连接的，不锈钢运动条之间的距离是米。它是耐磨的，而且几乎不老化(这是由仍在运作的，保存得很好的地板在一百多年前的房子证明)。但对我们来说，最重要的因素是物质表面的感觉。从Bohdanec采石场使用的粒度可达20毫米的轻质白云石使材料具有光学深度的感觉。改性水泥是一种填充剂-一种粘结剂-与上述石材一起，它使材料产生了某种自然的清爽感。

Although it was not easy to apply the terrazzo – the application is firstly a wet process, and then it requires a relatively complicated finishing consisting of grinding, polishing and impregnating – the result perfectly matched our expectations.  This material is almost joint-free; distances between stainless steel movement strips are meters. It is wear-resistant and almost does not age (this is proved by still functioning, very well preserved floors in houses over a hundred years old). But for us, the most important factor was the sensation of the material’s surface. The used light dolomite stones with the grain size up to 20 mm from the Bohdanec quarry imparting to the material the feeling of optical depth.  Modified cement is the filler – a bonding agent – together with the above stones, it creates a sense of a somewhat natural downrightness of the material. 

 © Filip Šlapal

(C)ŠLapal

有趣的是，从19世纪和20世纪初的布拉格，我们几乎可以在所有古典主义的房子里找到这样一种传统材料，它的表现超出了我们的预期，在入口大厅这一极简主义概念中出现了这样一种未来主义的面貌。

It was interesting to see how such a traditional material we can find in almost all Classicist houses from the turn of the 19th and 20th centuries in Prague outperformed our expectations and made such a futuristic appearance in the minimalistic concept of the entrance lobby.

Architects DAM.architekti

Location Prague, Czech Republic

Category Office Buildings

Architects in Charge Jan Holna, Petr Šedivý

Project Year 2015

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