La Maison Noire agence anArchitecte

2017-02-25 13:00

 © Pascal Leopold

帕斯卡·利奥波德

架构师提供的文本描述。地点-历史-项目

Text description provided by the architects. Location – History – Project

这座房子坐落在一个古老的花岗岩采石场，沿着布莱顿海滨。从一开始，未来的居民想要一个故事，不显眼的房子给全景海景。他们的头脑设置在布莱顿风格的景观中，并不时被多个露台打断。

This house is located in an old granite quarry, along the Breton seashore. At the outset, the future inhabitants wanted a one-story, unobtrusive house giving on to a panoramic sea view. And they had their minds set on Breton-style landscaping, punctuated by multiple terraces.

 © Pascal Leopold

帕斯卡·利奥波德

在养育了他们的三个孩子之后，这所房子将被一对夫妇一年到头地居住着，开始了他们人生的新篇章。

The home will be inhabited year-round by a couple beginning a new chapter of their life,after raising their three children.

 © Pascal Leopold

帕斯卡·利奥波德

这座房子背后的概念可以概括为“观看而不被看到”；利用一幅长距离的旅行全景图，但同时又完全融入了景观之中。

The concept behind this house could be summarized as "watching without being seen"; taking advantage of a long traveling-shot panorama, yet at the same time remaining totally integrated into the landscape.

 © Pascal Leopold

帕斯卡·利奥波德

为此，这所房子是围绕着极好的海景而设计的。这个漫长的家园被完美地融入了它的环境。建在山顶，唯一的山留在老花岗岩采石场，是非常不显眼-一个了望台，隐藏在几棵柏树后面，明智地保存和修剪，让你的眼睛徘徊。

To this end, the house is designed around a superb sea view. This long home is perfectly integrated into its environment. Built on top of a hill, the only hill remaining at the old granite quarry, is very inconspicuous--a lookout, hidden behind a few cypress trees, judiciously preserved and pruned to let your eyes wander.

 © Pascal Leopold

帕斯卡·利奥波德

生混凝土墙被涂成黑色和染色，给人一种痛苦的外观，大海湾窗户反映景观，加强与景观的融合。事实上，使用未加工的，黑色的釉面混凝土，吸收而不是反射光，才能使所期望的不显眼效果成为可能。因此，你的眼睛不会被房子吸引，它似乎会消失在周围的植被中。

The raw concrete walls are painted black and stained to give a distressed look, and the large bay windows reflect the landscape, enhancing the integration into landscape. In fact, the use of the raw, black glazed concrete, which absorbs, rather than reflecting light, is what makes the desired inconspicuous effect possible. As a result, your eye isn’t attracted to the house, which appears to fade into the surrounding vegetation.

 Ground Floor

一个细长的、单层的房子的设计，在地形和景观之后有一个平坦的屋顶，并且利用现有的植被，比如一个光幕，也支持不明显的效果。

The design of an elongated, one-story house, with a flat roof following the topography and landscape, and using the existing vegetation like a light veil, also supports the inconspicuous effect.

 © Pascal Leopold

帕斯卡·利奥波德

从一个房间到另一个房间，框架发生变化，发挥地平线、海洋和场地上的植被，利用四棵雄伟壮丽的高大柏树。 有三个门廊，设计得与房子非常契合，使室内和外部的生活都成为可能。他们让你和外面的环境保持联系，从房子里也可以，他们允许你沿着太阳的路线一整天(日出的东方，白天的南方，日落的西边)。

From one room to the other, the framing changes, playing with the horizon, the sea, and the vegetation present on the site, taking advantage of the four majestic gorgeous magnificent tall cypresses. There are three porches designed to fit perfectly with the house, making both inside and outside living possible. They keep you in touch with the outside environment, from inside the house as well, and they allow you to follow the course of the sun throughout the day (East at sunrise, South during the day and West at sunset).

 © Pascal Leopold

帕斯卡·利奥波德

在花园里，我们选择保留四棵已经属于老花岗岩采石场的柏树。他们被修剪成一种日本式的剪影风格，以便在保存遗址历史的同时不妨碍景观。同样， 的想法是将挖掘过程中提取的岩石保持在尽可能接近自然状态的位置。因此，房子的景观设计与当地物种存在于布列塔尼生态系统(金雀，扫帚，石楠等)。财产限制用栅栏(栗子和镀锌铁)标记，总是出现在布雷顿岛的海岸上。

In the garden, we made the choice of keeping the four magnificent cypresses that were already on the property of the old granite quarry. They have been pruned in a Japanese-silhouette style so as to not obstruct the view, while preserving the history of this site. By the same token, the idea was to keep the rocks extracted during excavation, in order to maintain the garden in, as close as possible, to its natural state. Thus, the landscape of the house was designed with local species present in the Breton ecosystem (gorse, broom, heather, etc.). The property limits are marked with a fence (chestnut and galvanized iron), always present on the Breton seashore.

 © Pascal Leopold

帕斯卡·利奥波德

产品描述。原始的混凝土墙被漆成黑色，并被染色，以产生不良的外观，大的海湾窗口反映了景观，从而增强了景观的集成。实际上，使用吸收而不是反射光线的原始黑釉混凝土是使所需的不明显效果成为可能的。因此，你的眼睛没有被吸引到房子里，这似乎逐渐消失在周围的植被中。

Product Description. The raw concrete walls are painted black and stained to give a distressed look, and the large bay windows reflect the landscape, enhancing the integration into landscape. In fact, the use of the raw, black glazed concrete, which absorbs, rather than reflecting light, is what makes the desired inconspicuous effect possible. As a result, your eye isn’t attracted to the house, which appears to fade into the surrounding vegetation.