House Z22 and Warehouse F88 Gus Wüstemann Architects

2017-03-10 04:00

公司名称：上海市发布时间：2009-4-18；2009-4-18；所在地：；/；所在地；多规格少规格

Team Manuel Greter, Bianca Kilian, Valentin Kokudev, Daniel Pelach, Panagiota Sarantinoudi, Gus Wüstemann Ingenieur Born Partner AG Builder Corti AG Carpenter Cremer Bruhin AG Manufacturers Loading... More Specs Less Specs

 © Bruno Helbling

(c)BrunoHelbling

架构师提供的文本描述。这是对苏黎世市Seefeld地区一座多家庭房屋的改造，其下面是车间。自从新规定出台以来，这所房子一直处于核心区。因此，现有各卷的轮廓受到保护，该项目必须与古迹保护合作制定。

Text description provided by the architects. This is a Reconstruction of a multi-family house with workshop rooms underneath in the area Seefeld of the city of Zurich. The house has been in a core zone since the new regulations. Therefore the outlines of the existing volumes are protected and the project had to be developed in collaboration with the conservation of monuments.

 © Bruno Helbling

(c)BrunoHelbling

这个项目是一个与历史的语境对话，这所房子是170岁。历史上，巨大的石墙是应用新的现代生活方式的起点-新的类型：5个小公寓在"House"和4家居住在前车间的住宅经营者。

The project is a contextual dialogue with history, the house is 170 years old. The historic, massive stone walls were the starting point for applying new contemporary forms of living – fresh typologies: 5 small apartments in the 'house' and 4 residential ateliers in the former workshops.

 © Bruno Helbling

(c)BrunoHelbling

 © Bruno Helbling

(c)BrunoHelbling

Z22住宅是170年前建造的一座联排别墅。天然石墙是很久以前就创造出来的，但即便如此，墙还是被抹平了。现在我们已经去除了原来的灰泥层，这导致了天然石墙的原始状态，这是根本不存在的。它是指物质、建筑和“工作”本身，它是如何制造出来的？建筑社会方面，当时的资产阶级住宅，起着很小的作用，但从外面看，它仍然是同一个房子。

House Z22  The dwelling house is a townhouse built 170 years ago. The natural stone walls were created so long ago, but even then the walls were plastered. Now we have removed the original plaster layers and this led to a raw state of the natural stone walls, which never existed. It is a reference to the material, the construction and to the 'work' itself, how was it made?The architectonic-social aspect, the bourgeois house of the time, is playing a minor part but it is still the same house from the outside.

 © Bruno Helbling

(c)BrunoHelbling

在一个封闭的空间里，我们沿着天然的石墙发展了一个流动的，自由流动的空间.在一个封闭的空间里，“长廊建筑”的一种新的类型学，在那里，根据社会结构和一天中的过程，节目展开并与周围的自然石墙进行交流。

In a confined space, we have developed a flowing, free-flowing space along the natural stone walls. A new typology of 'promenade architecturale' in a confined space, where, depending on the social structure and the course of the day, the programs unfold and communicate with the periphery, the natural stone wall.

 © Bruno Helbling

(c)BrunoHelbling

内建的轻型结构是用基本石膏抹灰-并有一个岩石的外观。内建的家具是由生混凝土、生木和生石膏制成的.

The built in light weight strucures are plastered with basic plaster - and have a rocky appearance. The built-in furniture is made of raw concrete, raw wood and raw plaster.

 © Bruno Helbling

(c)BrunoHelbling

木窗直接安装在20厘米厚的实木框架的天然石板上。

The wooden windows were mounted directly onto the natural stone slabs with 20cm thick solid wooden frames.

 © Bruno Helbling

(c)BrunoHelbling

石拱门和混凝土地形图在车间里，我们用混凝土的地形图来回应天然的大石拱-这是当代对一个强大的历史元素的反应。

Stone Arches And Concrete Topography In the workshops we answered to the large natural stone arches with a topography of concrete - a contemporary response to a strong historical element.

 © Bruno Helbling

(c)BrunoHelbling

一个石头景观的程序，只是在外观边缘-构造和光在焦点，填补了空间的诗意的力量。

A stone landscape takes up programs that are only marginal in appearance - tectonics and light are in the focus, filling the space with a poetic force.

 © Bruno Helbling

(c)BrunoHelbling

我们有一米宽的天然石墙，混凝土家具和木窗，20厘米厚的实心框架。关于历史背景的对话包括“作品”、“作品”是如何和由谁制作的-当时大石头砌块被堆放在一起-今天，地形图是由钢筋混凝土形成的。

Raw Is Finished We have natural stone walls of one meter width, concrete furniture and wooden windows with a 20 cm thick solid frame. The dialogue on the historical context consists in the reference of the 'work', how and by whom was it made - at that time large stone blocks were stacked together - today, topographies were formed from reinforced concrete.

 © Bruno Helbling

(c)BrunoHelbling

是关于飞船的。

It's about the craft.

所有的元素都被放入原始的原始状态，或者它是原始的-这是对材料的致敬-没有等级划分。没有劣质的材料。社会污染和内涵消失。因此，空间变得自由和真实-就像人们一样。

All the elements were put into the raw original state or it was rebuilt raw - a tribute to the material - without hierarchization. There are no inferior materials. Social contamination and connotation disappear. As a result, the space becomes free and authentic - just as people can be.