© Glen Claydon

格伦·克莱顿

架构师提供的文本描述。在这个经常被称为世界上最好的冬季目的地之一的房子里，简单、节能、免维护的简略是直截了当的。到目前为止，在主题“山小屋”(及其与我们短暂的、不可避免地相互对立的表现形式)的大部分古怪变体的大开发中，该网站留下了最好的作品：它的资产-不受阻碍地看到东边的Yotei火山-决定了它的方向；我们对附近的房子不感兴趣(以及相应地避免)的微调安置。

Text description provided by the architects. The brief for this house in what is often referred to as one of the world’s best winter destinations was straightforward: simple, energy-efficient, maintenance-free. By far the best piece left in a fairly large development of mostly quaint variations of the theme “mountain chalet” (and their to our brief inevitably opposed manifestations), the site added to that straightforwardness: Its asset —unhindered views of the volcano Yotei to the east— dictated the orientation; our nonchalant disinterest in (and consequential avoiding of) the neighboring houses fine-tuned placement.

 Courtesy of Florian Busch Architects

弗洛里安·布施建筑师的礼遇

在一个充斥着干扰的世界里，房子变成了一个简单的过滤器：把杂乱的东西拒之门外，把视线集中在背后的宁静之美上：原野一直延伸到尤提山。

In a world inundated with distractions, the house becomes a simple filter: Shut out the clutter and open up focused views on the serene beauty that lies behind: untouched wilderness all the way up to Mt Yotei.

 © Glen Claydon

格伦·克莱顿

一旦我们走进去，这个概念就越来越明显了。一个宽阔的入口一直延伸到屋内，延伸到露台上，仿佛表明这所房子只是一扇门。当我们走向露台时，透过楼梯井瞥见天空。主床和浴室在左边和右边，可以连接在一起形成一个套房沿整个东外观。

Once we step inside, this concept is more and more evident. A wide entrance extends all the way through the house and onto the terrace, as if to show that the house really is but a gate. As we walk towards the terrace, glimpses of the sky reach us through the stairwell. Main bed and bath room are to the left and right and can be joined to form a suite along the entire east façade.

 © Glen Claydon

格伦·克莱顿

这所房子的简洁性延伸到了它的结构上，并且贯穿于整个建筑之中。一个完美的正方形平面，空间似乎是由一组横梁和柱子从里面打开的。从入口到露台的轴向空间的强烈定义是在上层放松的，在那里暴露的北海道雪松梁和柱定义了一个大的开放体积。两个小盒子，客房和浴室，放置在横梁下的西部，其余的空间包括书房，居住，就餐和厨房区域面向东。

The house’s simplicity extends to its structure, and is felt throughout. A perfect square in plan, the space seems to open from within by a set of beams and columns. The strong definition of the axial space from the entrance towards the terrace is loosened on the upper level, where the exposed Hokkaido cedar beams and columns define a large open volume. Two small boxes, guest room and bath, are placed below the beams in the western part, the remaining space contains study, living, dining, and kitchen areas facing east.

从外部看，建筑是一个均匀的体积包覆铝锌钢板，它微妙地反映周围的环境，其不断变化的色调。同样的开口，就像室内的活画一样，从外部揭示了构成房子的空间成分，构成了一套独立的元素。

From the outside, the building is a homogeneous volume clad in aluminium-zinc coated sheet steel, which subtly reflects the surroundings with their ever-changing tones. The same openings which are like live paintings in the interior reveal, from the outside, the spatial components that make up the house as a set of individual elements.

 © Glen Claydon

格伦·克莱顿

KHouse是一个简单的地方，自然环境成为房子的一部分，每小时变化的细微差别都提醒我们真正奢华的本质。顺便说一句，对奢侈的朴素、朴素的解释导致了一个更接近最初的小木屋的概念：一个简单的山里牧民小屋，栖身之所。

K House is a place of simplicity, where the natural surroundings become part of the house and in hourly changing nuances remind us of the essence of true luxury. Incidentally, the no-nonsense, frugal interpretation of luxury leads to a concept much closer to the original chalet: a simple cabin for herdsmen in the mountains, shelt

 © Glen Claydon

格伦·克莱顿

Architects Florian Busch Architects

Location Niseko, Japan

Category Houses

Team Florian Busch, Sachiko Miyazaki, Suguru Takahashi, Renee Reder

Area 197.0 m2

Project Year 2017

Photographs Glen Claydon

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