© Aitor Estevez

Aitor Estevez

架构师提供的文本描述。巴塞罗纳的新创意研究公园位于加泰罗尼亚建筑师安东尼·博尼特·卡斯特拉纳1961年设计的具有象征意义的理性主义建筑

Text description provided by the architects. The new Creative Research Park of Barcelona is located in the Canòdrom, an emblematic rationalist building designed by the Catalan architect Antoni Bonet i Castellana in 1961, that used to work as a greyhound track.

 © Aitor Estevez

Aitor Estevez

2016年大楼翻新后，“亲爱的设计工作室”赢得了建筑室内设计大赛的冠军，并提出了企业形象和标志设计方案，使项目更加协调一致。目前的挑战是使原灰狗体育场的设施适应其新功能，成为创意和文化产业中的初创企业和技术公司的一个灵活和充满活力的空间。同时，“亲爱的设计”建议通过包括反映建筑物发展过程的技术干预措施来刺激邻里关系。

After the building refurbishment in 2016, Dear Design Studio won the competition for the building's interior design, and also proposed the corporate identity and signage design, to give the project greater coherence. The challenge was to adapt the facilities of the former greyhound stadium to its new function as a flexible and dynamic space for startups and technology companies in the creative and cultural industries. At the same time, Dear Design proposed to stimulate the neighbourhood by including technological interventions that reflect the processes developed in the building.

 © Aitor Estevez

Aitor Estevez

室内设计项目寻求发展不同空间的灵活性和活力，保留建筑物历史的痕迹。中心思想是尊重和尊重Bonet的最小建筑，并通过谨慎和仔细的干预。“亲爱的设计”响应了“中心”办公室的需求，该办公室鼓励用户之间的互动，并促进当前的工作方式：灵活和适应允许用户流动的空间。

The interior design project seeks to develop the flexibility and dynamism of the different spaces, preserving traces of the building's history. The central idea is to respect and honour Bonet´s minimal architecture and through a discreet and careful intervention. Dear Design responds to the need of a “hub” office that encourages interaction among its users and promotes the current ways of working: flexibility and adaptation of the spaces that allow the mobility of the user.

 © Aitor Estevez

Aitor Estevez

“亲爱的设计”还干预了该项目的视觉特性，该项目的特点是速度、运动、进步和技术等概念，这些概念在图形上导致排版不规则地分解成不同厚度的垂直线，并以不同的距离分隔开来。

Dear Design also intervened in the visual identity of the project, which features concepts of speed, movement, progress and technology, which graphically results in the irregular decomposition of the typography into vertical lines of different thicknesses and separated by diverse distances.

 © Aitor Estevez

Aitor Estevez

温暖的材料，如木材和wwcb声学面板被用来对比现有的钢结构和混凝土地板，并创造舒适和舒适的空间。

Warm materials like wood and wwcb acoustic panels were used to contrast with the preexisting steel structure and concrete floors and to create comfortable and pleasant space.

干预中使用的家具是对建筑师Bonet的明确认可。吊灯和脚灯，由“亲爱的设计”设计，将BKF椅子的两种原始结构结合在一起，这是Antoni Bonet的原始设计，具有柔软的织物表皮。原有建筑的颜色，黄色芥末色和浅蓝色，由“亲爱的设计”(Dear Design)设计的台灯、桌子的金属结构以及保护办公室免受阳光照射的正面酒窖中恢复过来。

The furniture used in the intervention is a clear nod to the architect Bonet. The suspension and foot lamps, designed by Dear Design, combine two original structures of the BKF chair, an original design of Antoni Bonet, with a flexible fabric skin. The pre-existing colours of the original building, yellow mustard and light blue, are recovered in the table lamps, designed by Dear Design, in the metallic structures of the tables, as well as in the vinyls of the facade that protect the offices from the sun.

 © Aitor Estevez

Aitor Estevez

Architects Dear Design Studio

Location Carrer de la Riera d'Horta, 3, 08027 Barcelona, Spain

Category Institutional Buildings

Creative Director Ignasi Llauradó

Area 2312.0 m2

Project Year 2016

Photographs Aitor Estevez

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