House in Achladies Lydia Xynogala

2017-06-01 10:00

 © Yiorgis Yerolymbos

Yerolymbos

架构师提供的文本描述。这座房子坐落在一个面向大海的倾斜三角形场地上，被设想为一系列平行的相邻房间。它们是由挡土墙创造的，而挡土墙是地中海周围景观中的一个共同特征。

Text description provided by the architects. Situated on a sloping triangular site facing the sea, the house is conceived as a series of parallel adjoining rooms. They are created by retaining walls, a common feature in the surrounding Mediterranean landscape.

 © Yiorgis Yerolymbos

Yerolymbos

每个房间都位于不同的海拔高度，并包含一个专用的程序。进入卷的访问位于站点的最高级别。楼梯使斜坡流入房子。这种进入条件构成了房子的第一次内部体验，即海上观看装置的内部体验。

Each room sits at a different elevation following the topography and contains a dedicated program. Access to the entry volume is located at the highest level of the site. A stair makes the slope flow into the house. This entry condition constitutes the first interior experience of the house, that of a viewing apparatus onto the sea.

 Ground floor plan

房子的公共空间位于中心，主卧室和客房在两边。每个空间都集中在南方的一个大开口上，俯瞰着大海。北面还有一扇较小的窗户，向斜坡望去。这些开口也为每个房间提供有效的交叉通风。

The public spaces of the house are located in the center, master bedroom and guestrooms are on either side. Each space is focused on a large opening to the south, contemplating the sea. This is complemented by a smaller window to the north, looking towards the slope. These openings also provide efficient cross ventilation for each room.

 © Yiorgis Yerolymbos

Yerolymbos

卷是剪切的，这一条件确保每个室外露台都有隐私，即使卷是相邻的；没有从每个露台到下一个平台的看法。

The volumes are in shear, a condition that ensures that each outdoor terrace has privacy even if the volumes are adjoining; there are no views from each terrace to the next.

 © Yiorgis Yerolymbos

Yerolymbos

通过双层墙的滑动门标志着从一个空间到另一个空间的通道。门槛的灰色大理石强调了穿过实心墙的“切割”的概念。墙是用实心混凝土建造的，并提供很大的热质量。

Sliding doors through the double walls mark the passage from one space to the next. The notion of a “cut” through the solid walls is emphasized by the grey marble of the thresholds. Walls are constructed from solid concrete and provide large thermal mass.

 © Yiorgis Yerolymbos

Yerolymbos

 © Yiorgis Yerolymbos

Yerolymbos

东面和西面面对道路的立面和邻近的建筑物没有开口。它们保护内部免受太阳的灼热。这创造了一个几乎看不见的空间配置，传达隐私在其内部，但与最大的视野向大海。

The east and west facades that face the road and the neighboring buildings have no openings. They protect the interior from the heat of the sun. This creates a barely visible configuration of spaces conveying privacy in its interiors but with maximum views towards the sea.

 © Yiorgis Yerolymbos

Yerolymbos

在毗邻墙壁的内部，有两面墙：内置的家具和储藏空间；里面有桌子、浴室水槽、盘子梳妆台、艺术品展示。这些内置家具是自定义设计，并按照计划的中心线排列，创造了一个动态的顺序。

In the interior at adjoining walls double up: built-in furniture and storage spaces; within them are desks, bathroom sink, plate dresser, artwork display. These built-in furniture are custom designed and are arranged along the centerline of the plan creating a dynamic sequence.

 © Yiorgis Yerolymbos

Yerolymbos

“集合”的概念是材料形式和选择的生成者。体积的聚集，骨料在生混凝土墙壁，在水磨石地板，屋顶充满了砾石和植物。

The concept of “aggregate” was a generator of form and selection of materials. Aggregation of volumes, aggregate in the raw concrete walls, in the terrazzo floor, roofs filled with gravel and plants.

 © Yiorgis Yerolymbos

Yerolymbos

材料是在古希腊住宅内部非常熟悉的材料，如水磨石地板，它存在于房子内外，大理石和石膏的渲染，但在不太熟悉的空间、形式和组合中使用。

Materials were used that are very familiar in older Greek residential interiors such as terrazzo floors, which is present throughout the house inside and outside as well as marble and plaster render, but used in spaces, forms and combinations that are not so familiar.