Bruksgården Petra Gipp Arkitektur
2017-05-31 13:00
架构师提供的文本描述。Bruksg rden位于一个属于国家利益的地区,其主楼及其副翼被认为具有最高的文化价值。
Text description provided by the architects. Bruksgården is located in an area that is classified as being of national interest, where the main building and its wings are considered to be of the highest cultural value.
随着广泛的改造和增加,人们对这一历史上有价值的环境给予了极大的关注和考虑,无论是从建筑本身,还是从它的周围-城镇、广场和花园。城市街区的物质结构已恢复原来的形式,使Gruvtorget(采矿广场)的公共性质得以部分生存,尽管以前的大多数公共建筑已被改建为住房。与周围城镇的关系是很重要的-在这里,建筑被允许为新的附加物的整合创造条件,在这样做的同时,它丰富了当代城市景观,同时尊重了所有的时间层-过去、现在和未来。
With the extensive conversion and addition, great care and consideration has been given to this historically valuable environment, both in terms of the building itself and its surroundings – the town, the square, and the garden. The physical structure of the city block has been returned to its original form, making it possible for the public nature of Gruvtorget (Mining Square) to partially survive, even though most of the former public buildings have been converted into housing. The relationship with the surrounding town is important – this is where the architecture is allowed to create the conditions for the integration of new additions, and in do doing so, it enriches the contemporary urban landscape, while paying respect to all layers of time - past, present and future.
延展是对长屋的一种解释,是有意为当代印象而设计的。该结构是砖混结构中的一种整体雕塑结构,具有明显的压痕和突出截面。该项目是建立在触觉材料的基础上,可以用雕塑的方式工作。
The extension, an interpretation of the longhouse, has been deliberately designed for a contemporary impression. The addition is a coherent sculptural structure in brick and cast concrete, with obvious impressed and protruding sections. The project is based on tactile materials that are possible to work with in a sculptural way.
该项目的一个核心方面是艺术,它有意识地整合了房间、建筑布局和组织的内部和外部顺序。这种艺术有助于理解房间之间的联系,以及它们是如何相互联系的,也有助于理解更古老的和当代的时间层之间的联系。艺术可以像另一层一样,定义场所、房间、联系,以及程序和组织,其方式与人类对一个地方提出要求或居住在一个空间的行为相对应。
A central aspect of the project is the art, which integrates the inner and outer sequence of the rooms, floorplan and organisation in a conscious way. The art helps to understand the connection between the rooms and how they take hold of one other, between the older and contemporary layers of time. The art can, like another layer, define place, room, connection, as well as program and organisation in a way that corresponds to the human act of laying claim to a place, or inhabiting a space.
Architects Petra Gipp Arkitektur
Category Cultural Architecture
Project Team Petra Gipp, Jonas Hesse, Maria Videgård, Malin Heyman, Kalle Hjalmarsson, Maria Cagnoli, Marco Nathansohn.
Landscape architects Ulf Nordfjell
Photographs Jens Markus Lindhe
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