Public Market of Florianópolis Roof Top Aleph Zero

2017-06-02 09:00
 © Felipe Russo
费利佩·拉索(Felipe Russo)
架构师提供的文本描述。在项目运作的背景下,在过去160年中,由于用户涌入弗罗里亚诺波利斯公共市场,同时进行了多种时间,该市场的历史包括拆除、改变地点、几次翻修,以及几代消费者、销售人员和不同行政当局的积极参与。因此,中央跨度的新屋顶似乎是本叙述中的另一个要素,因此应尊重和增加现有的内容,而不是变得无关紧要或仅仅是封闭。建立了一个新的规模,保护其不受元素的影响,以充分支持新的额外故事:临时展览、文化表演、节日、放映、游行等。
Text description provided by the architects. There is, in the context where the project operates, a multiplicity of concurrent times, conducted in the last 160 years by the influx of users to Florianopolis Public Market, whose history includes demolitions, changes of location, several renovations, and the active participation of generations of consumers, sales people and different administrations. The new roof for the central span, then, appears as another element in this narrative, and as such should respect and add to the existing, without becoming irrelevant or being characterized as mere closure. A new scale is created, protected from the elements, in order to adequately support new additional stories: temporary exhibitions, cultural performances, festivals, screenings, parades, etc.
“有必要像鸟一样轻,而不是像羽一样轻”Val ry,Paul(1930)Apud Calvino,Go talo(1990)p.二十八
“It is necessary to be as light as the bird not as the plume” VALÉRY,Paul (1930) apud CALVINO, Ítalo (1990) p. 28
 
请记住,建筑设计本质上是一个表面,几乎不触及现有的环境,轻盈的前提理解为精确和决心(卡尔维诺,I.)是至关重要的。由此感觉到的轻盈,不仅与建筑系统的重量不足有关,而且还与重力和悬浮的“V”形钢部件之间的某种张力有关,它们稳定地盘旋,略高于现有屋顶的水平,以便在空气自由流通的地方产生空隙。为了实现这一组合,需要建立一个系统,允许实现具有最小部件的大跨度,其排列是一个简单想法的结果:两个支撑点的位置,相距36米,应发生在与现有支柱对齐的中轴线上,以保持先前空间的配置,防止新地基对历史建筑地下室产生有害干扰。在上述支柱上有一条矩形截面的主梁,中间的“肋骨”与之相连,彼此之间的跨度为11,4m,并向中央排水沟倾斜。
Bearing in mind, that the architectural design consists essentially of a surface that rests above the existing context almost without touching it, the premise of lightness understood as precision and determination (CALVINO, I.), is critical. Lightness, thus perceived, is not linked merely to an absence of weight of the constructive system, but rather to a certain tension between the force of gravity and the suspended “V” shaped steel parts that hover steadily, slightly above the level of the existing roofs in order to create a void through where the air can freely circulate. To perform this composition, a system was sought that allows for the implementation of large spans with a minimum of components and whose arrangement is the result of a simple thought: the location of the two support points, 36 meters distant from each other, should take place over the central axis aligned with the existing pillars, so as to maintain the configuration of the previous space, and to prevent the new foundations from generating harmful interference to the basement of the historic building. Over the aforementioned pillars lays a main beam in rectangular profile to which intermediate “ribs” are connected, distanced from each other in spans of 11,4m and sloping towards the central gutter.
 © Felipe Russo
费利佩·拉索(Felipe Russo)
最上面的一层由一层轻而高强度的薄膜组成,该膜可以通过一个自动系统收回,在该系统中,横梁通过机动链的牵引在钢轨内滑动,从而使织物在位于末端的滚筒上滚动。这种系统应允许上部保护层完全收缩,使天空和现有建筑物的视野畅通无阻。
The uppermost layer consists of a lightweight and high strength membrane that could be retracted through an automated system in which beams slide within rails through the traction of motorized chains, which cause the fabric to roll wrapping over the roller positioned at the extremities. Such system should allow for the full retraction of the upper protective layer providing an unobstructed view of the sky and the existing building.
 
因此,一项建议是一致的,目的是尊重地处理弗罗里亚诺波利斯公共市场历史的多样性,认为这种行动的准确进行可以加强作为开会和公众共存的民主场所的空间。
Thus, a proposal is conformed in a way that seeks to deal respectfully with the multiplicity of the history of Florianopolis Public Market, remarking, that such action carried through accurately, can enhance the space as a democratic place for meeting and public coexistence.
 © Felipe Russo
费利佩·拉索(Felipe Russo)
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Aleph Zero
Location R. Jerônimo Coelho, 60 - Centro, Florianópolis - SC, 88010-030, Brazil
Category Market
Authors Gustavo Utrabo, Pedro Duschenes
Area 1015.0 m2
Project Year 2016
Photographs Felipe Russo
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