Hide Out Dan Brunn Architecture

2017-06-08 15:00

 © Brandon Shigeta

布兰登·希格塔

架构师提供的文本描述。洛杉矶建筑师丹·布鲁恩(Dan Brunn)是丹·布鲁恩建筑公司(Dan Brunn Architecture)的首席执行官，他利用他的极简主义美学，重新设计了面积3600平方英尺(约合3600平方英尺)的前詹斯家族住宅(Janss Family居所)，这是20世纪70年代和80年代洛杉矶当代艺术界的一个中心。整个一楼被拆除，创造了一个露天的计划，为业主，艺术家詹姆斯让，以及家庭必需品的工作和展示空间。内部布置在现有的超大型长方形天窗周围。增加了新的窗户，为厨房和生活区增添了更多的自然光。布鲁恩创造了一个动态起伏的楼梯墙，并利用主要的建筑材料，如木材，混凝土和玻璃-作为对建筑形状和材料调色板，著名的格里在当时使用的点头。

Text description provided by the architects. Los Angeles‐based architect Dan Brunn, AIA, Principal of Dan Brunn Architecture, redesigned the 3,600‐square‐foot former Janss Family residence—a hub associated with the contemporary L.A. art scene in the 1970s and 1980s—by using his minimalist aesthetic, while incorporating design cues from the home’s original architect Frank Gehry, FAIA. The entire first floor was gutted to create an open‐air plan that accommodates work and display space for the owner, artist James Jean, as well as domestic necessities. Interiors are arranged around an existing oversized rectangular skylight. New windows were added to bring additional natural light into the kitchen and living areas. Brunn created a dynamic undulating staircase wall and utilized primary building materials—such as wood, concrete, and glass—as a nod to the architectural shapes and material palette famously used by Gehry at the time.

 © Brandon Shigeta

布兰登·希格塔

一条鱼鳞铜制入口通向一个压缩的前厅，开始引入白色垂直面和混凝土地面的主导主题，这两个平面都被胡桃表面破坏。在广阔的生活区之前，雕塑式的家庭陈述以富有表现力的楼梯的形式出现。第一个提示出现在到达时，从进入客厅的地方开始有一堵胡桃木墙，但在走道上有一个轻微的凸出。变化的形状和角度是对盖里和简的敬意，他在他的详细作品中以流动的阿拉伯语为特征。胡桃楼梯手工制作，扩展了空间的垂直性，向楼梯上招手。动态的猛扑形状捕捉了全天的光线，突出了木头的金色色调，因为石板鼓励了一种光与影的舞蹈。当一个人在楼梯上移动时，飞机继续移动，创造出不同的上下移动体验。

A fish‐scale copper‐clad entryway leads into a compressed vestibule that begins to introduce dominant themes of white vertical planes and the concrete ground plane, both disrupted by walnut surfaces. Before the expansive living area, the sculptural statement of the home emerges in the form of an expressive stairway. The first hint appears upon arrival, with the beginning of a walnut wall leading from the entry into the living room, but with a slight protrusion into the walkway. The shifting shapes and angles are in homage to Gehry as well as to Jean, who features flowing arabesques in his detailed work. Handcrafted, the walnut staircase extenuates the verticality of the space, beckoning one up the stairs. The dynamic swoosh shape captures the light throughout the day, accentuating the golden tones of the wood, as the slats encourage a dance of light and shadow. Planes continue to shift as one moves around the stairs, creating varied experiences going up and down.

 © Brandon Shigeta

布兰登·希格塔

 Floor Plans

平面图

 © Brandon Shigeta

布兰登·希格塔

布鲁恩在一楼的家庭/工作空间中灌输了一种开放和连续的感觉。内饰是作为一个画廊一样的设置，为业主的变化的艺术展览。长方形天窗(盖里最初计划中唯一的建筑细节)仍然是一个基本的设计元素。布鲁恩对此进行了重新思考，将其配上弹力织物，以创造出一种环境辉光，并安装能发出发光颜色的LED灯。在晚上的时间里，明亮的天花板通过色彩的发挥改变了空间的气氛。

Brunn instilled a feeling of openness and continuum throughout the first‐floor home/work space. Interiors are meant to serve as a gallery‐like setting for the homeowner’s changing art displays. The rectangular skylight (the only architectural detail executed from Gehry’s original plan) remains as a fundamental design element. Brunn re‐thought it by outfitting it with stretch fabric to create an ambient glow, and installing LED lights that can emit glowing color. During the evening hours, the glowing ceiling plane transforms the mood of the space through the play of color.

 © Brandon Shigeta

布兰登·希格塔

最小的家具定义了开放计划中的“房间”和提供舒适的座位，但允许艺术保持中心舞台。一条木炭色的区域地毯划定了谈话区域，周围是一张意大利沙发，手臂上有完整的架子，还有两张由让·普鲁维(Jean Prouvé)在1930年设计的黑色和棕色皮革吊带椅子。再生木材咖啡桌是为传统的日本细木工空间定制。这是一个恰如其分的对应物，在一个巨大的帆布中发现的精细和复杂的线条，由琼俯瞰生活区。

Minimal furnishings define “rooms” within the open plan and provide comfortable seating, yet allow art to remain center stage. A charcoal‐colored area rug demarcates the conversation area bound by an Italian sofa with integral shelves in the arms and two black‐and‐tan leather sling chairs designed by Jean Prouvé in 1930. The reclaimed timber coffee table is custom made for the space with traditional Japanese joinery. It is a fitting counterpart to the fine and intricate lines found in a massive canvas by Jean that overlooks the living area.