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古罗马人的历史乡村。重要坟墓的废墟。后来的火车站。帕索里尼热情的形象和热情的城市发展。受欢迎的建筑。人口密度罗马城的一体化地区，现在比以往任何时候都要多。

Historical countryside of the Ager Romanus. Ruins of important tombs. Railway station afterwards. Pasolini’s ardent images and fervid urban development. Popular buildings. Population density. Area integrated in the city of Rome, now more than ever.

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(Na3演播室的礼貌)

复式公寓的内部是在这种背景下，在一座新建的建筑中发现的。在这里，性格、力量和决心占上风，与不断发展的生活的轻盈和延展性相反：一个30岁以下的年轻人的性格、力量和决心。这里有一个古老的冰场。

The interior of a duplex is found in this context, in a newly erected building.Here, the character, power and determination prevail, opposed to the lightness and ductility of an evolving life: that of a young man, under thirty years of age. Here, there was an ancient ice factory.

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(Na3演播室的礼貌)

连接的重点是：一个连续的，配备了原木和铁的面板，被认为是双壁，分支成三个空间轴来加厚其中的主要建筑部件之一。通过合并、放松、蜷缩、重新打开和最后延伸的附加面板赋予结构价值；同步、倒置、交替，它们体现、展示和聚集了这个家的亲密关系：这些面板透明地看到、窥视、隐藏、发现、双重：衣柜、入口、大厅、大厨房、书架。

The connection is the focus: a continuous, equipped panel in raw iron and wood, thought as double wall, branches out into three spatial axes to thicken the consistency of one of the main building components. Value is conferred to the structure through additional panels that merge, loosen, huddle around, re-open and lastly extend; synchronous, inverted, alternate, they embody, unveil and gather the intimacy of this home: the panels are diaphanous to see, glimpse, conceal, discover, double: a wardrobe, an entrance, a hall, a large kitchen, a bookcase.

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(Na3演播室的礼貌)

居住在这些空间的人是一个正在形成的年轻人，一种进化的生活，人类希望展示自己，但也隐藏和感觉到保护。它是一个在安全和冒险之间平衡的家园。这里和现在的一切都是可能的：出于这个原因，它是一个赤裸裸的物质内部，其中的主要元素是界限，意图是划定一个边界或一个角落。原始的、坚硬的铁和高贵的延展性木材在性格上和通过所有的空间相互补偿，他们把相互的命运以一种节奏的乐谱和同步的对话赋予了对方，揭示了它们的本质。作为一种极简主义的乐谱，明显的系列性带来了单个细节的独特性和不可重复性，即使在最小的变化中也是如此。

The person inhabiting these spaces is a young man being formed, an evolving life, the human being wishes to reveal himself but also hide and feel protected. It is a home in balance between safety and adventure. Everything is possible here and now: for this reason, it is a bare, material interior where the primary element is the limit, intended as delimitation of a boundary or a corner. Raw, hard iron and noble, ductile wood compensate each other in the character and through all spaces; they attribute the reciprocal destinies to each other in a rhythmic score and dialogue in synch, revealing their essence. And as a minimalist musical score, apparent seriality brings out the uniqueness and unrepeatability of the single detail, even if in minimal changes.

 Section C-C'

C-C节

这个角落，被认为是一种纽带，从一幅从来没有边际的画中脱颖而出，但它是活着的，被指定的，重新生活的。在规模上：两个重型材料枢纽，在出发和到达-木材在地板上，完全铁在板-线布局的悬臂踏板在中心是轻的。有两种不同的观点：从下面观察到的铁骨架状结构，而从顶部，整个身体在木头和铁，在它的整体。一个不断提醒的三维空间，集中在角落的边缘，稀薄的镜子，但同时创造了不寻常的光学错觉。木天花板反映地板设计和复制容器的分配速度。

The corner, thought as bond, stands out from a drawing that is never marginal, but alive, designated and re-lived. As in the scale: the two heavy material hubs, at departure and arrival – wood on the floor and totally iron in the slab – the linear layout of the cantilevered treads at the centre is instead light. Two different views are present: the iron skeleton-like structure viewed from below, while from the top, the entire body in wood and iron, in its whole. A constant reminder to the three dimensions, focused on the edges of the corner, rarefied by the mirrors but at the same time creating unusual optical illusions. The wood ceiling reflects the floor design and reproduces the distribution pace of the container.

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感觉是对空间的疏离和重新发现，这是一个新的挑战：回到角落，回到极限-就像在足球中一样-然后从那里恢复。

The sensation is that of alienation and re-discovery of the space, a new challenge by going back to the corner, to the limit – as in football- and then resume from it.

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一个连续的带子，首先是前缘，然后是扶手，沿着连接在板子上的楼梯末端运行，配置一个保护装置，让人想起拳击圈的绳索。在主卧室中，衣柜的中央固定位置将私人空间分隔开来，产生了不同的功能：部分路径和容器，部分床头板和服务器。橡木地板的设计是为了展示居民沿着铁板行走的道路；大框架的窗户向内插入，然后恢复城市景观所注入的发现和惊讶的感觉。空间流畅，与预先建造的或过时的模型分离。伴随着生活在现代时代的人的生活的权宜之计。

A continuous band, first skirting and then handrail, runs along the stairway ending attached to the slab, configuring a protection that reminds the ropes of a boxing ring. In the master bedroom, the central, fixed position of the wardrobe divides and separates the private space, creating different functions: partly path and container, and partly headboard and server. The floor in oak is designed to bring out the resident’s paths along the iron panels; the large framed windows to introject and then revert the feeling of discovery and astonishment instilled by the urban landscape. The spaces are fluent, detached from pre-built or outdated models. Expedients that accompany the life of a man living in the modern age.

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Architects NA3 Studio di Architettura

Location Rome, Italy

Category Apartment Interiors

Project Year 2017

Photographs Courtesy of NA3 Studio