House on Top ISV Architects

2017-06-12 11:00

 © George Messaritakis

乔治·梅萨里塔基斯

架构师提供的文本描述。这所房子利用了情节的优点，缝了将近210度的雅典盆地的全景，从山的角度看。到艾吉纳岛。潜在的突出的观点需要一个颠倒布局的建筑物-开玩笑地命名为“屋顶上的房子”项目。所有不以编程方式要求扩大外部视野的区域都形成了一个基座，其顶部位于起居室街区，达到允许的最高高度，并通过楼梯(或故意低调的电梯)进入。在这个项目中，住宅的楼梯被认为是房屋空间结构的主题。有三层高的内部空间，有一个暴露的混凝土侧壁和一个引人注目的、圆形的、黑色的金属楼梯几乎在空隙中盘旋，它确保了一楼入口和二楼客厅之间的连接永远不会被错过。客厅本身布局比较简单，与就餐区和半开放式厨房相统一。一个14米宽的从地板到天花板的玻璃立面，允许将室内与菲斯托斯石完成的室外游泳池甲板统一起来，允许从起居室和厨房的每个地方完全进入令人叹为观止的视野和屋顶游泳池。按照严格的规划规定，甲板上没有钢架或其他永久性建筑，它的阴影是由安装在玻璃窗正面上的巨大门架上的大型可伸缩帐篷获得的。

Text description provided by the architects. The house takes advantage of the plot's merits, stitching an almost 210 o panoramic view of the Athenian basin that spans from Mt. Penteli to the island of Aegina. The potential for outstanding views called for an upside-down layout of the building - playfully nicknaming it as the “House On Top” project. All areas that did not programmatically call for extended outside views formed a pedestal on top of which is located the living room block, reaching the maximum permitted height and being accessed via the stairs (or the intentionally understated elevator). A project within the project, the residence’s staircase is conceived as the main theme of the house’s spatial structure. With a triple storey high internal space, featuring an exposed concrete side wall and a dramatic, rounded, black matte metal staircase almost hovering in the void, it ensures that the connection between the ground floor entrance and the second floor living room will never be missed. The living room area itself is rather simple in its layout, unified with the dining area and the semi -open plan kitchen. A 14m wide, floor to ceiling glass facade, permits the unification of the interior with the Phaestos stone finished pool deck outside, allowing full access to the breathtaking view and the rooftop pool from every spot in the living room and the kitchen. Abiding to the strict planning regulations, the deck has no pergolas or other permanent structures on it, its shading obtained by large retractable tents housed in the massive lintel above the glazed facade.

 © George Messaritakis

乔治·梅萨里塔基斯

根据业主的内部简介，每个房间都有自己的特点，但始终与触觉材料调色板保持一致，这与房子的整体概念是一致的。白色的灰泥，漂白的橡木表面，暴露的混凝土和黑色的色调导致了一个轻微的去饱和调色板，白天反射自然光，晚上综合建筑照明。这种受限的材料调色板来源于一种室内设计方法，这种设计方法故意局限于背景角色，承认在一天结束时，主人的生活才会在房子里展开。这种设计方法非但没有暗示建筑上的不足，反而在实践中得到了证明，因为室内业主选择家具时并没有破坏住宅的整体建筑价值。

According to the owners’  brief for the interior, every room has its own character, yet remains consistent to a tactile material palette on a par with the overall concept of the house. Off-white plaster, bleached oak surfaces, exposed concrete and black overtones resulted in a slightly desaturated palette, reflecting the natural light during the day and the integrated architectural lighting at night. This restrained material palette originates from an interior design approach that is willfully limited to a background role, acknowledging the fact that in the end of the day it is the owner’s life that will unfold in the house. Far from implying any architectural shortage, this design  approach was proved in action, since the selection of furniture by the owners fitted in the interior  without undermining the overall architectural values of the residence.

 © George Messaritakis

乔治·梅萨里塔基斯

 © George Messaritakis

乔治·梅萨里塔基斯

住宅立面是住宅整体概念的缩影，是住宅建筑的实际传播者。尽管它是一个单一的立面建筑，“顶层的房子”脱颖而出，同时融入城市，以一种尊重社区和增强其吸引力的方式。考虑到雅典混乱的城市环境，这并不容易实现。

Epitomizing the overall concept, the facade of the residence is the actual communicator of its architecture. Despite the fact that it is a single elevation building, “House On Top” stands out and in the same time blends in the city, in a way that shows respect to the neighborhood and enhances its appeal. Considering Athens chaotic urban environment this was no easy feat to achieve.