架构师提供的文本描述。乌托邦实验室的首席建筑师余挺解释说：“我坚持在设计上建立一种双重关系，我和艺术家，伊泽崎和我，我的旧工程和新项目，周围的建筑和艺术家的房子，艺术家的绘画和住宅，所有这些信息都通向平房。

Text description provided by the architects. Yu Ting, the Principal Architect at Wutopia Lab, explains: "I insist on the establishment of a dual relationship in the design, me and the artist, Isozaki and me, my old project and new one, the surrounding buildings and artist's house, artists’ paintings and residence, all these information leads to Plain house.

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艺术家李斌有两个工作室。第一和第二工作室，分别由伊泽佐基和乌托邦实验室设计。李先生希望这次装修能把生活功能从第一个演播室转移到第二个演播室。现在，第一个工作室被改建为自己的博物馆，而第二个工作室被改建为画家的房子。一座桥把这两个空间连接起来。

Artist Li Bin has two studios. The first and the second studios, respectively, are designed by Isozaki and Wutopia Lab. Li wanted the renovation to shift the living functions from the first studio to the second studio. The first studio has now been repurposed as his own museum, while the second studio has been converted into his house, a painter's house. A bridge connects these two spaces.

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除了一个车库，茶室，客厅，其中包括厨房和餐厅，一楼包括两个存储空间，他的作品。在二楼有“他的”和“她的”卧室，一个书房，可以用作仆人的小区，和一个工作阳台。连接第一间工作室和第二间工作室的桥梁从二楼卧室之间的一个共同空间开始。

In addition to a garage, tea room, and living room which contains the kitchen and the dining room, the first floor includes two storage spaces for his works. On the second floor there are “his” and “hers” bedrooms, a study which can be used as a servant’s quarter, and a work balcony. The bridge connecting the first studio to the second studio begins at a mutual space between the two second floor bedrooms.

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内墙是灰色的，是李画的理想背景颜色。与目前的单色色彩相比，我们用李的商标颜色，红色，来油漆客厅。客厅天花板的西南角有一个奇异的天窗。红色的光芒随着天气和时间的变化而变化，在色彩和光线这两种元素相互作用的高潮，客厅呈现出一种无法形容的气氛。这是建筑中的“神圣”空间。这些窗户使平原的房子变成了天空照明的房子；不同大小的洞口允许光从室内流过。

The inner walls were painted gray, an ideal backdrop color for Li’s paintings. In contrast to the thus far monochromatic use of color, we used Li’s trademark color, red, to paint the living room. A singular skylight was positioned in the southwest corner of the living room ceiling. The radiance of the red changes with the weather and the time of day, at the climax of the interplay between these two elements, color and light, the living room takes on an ineffable atmosphere. It is the “sacred” space in the building’s parti. These windows make Plain house into a sky lit house; the different sized openings allow light to waterfall into the interior.

 First Floor Plan

一层平面图

 Second Floor Plan

二层平面图

平房的外墙是浅灰色的。在外部油漆完全干燥之前，我们使用木模将叶子图案印在外墙上，使灰色的外部在阳光下闪闪发光。我们用萤石来烘干墙上裙子的石头图案，希望它能像星星一样闪耀在上面的夜空中。门面上有两种类型的窗户，一种是旧窗户，另一种是旧窗户。正方形的窗户是从旧的建筑，艺术家想申请在平房。考虑到事实，这些窗户的大小和颜色是不同的。所有的位置都是根据设计的需要设计的。这些新旧窗户装饰着平房的屋顶和门面。

Plain House’s façade is a lighter gray. Before the exterior paint fully dried, we use a wooden mold to print leaf patterns onto the façade, making the gray exterior shimmer in the sunlight. We used fluorite to dry the stone design of the skirt of the wall, hoping it may shine like a star in the night sky above. There are two types of windows on the façade, the old windows and the old ones. Square windows were from old buildings, which the artist wants to apply on Plain house. Given to the fact, size and color of these windows are different. All the positions are designed according to the design’s needs. These new and old windows decorate the roof and the facade of Plain house. 

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由于成本的原因，我们没有使用耐候钢，当钢板被侵蚀时呈现出美丽的金黄色，然后我们刷过防锈漆，它变成了一种深褐，院子里有一棵大樟树，所以房子的北侧被树干和树根所包围。这棵树的树冠不可避免地靠在房子上。出于对树的尊重，这里的墙向内倾斜。为了突出这棵树的质地，我们把这部分的材质改成了钢。这种钢将随着自然环境而成熟。

As a result of the cost, we did not use weathering steel, when the steel plate is eroded presenting a beautiful golden yellow, then we brushed anti-rust paint, it become a deep brown.There is a large camphor tree in the courtyard, so the north side of the house is bounded by the tree’s trunk and roots. The tree’s canopy inevitably presses up against the house. Out of respect for the tree, the wall here is sloped inwards. In order to highlight the tree’s texture, we changed the material of this part of the façade into steel. The steel will mature with the natural environment. 

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艺术家李斌参与了施工过程。在建筑的中心有一个小的天空照亮的空间，“空间”。这位艺术家把墙壁漆成了天蓝色。蓝色墙壁的边界与天空模糊。因此，来自蓝色天空的光与蓝色的墙壁产生共鸣，给空间以一种虚幻的光芒。有人忘记了楼梯和电梯之间的空间。

The artist, Li Bin was involved in the construction process. At the heart of the building there is a small sky lit space, “the” space. The artist painted the walls a sky blue. The boundaries of the blue walls blur with the sky above. As a result, the light from the blue sky resonates with the blue walls giving the space an ethereal glow. One forgets this space exists between the staircase and the elevator.

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南面的外观是艺术家自己设计的。该印章的穿孔铁板允许照明，除了隐私和安全。这封印章定义了房子的南面。

The façade of the south side holds a seal of the artist's own design. The seal’s perforated iron plating allows for lighting in addition to privacy and security. This seal defines the south side of the house.

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随着时间的推移，艺术家的房子变得简单而朴素。

As time has passed, the artist's house has grown to become simple and plain.

Architects Wutopia Lab

Location China

Category Houses

Architect in Charge YU Ting

Design Team XIA Murong, HUANG He, SONG Mengjiao, PAN Dali

Area 250.0 m2

Project Year 2017