© Luc Roymans

卢克·罗曼斯

架构师提供的文本描述。有着无边无际风景的美丽情节.。但不幸的是在一家卡车公司旁边。如何充分利用这两个矛盾的影响？我们的概念：我们把一所狭长而高大的房子放在包裹的最右边。房产本身就像一个屏幕，遮住了右边那个难看、吵闹的邻居。

Text description provided by the architects. A beautiful plot with endless views... but unfortunately next to a truckers company. How to make the most of these two contradictory influences?Our concept: we placed a narrow, long and tall house on the far right of the parcel. The property itself acts as a screen to cover up the unsightly, noisy neighbour on the right.

 © Luc Roymans

卢克·罗曼斯

房子的右边有一个盲目的正面，而另一边则自由地向一个阳光明媚的大花园敞开，那里几乎没有舰队的踪迹和伴随而来的咆哮声。或者所有的东西是如何通过一种非典型的植入和音量的选择而到位的.长卷的头包含着车库，并且是封闭在街道上的。孩子们的房间在上面，这里的音量向左移动，还有一扇大窗户。这样，孩子们就可以从床上看到风景。奖励：它给正面的高度提供了一个很好的动力。音量的后端是一个角度和充分的玻璃。这样，客厅就能最大限度地享受全景中最好的部分。房子的形状自然地产生于环境中，它的简单性很强。

The right side of the house has a blind facade, while the other side opens freely towards a large, sunny garden, where there is little evidence left of the fleet and accompanying roar. Or how everything falls into place by an atypical choice of implantation and volume ...The head of the lengthy volume contains the garage and is closed towards the street. Above lie the children's rooms, here the volume got a shift towards the left and a large window. This way, the children can marvel to the vista from their beds. Bonus: it gives a nice dynamic to the front elevation.The back end of the volume is cut at an angle and fully glazed. Doing so, the living room maximally enjoys the best part of the panorama.The shape of the house that thus naturally arose from the conditions, is strong in its simplicity.

 © Luc Roymans

卢克·罗曼斯

 © Luc Roymans

卢克·罗曼斯

窗户很大，而且是有意识地植入的，就像巨大的木制画布，构成了景观的框架。它们有助于形状的纯洁。没有什么能干扰它。花园的门是砖砌的，卫生间的窗户装在一个更大的整体里，一个较小的卧室窗户隐藏在大气的幽闭砖石后面.所有这些大窗户都在外面安装有水平板条的屏风。阳光和隐私不断地被居民们的愿望过滤，一块活泼的砖块给整体带来了质感和个性。否则，整体的外观会变得过于光滑，内部将继续保持形式和物化的纯洁性。

The windows are large and implanted consciously, like gigantic wooden canvases that frame the landscape. They contribute to the purity of shape. And nothing could disturb it. A garden door is lined with brick, a restroom window is included in a larger whole, a smaller bedroom window is hidden behind atmospheric claustra-masonry...All those big windows are fitted along the outside with screens with horizontal slats. The sun and privacy are continuously filtered to the wishes of the residents.A vivacious brick brings texture and character to the whole. Otherwise, the overall look would have became too slick.The interior continues the purity of form and materialisation.

 © Luc Roymans

卢克·罗曼斯

材料数量有限。面板混凝土中的非抹灰墙是研究的起点。木材单板质地相似，色泽和谐。白色的浇铸地板和白色的抹灰天花板让混凝土和饰面更加坚固。厨房用当地浇铸的混凝土台面和白色人造石柜来补充这个调色板。在卧室里，木地板温暖了气氛，房子里的气氛平静、纯净，专注于乡村的宁静。广阔，缓缓倾斜的田野，一些树木，一个孤独的房子。你可以盯着看几个小时。一个很好的地方，在忙碌的一天之后回到家，充满了冲动。

There is a limited number of materials. Non-plastered walls in planked concrete were the starting point. Wood veneer with similar texture and colour matches harmoniously. The white cast floor and white plastered ceiling let the concrete and veneer emerge even stronger. The kitchen complements this palette with a locally cast concrete countertop and white artificial stone cabinets. In the bedrooms, the atmosphere is warmed by wood parquet flooring.The mood in the house is serene, pure and focused on the tranquillity of the countryside. Vast, gently sloping fields, some trees, a lonely house. You can stare for hours. A nice place to come home to after a busy day filled with impulses.

 © Luc Roymans

卢克·罗曼斯

Architects DMOA architects

Location Bierbeek, Belgium

Category Houses

Lead Architects Charlotte Gryspeerdt, Benjamin Denef, Matthias Mattelaer

Area 440.0 m2

Project Year 2015

Photographs Luc Roymans

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