The Cave COTAPAREDES Arquitectos

2017-07-04 12:00

了解建筑师的最好方法是了解他们的项目，他们为我们说话，当我们的工作是诚实的时候，他们会揭开我们的面具，他们是我们的镜子。洞穴背后有一种关于我是谁的东西，那是一个封闭的立方体的形式，它试图向世界隐藏，同时展示出一个矛盾的开口，也许我不想与世界分离，作为一个证据，这些狭小的裂缝显示出人类的一种特征，即渴望被人知晓和爱。

The best way to get to know an architect is to know their projects, they speak for us, unmask us when the work is honest, they exist as a mirror of who we are. There is something behind the cave that speaks of who I am, that form of an enclosed cube that seeks to be hidden from the world, while showing openings that exhibit a contradiction, perhaps I do not want to remain apart from the world, as a proof these narrow cracks show a characteristic from mankind, The longing of being known and loved.

 © César Béjar

césar Béja

这片土地位于瓜达拉哈拉大都市区内，是许多私人共管公寓之一，由大墙划定，这是墨西哥日益不安全的结果。正是这种混乱的城市之间的二元性，以及对与世隔绝和避风港的探索，才产生了内省建筑。

The land is located within the metropolitan area of Guadalajara, in one of many private condominiums delimited by large walls, as a result of increased insecurity in Mexico. It is this duality among a chaotic city and the search for isolation and shelter, what generates Introspective Architecture.

 © César Béjar

césar Béja

一种旨在对用户隐私给予根本重要性的建筑，它创造了一种将光的正确管理和空间的流动性结合在一起的氛围。

An Architecture that seeks to give a fundamental importance to the user's privacy, generating an atmosphere that combines the correct management of light and the fluidity of spaces.

 © César Béjar

césar Béja

这个项目产生于倾听客户的需求：在依赖列表中，一个空间似乎是基本的，在地下室需要一个多用途的房间，客户的家人可以在那里花费大量的优质时间。我们认为引入了一个双高天井，可以为地下室提供自然照明和通风。

The project was born from listening the client's needs: within the list of dependencies, a space seemed fundamental, a multipurpose room located on the basement was needed where the client´s family would spend a lot of quality time. We thought of introducing a double height patio that would provide natural lighting and ventilation to the basement.

这给我们提供了一个完美的借口来种植一棵能给太空带来个性的树。

This gave us the perfect excuse to plant a tree that would bring character to the space.

 © César Béjar

césar Béja

在一楼，树冠上升，填补了由双高所产生的空隙，它的树枝延伸到周围的空间。这一空隙充当了一个发音者，在两层的入口和餐厅之间产生了间接的空间关系，空间可以被看到，但不能被触及。

On the ground floor, the crown of the tree rises, filling the void generated by the double heights, extending its branches throughout the surrounding spaces. This void acts as an articulator, causing an indirect spatial relationship between the entrance on both levels and the dining room, the spaces can be seen but not touched.

 © César Béjar

césar Béja

当你进入房子，无论是在地下室还是地下，树欢迎你，作为一个主人，张开双臂向你致敬。

When you enter the house, whether by the basement or the ground floor, the tree welcomes you, as a host who opens its arms to salute you.

 Ground Floor Plan

餐厅面向情节的背面，位于一个双高的空间上，与地下室露台的空隙相通，并产生一个分段的三重高度，一旦被发现，就会让观众大吃一惊。朝南，一扇大窗户沐浴在光的空间中，两者连成双峰。

Oriented towards the back of the plot the dining room is located on a space with a double height, it communicates with the void of the patio on the basement, and generates a segmented triple height that causes astonishment to the viewer once it is discovered. Facing south, a large window bathes in light the space of both concatenated double heights.

 © César Béjar

césar Béja

在儿童房间所在的第二层。一个带有坚实扶手的楼梯会给我们带来一个雕塑般的空间，这反过来让我们发现了另一个双高，它与房子的最后一层相关，主房间是通过一个露台照明的。一扇窗户能捕捉到东方的光芒，让房子的暖气散去。

On the second level where the rooms of the children are located. A staircase with a solid handrail brings a sculptural approach to the space, which in turn let us discover another double height that relates with the last level of the house where the main room is illuminated through a patio. A window that captures the light of the east, lets the warm air of the house escape.

 © César Béjar

césar Béja

外部形态：一个位于石基上的立方体，力求尽可能封闭，但打开必要的沟槽，以激发观众对了解内部情况的兴趣。

The outer form: a cube that sits on a stone base, seeks to be as closed as possible but opening the grooves necessary to provoke in the viewer an interest in knowing what goes on inside.