V-A Museum AL_A

2017-07-04 02:00

工程师(SMEP)Arup工料测量师Aecom照明设计师DHA设计历史建筑顾问Giles Quarme

Engineers (SMEP) Arup Quantity Surveyor Aecom Lighting Designer DHA Designs Historic Building Adviser Giles Quarme & Associates Planning Consultant DP9 Project Manager Lendlease Main contractor Wates Specialist AWS Contractor PAYE Specialist Subcontractors Koninklijke Tichelaar Makkum – porcelain tiles; Octatube – oculus; Midland Alloy – Aston Webb Screen gates; Astins – gallery ceiling; EE Stairs – gallery staircase; Cornish Concrete – stepped terrace; Mazorati Ronchetti – café bar Principal Amanda Levete Project Director Alice Dietsch Project Architect Matt Wilkinson Team Ho-Yin Ng, Maximiliano Arrocet, Alex Bulygin, Blandine Plenard, Chiara Zaccagnini, Fernando Ruiz Barberan, Filippo Previtali, Giulio Pellizzon, Matthew Riley, Michael Levy, Michael Wetmore, Patrick Drewello, Peter Angrave, Peter King, Raffael Petrovic, Robert Rice, Rumen Stefanov, Song Jie Lim, Stefano Bertotti, Stephen Citrone, Win Assakul Client Victoria & Albert Museum Manufacturers Loading... More Specs Less Specs

 © Hufton + Crow

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架构师提供的文本描述。V

Text description provided by the architects. The V&A Exhibition Road Quarter took six years to realise and transforms the V&A’s former boilerhouse yard on London’s great cultural artery, Exhibition Road. This new entrance connects the Museum with its neighbours, reinforcing the Albertopolis vision of intellectual ambition and innovation and creates a sequence of major new spaces.

 © Hufton + Crow

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萨克勒庭院是世界上第一个全瓷公共庭院，由11000多块手工瓷砖组成，灵感来源于V级陶瓷的丰富传统。

The Sackler Courtyard is the world’s first all-porcelain public courtyard, and comprises over 11,000 handmade porcelain tiles, inspired by the rich tradition of ceramics at the V&A. This new public space for London also houses a café with furniture designed for the space by AL_A and manufactured by Moroso. The Sackler Courtyard reveals architecturally significant façades and details that have never previously been seen by the public. These include sgraffito decoration on the side of the Henry Cole Wing – a decorative Renaissance technique using multiple layers of coloured plaster created by the first art students at the Museum, in the late 19th century. The stonework of the Aston Webb Screen retains the damage that World War II inflicted on the Museum, which is reflected in 11 sets of new metal gates, designed by AL_A. The gates have been manufactured with a pattern of perforations tracing the imprint of the shrapnel damage on the stonework as well as the Royal Crest in the central gate

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 © Hufton + Crow

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布拉瓦尼克大厅是一个新的空间，将改变游客的体验和发现博物馆和收藏品。将新展出的罗伯特·H·何家庭基金会佛教艺术画廊、多萝西和迈克尔·辛茨雕塑画廊连接起来，布拉瓦特尼克大厅可以直接看到约翰·马德斯基花园，通往一家新店，并连接到历史悠久的陶瓷楼梯和萨克勒艺术教育中心，后者重新开放，展出了新的约翰·里昂慈善社区画廊。

The Blavatnik Hall is a new space that will transform how visitors experience and discover the Museum and collections. Connecting the newly displayed Robert H. N. Ho Family Foundation Galleries of Buddhist Art and the Dorothy and Michael Hintze Sculpture Galleries, The Blavatnik Hall gives views through to The John Madejski Garden, leads to a new shop, and connects to the historic Ceramic Staircase as well as the Sackler Centre for arts education, which reopens featuring the new John Lyon’s Charity Community Gallery.

 © Hufton + Crow

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多才多艺，11亿平方米的无柱圣斯伯里画廊是英国最大的临时展览馆之一。这个灵活的展览空间位于专门用于艺术处理、保存和准备空间的地板之上。新的空间延伸到地下18米，就在V号的西边。

The versatile, 1,100m sq column-free Sainsbury Gallery is one of the largest temporary exhibition galleries in the UK. This flexible exhibition space sits above a floor dedicated to art handling, conservation and preparation space. The new spaces reach as far as 18 metres below ground, directly beneath the Western Range of the V&A’s Grade I listed buildings: a daring engineering and construction challenge that is made visible to the public by steel columns and a beam painted in vivid international orange that are literally holding the weight of history and the Museum’s priceless collections above.