House of an Architect L

2017-07-07 06:00

 © Filip Dujardin

c.Filip Dujardin

架构师提供的文本描述。这是我为我的家庭和办公室建造的第一栋房子。

Text description provided by the architects. This is the first house I built for my family and office.

这所房子有一个预制的混凝土结构。钢和木头是用来做窗户的，深色的屋顶瓷砖制造了一个外壳.

This house has a prefabricated concrete structure. Steel and wood are used for the windows and dark-colored roof tiles create a shell.

 © Filip Dujardin

c.Filip Dujardin

 © Filip Dujardin

c.Filip Dujardin

预制混凝土结构产生了一种方案。木质垂直板覆盖技术，作为硬木地板的延伸。一个倾斜的后端适合于信封，以充分受益于朝向太阳的方向。

The prefabricated concrete structure results in a plan libre. Wooden vertical boards cover the techniques and serve as an extension of the hardwood floors. A slanting rear-end fits to the envelope to fully benefit from the orientation towards the sun.

 © Filip Dujardin

c.Filip Dujardin

家庭通过使用材料来表达自己的性格。它试图用最少的材料讲述一个连贯的故事。相干性是通过指定每一种材料的确定位置来获得的.

The home expresses its character through the use of materials. It is an attempt to tell a coherent tale with a minimum of materials. Coherence is obtained by assigning each material its well-determined place.

 © Filip Dujardin

c.Filip Dujardin

每一种材料都有自己的位置，就像一块拼图：瓷砖，钢铁，外面的木头，里面的木头，混凝土，天然的石头。这种一致性在触觉层次中进一步存在。不要碰冷的材料。空旷的木工是实木，用钢框架。开关固定在木板上。脚总是走在木地板上或闪烁的天然石头上。即使一个人不愿意接触混凝土，这里的触觉更具有视觉性质。通过抛光，结果将是一个柔软的，天鹅绒的效果，尤其是在晚上强调的人造光。外部将具有尖锐，边缘鳞片的效果，由叠加的瓷砖。整座建筑的形状都会参差不齐，难以控制。只有从更近的地方看它，入口才会被发现是用木头做的。

Every material has its place as one piece of a puzzle: tiles, steel, wood outside, wood inside, concrete, natural stone. This coherence is further present in the tactile hierarchy. One will refrain from touching cold materials. The open carpentry is solid wood, framed in steel. Switches are fixed to wooden skirting boards. Feet will always walk on wooden floors or flashed natural stone. Even though one would be reluctant to touch concrete, here the tactility is of a more visual nature. By polishing it, the result will be a soft, velveteen effect, emphasized all the more in the evenings by artificial light. The outside will have the sharp, edgy scale effect obtained by the superposition of the tiles. The shape of the building as a whole will be jagged, unruly. Only by looking at it from closer-up the entrance is revealed as framed in wood.