“天空是一片昏厥的蓝色-下面，一巴掌的粉饰。”太阳和最蓝的蓝色，最白的白色的混响。立方体，几何图形线，动物光，像蝉的翅膀一样颤抖和振动。“

“Sky of a fainting blue - beneath, a slap of whitewash. Reverberation of sun and the bluest blue, the whitest white. Cubes, geometric lines, animal light that trembles and vibrates like the wings of a cicada.” 

劳尔·布兰德在“os pescadore”中的发言

Raul Brandão in “Os pescadores”

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

类似形状和大小的空地沿着高尔夫球场排列，为独立住宅的新城市化设置了一个框架。什么都没有建造。由于未来建筑的不确定性程度，房子变得内向。

Empty plots of similar shapes and sizes are aligned along a golf course, setting a frame for new urbanization of detached houses. Nothing was built. Due to the degree of uncertainty regarding future constructions, the house becomes introverted.

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

 Ground Floor Plan

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

两个白色的墙(几乎)完全退出任何直接接触的未来邻居，设置明确的边界。在它们之间，一个立方体形状的建筑内部景观，每一个都安排了一个单一的功能，提供了安全感和保护感，同时仔细地设计了远处的景观。只有一个水平的容量，其中包含游泳池，与这种逻辑相矛盾，从墙壁出来，提供了一个自愿曝光的可能性，短暂的，然后回到房子。

Two white walls (almost) completely withdraw any direct contact from future neighbors, setting clear boundaries. Between them, an architectural inner landscape of cubic shapes, each arranging a single function, provides a sense of security and protection while carefully framing the distant landscape. Only a horizontal volume, containing the swimming pool, contradicts this logic projecting itself to the South, emerging from the walls to offer a possibility of volunteered exposure, for a brief moment, before returning to the house.

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯