251 1st Street ODA New York

2017-07-26 09:30
架构师提供的文本描述。位于布鲁克林令人垂涎的公园斜坡社区的第四大道和第一街的拐角处,251被官方发展援助第一名纽约是该公司对改善城市地区生活质量的坚定承诺的最新表现。在这种情况下-从其详细记录在案的剧本中拿出一页-官方发展援助以一连串的挫折和梯田影响了大楼的上部,产生了大量的室外空间,以及多个单元的曝光。
Text description provided by the architects. Situated at the corner of 4th Avenue and 1st Street in the coveted Park Slope neighborhood of Brooklyn, 251 1st by ODA New York is the firm’s latest manifestation of its steadfast commitment to improving quality of life in urban areas. In this case—taking a page from its well-documented playbook—ODA’s inflected the building’s upper massing with a cascade of setbacks and terraces, yielding substantial outdoor space, as well as multiple exposures for units.
 © Miguel de Guzman / Imagen Subliminal
米格尔·德古兹曼/意象·潜意识
除了灯光和室外区域外,通过这种方式进行的聚集也提供了一个敏感的上下文点点头:在熙熙攘攘的第四大道上,一个更正式、更封闭的外观-适合于主要的商业动脉-让位于沿第一街的梯田的多孔推拉,设计语言旨在模仿小面积的褐石,并与第一条街的亲密接触,更多的住宅质量。
In addition to light and outdoor area, playing with the massing in this way also provides a sensitive contextual nod: A more formal, closed exterior on bustling 4th Avenue—suitable for the major commercial artery—gives way to the porous push and pull of the terracing along 1st Street, design language meant to mimic the small scale of area brownstones and to engage with 1st’s intimate, more residential quality.
在这种不同外部元素之间的相互作用中,251第一区还提到了一种抽象的暗流-代际和文化的转变。布鲁克林曾经是一个沉闷、主要居住的外围区,它继续转型为纽约市伟大的文化中心之一。换句话说,布鲁克林不断变化的身份的两条腿都在251-1的外部得到了表达。
In this interaction between disparate exterior elements, 251 1st also references an abstract undercurrent—the generational and cultural shift, as Brooklyn, a once sleepy, largely residential outer borough, continues its transformation into one of NYC’s great cultural epicenters. In other words, both legs of Brooklyn’s changing identity receive expression on the exterior of 251 1st.
 Render © Heroes Visuals
渲染英雄视觉
 © Miguel de Guzman / Imagen Subliminal
米格尔·德古兹曼/意象·潜意识
在内部,官方发展援助的设计被认为是一种城市绿洲。虽然当代佳能的整洁线条和朴实无华的几何图形在外观上很突出,但大厅-开放的、有计划的、满铺的、24小时的(通过门卫和虚拟门房)-有一种柔和、明显自然、几乎是禅宗的氛围,非常注重材料:丰富的森林、混凝土和金属的混合体。在大堂的休息区,居住的绿色墙壁通过透明的前、后玻璃获得充足的光线。
Inside, ODA’s design is conceived as a kind of urban oasis. While the clean lines and unabashed geometry of the contemporary canon are prominent on the exterior, the lobby—open planned, full-floored and attended 24 hours (via doorman and virtual concierge)—has a softer, distinctly natural, almost zen-like aura, with a strong emphasis on materials: a rich medley of woods, concrete, and metals. In the lobby’s lounge areas, living green wall receive ample light through transparent front and rear glass.
 Render © Heroes Visuals
渲染英雄视觉
相比之下,单位的特点是低调的调色板-通常情况下,都是精心设计的。宽木板白橡树地板躺在高耸的天花板下,由地板到天花板的玻璃窗和门所限制。洗衣房、二次浴室和主浴室分别配备了意大利大理石、进口瓷器和白磨石大理石。还有十一间光线充足的顶层公寓,从曼哈顿的天际线一直延伸到Verrezano-NarrowsBridge,尽收眼底。
Units, in contrast, feature muted palettes—and are, per usual, elegantly appointed. Wide plank white oaks floors lay beneath soaring ceilings, circumscribed by floor-to- ceiling glass windows and doors. Powder rooms, secondary baths, and master baths are outfitted with Italian marble, imported porcelain, and white honed marble, respectively. And eleven light-filled penthouses boast panoramic vistas reaching from the Manhattan skyline to the Verrezano-Narrows Bridge.
 © Miguel de Guzman / Imagen Subliminal
米格尔·德古兹曼/意象·潜意识
 © Miguel de Guzman / Imagen Subliminal
米格尔·德古兹曼/意象·潜意识
而且,正如官方发展援助的居民所期待的那样,这座建筑提供了大量的便利设施,从熟悉的-两个阳光浸透的庭院、一个美化的露台-到华丽的意料之外的地方:入门楼层图书馆、婴儿车贴身员、健身/瑜伽室,甚至还有宠物美容站等。
And, as ODA residents have come to expect, the building features a generous slew of amenities, from the familiar—two sun-soaked courtyards, a landscaped terrace—to the luxuriantly unexpected: an entry floor library, stroller valet, fitness/yoga room, and even a pet grooming station, among others.
 © Miguel de Guzman / Imagen Subliminal
米格尔·德古兹曼/意象·潜意识
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects ODA New York
Location 251 1st St, Brooklyn, NY 11215, United States
Lead Architects Eran Chen, P. Christian Bailey, Ryoko Okada, Dongyoung Kim, Hadas Brayer, Vi Nguyen, Asuncion Tapia
Area 80000.0 ft2
Project Year 2017
Photographs Miguel de Guzman / Imagen Subliminal
Category Apartments
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