Kew House McLaren.Excell

2017-07-26 03:00

架构师提供的文本描述。Kew House涉及到对位于里士满的维多利亚时代伦敦住宅和前马厩庭院的彻底改造，将一座由许多小房间组成的房子变成了一系列精心设计的空间，使房子能够呼吸和流动。

Text description provided by the architects. Kew House involved the complete re-structuring of a Victorian London house and former stable yard in Richmond, turning a house of many small rooms into a series of orchestrated spaces that allow the house to breathe and flow.

 © Simone Bossi

西蒙尼·博西

该项目主要涉及建造一个后部延伸部分，其中包括两个倒角形式，相互嵌套在一起。从外部看，这座建筑的延伸部分与原来房子的油漆后外墙的背景形成了鲜明的对比-它高傲而独特，墙壁的灰白色和凹凸不平的砖石铺在石灰灰泥上，粗糙地涂在砖头上，刷得很重。

The project principally involved the building of a rear extension, comprising of two chamfered forms nestling together. Externally, the extension sits in sharp contrast to the background of the painted-out rear façade of the original house – standing proud and distinct, with walls of pale and pitted masonry bedded down on lime mortar applied roughly and heavily brushed across the brick face.

 Ground Floor Demolition Details

底层拆除细节

 Ground Floor Plan

外表的简单掩盖了隐蔽结构、交错倾斜的屋顶和楔形墙的复杂性逐渐变细的窗户和门所揭示出的外部的多面性更加突出-它们的深度和阴影提供了巨大的质量，再加上粗糙的尖尖的砖块和接地的混凝土基座，形成了一个具有质量感和持久性的结构，仿佛是从一块岩石上雕刻出来的。

The simplicity of the exterior belies the complexity of concealed structures, interlocking pitched roofs and wedge shaped walls – all neatly resolved so as not to compromise the purity of form. The faceted nature of the exterior is accentuated by tapering window and door reveals – their depth and shadow lend a massive quality which, together with the rough pointed brickwork and grounding concrete plinths, results in a structure possessed with a sense of mass and permanence, as though carved out of a rock.

 © Simone Bossi

西蒙尼·博西

在内部，形式和结构结合在一起，产生戏剧性的折叠和连锁天花板景观，将两种外部形式缝合在一起，把房子的新旧元素结合在一起。质量和坚固的主题仍在继续，现场的混凝土元素定义了房间的布置，并为室内设计提供了骨干。

Internally, the form and structure combine to produce a dramatic folding and interlocking ceiling-scape, stitching together the two external forms and bringing together the old and new elements of the house. The theme of mass and solidity continues, with in-situ concrete elements defining the arrangement of rooms and providing the backbone to the interior scheme.

 © Simone Bossi

西蒙尼·博西

混凝土地板淹没了内部，形成了视觉基础，形成了该方案所依赖的具体结构元素：中央脊骨墙构成了建筑的核心，周围是循环空间、楼梯、衣帽间和厨房，而雕塑式的混凝土工作岛位于主要居住空间的中心。花园的景色是通过巨大的洞口形成的，它的位置集中在花园中心的成熟木兰树上，它的深度提供了可以坐在上面的深窗台。

A concrete floor floods the interior and forms the visual base to the concrete structural elements on which the scheme pivots: a central spine wall forms the core of the building around which circulation space, the staircase, a cloakroom and the kitchen all hang, and a sculptural concrete work island sits at the centre of the main living space. Views of the garden have been framed through monumental openings, positioned to converge on the mature Magnolia tree at the center of the garden, whose depth provides deep sills on which to sit.

 © Simone Bossi

西蒙尼·博西

结构的重力是由内墙板和细木工。细长的橡木槽和墙板隐藏了大量的储存，并为方案提供了必要的视觉提升和柔软性。与面外，浮雕是用来动画的内部表面。日光是通过一个深窗和屋顶灯被仔细控制的，面板延伸到房子内的房间里-以百叶窗的形式穿过海湾的窗户，过滤日光，提供隐私，与恢复的维多利亚时代的细节并排坐着。

The structural gravitas is tempered by the internal wall paneling and joinery. Slender oak fluting and wall panels conceal extensive storage and give a necessary visual lift and softness to the scheme. As with the faceted exterior, relief is used to animate the interior surfaces. Daylight is carefully controlled through a deep window and roof light reveals, and the paneling extends into the period rooms within the house - running across bay windows in the form of a shutter, filtering daylight and providing privacy, sitting in juxtaposition to the restored Victorian detailing.

 © Simone Bossi

西蒙尼·博西

一个简单的橡木楼梯从房子里升起来简单的卧室和浴室完成了计划，完成了从下面泥土雕塑的过渡。

A simply crafted oak staircase rises up through the house – ascending from the crepuscular entrance hall, light fills and hallways and landings as the stair climbs. Simple bedrooms and bathrooms finish the scheme and complete the transition from the earthy sculptural massing below.