架构师提供的文本描述。该地点位于福岛县的福岛市。我有个计划，要在我家人拥有的地盘上盖房子。那是一块被火烧毁的裸地。这发生在日本东部大地震后半年。地震后，我的生活经历了一次挫折。

Text description provided by the architects. The site is at Fukushima city in Fukushima prefecture. I had a plan to build my house on the site that my family owns. The site was a piece of bare land burned down by fire. It happened a half year after The Great East Japan Earthquake. After the earthquake, I suffered a down turn in my life.

 © Shinkenchiku-sha

(三)新干线-沙

 © Shinkenchiku-sha

(三)新干线-沙

例如，福岛地震造成的破坏及其造成的核污染是毁灭性的。此外，我祖母的死也影响了我的私生活。在这种情况下，我设想了一个开放的架构。

For example, the damage due to the earthquake in Fukushima and the resulting nuclear pollution caused by it was devastating. In addition, my grandmother’s death has affected my personal life. In the midst of that situation, I envisioned an open Architecture.

 © Shinkenchiku-sha

(三)新干线-沙

我思考了自然和建筑之间的关系，以及如何几何地放置立方体。内墙创造了丰富的生命，并将其与外墙无缝地联系在一起。

I thought about the relationship between nature and architecture, where and how to place the cube geometrically. The internal wall creates an abundance of life and relates it seamlessly to the external wall.

提供柔韧的涂饰触摸外墙，为表面我使用了隔板。在内部，通过代表传统木结构建筑的框架结构，创造了民居的空间和氛围。

Providing a flexible finishing touch to the external wall, for the surface I used clapboard. In the inside, by representing a frame work of conventional wooden architecture, it made possible to create space and atmosphere of a folk dwelling.

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按角度分开的九个立方体创造了和谐，以及各种空间的长度或大小等等。在内部，它有一系列的墙壁，构成与外部环境的链接。入口处有一个周围的环境，使家庭有一个自然的外观。

The nine cubes that are split by angles create harmony and various spaces by length or size and so on. Inside, it has a succession of walls that constitutes a link to the external environment. The entrance has a surrounding that gives the home a natural look.

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内部视图数组创建序列。因为它是我自己的家，我创造了一个空间构图，这使得它有可能更新为扩展。我的目标是“在框架内生活”。这就像一种住在老民居里的生活方式。它与社会背景和家庭结构相适应。

The array of internal view creates a sequence. Because it is my own home, I create a spatial composition, which makes it possible to renew for expansion. It was my goal to ‘’live within the frameworks’’. This is similar to a way of living in an old folk home. It adapts to social background and family structure.

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生活在它中的人们被它所更新，并完成了“秋天的新陈代谢”的使命。为了完成任务，我使用的建筑材料只适用于准火区的建筑，很少使用任何装饰材料。

The people who live in it are refreshed by it, and achieve the mission of ‘’Metabolism in the Fall’’. To satisfy the mission, I used building material that is only necessary for the architecture of Quasi-Fire zones and I hardly used any finishing material.

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我的计划是和我妈妈住在一起。隔壁有两套我自己的公寓。在同一站点上，我计划再构建一个分钟的多维数据集。这可以共享房屋的功能，并成为节点的核心。

The plan was for me to live with my mother. Next door, there are two apartments that I own. On the same site, I plan to build an additional minute building cube. This can share the function of the house and be the core to the node.

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为了达到这一目的，浴室位于一个很容易从外部进入的地方。因为我妈妈每天都要上音乐课，所以很多孩子进进出出。我的愿望是，网站创造快乐和快乐。我希望孩子们的视野成为房子的一部分。然后，我可以向邻居展示开放的环境。

To achieve this purpose, the bathroom is located at a location that is easily accessible from the outside. Since my mother holds a daily music class, many kids enter and exit the house. My wish is that the site creates happiness and joy. I hope the view of kids becomes part of the house. Then, I can show the open environment to the neighborhood.

Architects BHIS, K's planning

Location Fukushima-shi, Japan

Architect in Charge Cohta Asano, Kazuhito Sato

Area 0.0 m2

Project Year 2016

Photographs Shinkenchiku-sha

Category Houses