© Romulo Fialdini

c.Romulo Fialdini

架构师提供的文本描述。根据“RINO Levi建筑与城市”(RINO Levi Architecture And City)一书，Romano Guerra出版社，第254页：“一系列内省住宅的第四个项目，这座住宅发展了圣何塞·多斯·坎波斯教堂和礼拜堂采用的建筑设计方法：一个独特的空间，由带有开放式花园的两侧条纹和一条覆盖和保护的中央地带组成。中心的空间是客厅和餐厅，它延伸到两侧花园的保护下。这一独特空间的划定是由房子的结构提供的：后面是卧室；右边是厨房、储藏室和早餐室；左边是带厕所的前厅、地下地窖和一间小房间；在前面，服务处和车库，带着管家宿舍的特殊情况，一片白色的音量，为街道增色和蒙蔽。“

Text description provided by the architects. According to the book RINO LEVI Architecture and City, Romano Guerra publisher, p.254: "Fourth project of the series of introspective houses, this residence develops the architectural design approach adopted in the church and chapel of São José dos Campos: a unique space, built of two side stripes with open gardens and a covered and protected central strip. The central space is the living and dining room, which extends through the side gardens protected by pergolas. The delimitation of this unique space is provided by the structure of the house: in the back, the bedrooms; on the right side, the kitchen, pantry and breakfast room; on the left side, the vestibule with toilet, acess to the underground cellar and a small room; in the front, the services and the garage, with the peculiar situation of the housekeeper dormitories, a white volume, raised and blinded for the street."

 © Romulo Fialdini

c.Romulo Fialdini

 Ground Floor Plan

 © Romulo Fialdini

c.Romulo Fialdini

南里奥格兰德联邦大学建筑系教授兼研究员Ana Elísia da Costa在其博士论文“O Gosto por Sutil”中写道。达尼埃勒·卡拉比和里诺·莱维的大教堂之间的汇合处：

For Ana Elísia da Costa, professor and researcher at the Faculty of Architecture of Federal University of Rio Grande do Sul, in her PhD thesis titled O Gosto por Sutil. Confluence between the Patio Houses of Daniele Calabi and Rino Levi:

“这所房子占了一批又窄又长的半块地。”从前面的挫折中，安排了三卷：在地段的前部，在细长的柱子上有一个小块，用来遮挡车库和管家的依赖；在中间，有一个大的长方形棱镜，带有小的横向挫折，组织房子的主要结构；在地块的后面，有一个棚屋，它吸收了地面的几何不规则性，容纳了客房和聚会室。所得到的集体积是纯的，通过主棱镜的水平度和细长柱上体积的垂直度之间的对立面来得到表达。

"The house occupies a narrow and long half-block batch. From the front setback, three volumes are arranged: in the front part of the lot, a small block on slender columns, that shelters the garage and the housekeeper dependencies; to the center, a large rectangular prism, with small lateral setback, that organizes the main structure of the house; and, in the back part of the lot, a shed, which absorbs the geometrical irregularity of the ground and accomodates guest rooms and party room. The resulting volumetry of the set is pure and gains expression through the contraposition between the horizontality of the main prism and the verticality of the volume on slender columns.

 © Romulo Fialdini

c.Romulo Fialdini

 © Romulo Fialdini

c.Romulo Fialdini

主棱镜被一个大的中央庭院撕裂，作为一个组成中心，它组织了住宅的三面分区-右侧的服务部门，通过车库的独立通道；左边的通道和主要流通渠道；停车场后面的私营部门，确保卧室的隐私和有利的太阳能方向(西北)。体积的周边占据源自中央空虚，这是这一类型结构中的经典，它违反了社会部门过道的配置，以一种不寻常的方式“侵入”大露台。

The main prism is torn by a large central courtyard, which, as a compositional center, organizes the zoning of the house on three sides - service sector in the right side, with independent access through the garage; access and main circulation in the left side; private sector at the back of the lot, ensuring privacy to the bedrooms and favorable solar orientation (northwest). The peripheral occupation of the volume stem from the central void, as is classic in this typological scheme, is transgressed with the disposition of the aisle of the social sector, which in an unusual way "invades" the great patio."

 © André Scarpa

安德烈斯卡帕

最初由建筑师里诺·莱维(Rino Levi)和他的团队设计的许多最初的执行项目，都是FAU USP图书馆保护成果的一部分，没有向公众开放。我们可以查阅的材料是市政厅批准项目的一些图纸、执行计划和一些细节。

Much of the original executive project, designed by the architect Rino Levi and his team, is in the part of the conservation acquis of the library of FAU USP, without access to the general public. The material available and to which we had access are copies of some drawings of the city hall approval project, executive plans and some details.

这些图纸中的一些对于理解住宅建筑，尤其是住宅的精神和建筑设计方法具有重要意义。

Some of these drawings were presented of great importance for understanding the construction and above all, the spirit and architectural design approach of the residence.

 © André Scarpa

安德烈斯卡帕

一般来说，花园和园林的重要性与建筑本身一样重要，在被占领和空旷的地区，或者建筑和花园的节奏中。在绘画研究中，发现了园林原图。下面我们复制的计划与景观设计和这些空洞的建设，发现在FAU USP的集合。

The gardens and landscaping, in general, are just as important as the construction itself, setting in this rhythm of the occupied and empty areas, or building and gardens. In the research of the drawings, original drawings of the gardens were found. Below we copy the plan with the landscaping design and the construction of these voids, found in the collections of FAU USP.

为了进行干预，在罗伯托·伯勒·马克思办公室工作的景观设计师克拉拉·凯塞和科伊蒂·莫里被录用，他们对其作者进行了调查。这里是关于住宅花园的菜园的看法：“专业、激烈的互动知识，以及里诺·莱维和布尔·马克思合作开展的广泛作品的证明，使花园来自园林设计师和艺术家这一假设成为可能。事实上，有一些对他们有利的具体迹象，比如在花园里有一些常年和/或更大种类的植物，伯尔·马克思欣赏并在类似的背景下使用：有一些群体或协会熟悉他们的语言。

For the intervention the landscape designers Klara Kaiser and Koiti Mori who worked in the office of Roberto Burle Marx were hired, they were who made the investigation of its authorship. Here is the opinion of the landscapers about the gardens of the residence: "The knowledge of professional intense interaction and the testimony of a wide range of works carried out in partnership between Rino Levi and Burle Marx makes plausible the assumption that the garden is from the landscaper and artist. And there are, in fact, some concrete indications in their favor, such as the presence of some perennial and / or larger species of plants in the gardens that Burle Marx appreciated and used in similar contexts: there are some groupings or associations familiar to their language.

 © André Scarpa

安德烈斯卡帕

然而，在收藏品中发现的计划似乎不是来自艺术家的办公室。证明这一点，首先是一些地区的正式解决办法，植物清单的组织，物种的鉴定形式，甚至几个物种的拼写。

However, the plan found in the collections does not appear to be from the artist's office. Testify against it, first of all, the formal solutions of some areas, the organization of the plants list, the forms of identification of the species, and even the spelling of several species.

 © André Scarpa

安德烈斯卡帕

面对所发现的情况，我们的初步理解是，在不影响对花园原创项目的进一步研究的情况下，我们的任务是理解新的建筑方案，基本上是基于Rino Levi‘s Self项目的指导方针。从本质上讲，使该项目作为建筑设计方法的基本特征，强调建筑空间和花园区域之间的交替，同时创造一个用途分区，一种特殊的空间理解节奏，最后但并非最不重要的是，为每个使用场所创造特定的环境。“

In face of what was found, our preliminary understanding is that without prejudice to furthers research about the authorship original project of the garden, the task is to understand the new building program, based essentially on the guidelines emanating from the Rino Levi's self Project. In essence, make the project emphasize, as the essential feature of the architectural design approach, the alternation between the built spaces and the garden areas, creating at the same time a zoning of uses, a peculiar rhythm of apprehension of space and last but not least, the creation of specific environments for each place of use."

clássicos da Armisetura：Residência Castor Delgado Perez/Rino Levi

Clássicos da Arquitetura: Residência Castor Delgado Perez / Rino Levi

Architects Piratininga Arquitetos Associados

Location 9 de Julho, 5170 - Bela Vista, São Paulo - SP, 01406-200, Brazil

Author José Armênio de Brito Cruz

Area 483.0 m2

Project Year 2016

Photographs André Scarpa, Romulo Fialdini

Category Gallery