© Rasmus Hjortshøj

.Rasmus Hjortsh j

架构师提供的文本描述。克兰是一种身临其境的多感官体验。里面是丹麦独有的黑色设计，以纪念其作为煤炭起重机的过去。外面是海洋，天空，海港和哥本哈根的全景。一个创造性的，有凝聚力的概念，在这个私人务虚会为两人。

Text description provided by the architects. THE KRANE is an immersive, multi-sensory experience. Inside is exclusive Danish design in black in homage to its past as a coal crane. Outside is the sea, sky, harbour and panoramic views over Copenhagen. An inventive, cohesive concept in this private retreat for two.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

克兰是一片美丽的绿洲，坐落在丹麦首都诺德哈文(Nordhavn)边缘的工业景观中。诺德哈文是丹麦最后一个正在翻新的港口之一。这一概念由富有远见的所有者Klaus Kastbjerg和建筑师/建筑大师Mads M ller领导，他来自Arcential，建立在它黑暗的过去基础上，作为一台起重机，通过使用黑色作为整个配色方案来装载煤炭。在这个多层结构中培养一种舒缓的宁静感，包括一楼的接待区、一楼的称为玻璃盒的会议室、二楼的水疗中心和露台，以及顶部的休憩间和带休息室和露台的Krane客房。

THE KRANE is an aesthetic oasis amidst an industrial landscape on the edge of Nordhavn, one of the last harbours under renovation in Denmark’s capital. Spearheaded by visionary owner Klaus Kastbjerg and architect / master builder Mads Møller from Arcgency, the concept builds on its dark past as a crane for loading coal by using black as the colour scheme throughout. Fostering a soothing sense of serenity inside this multi-tiered structure comprised of a reception area on the ground floor, a meeting room called the GLASS BOX on the first floor, a spa and terrace on the second floor, and a retreat on top called the KRANE ROOM with a lounge and terrace.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

它反映了丹麦在奢侈品问题上的不那么多的立场，在这种情况下，任何无关的东西都会被淘汰，而只有利于本质的东西。内部，被压抑的黑色内部设置的场景，就像一个画框，为通畅的观点哥本哈根和更远。

It reflects Denmark’s less-is-more stance on luxury, where anything extraneous is eliminated favouring only what’s essential. Inside, the subdued black interior sets the scene like a picture frame for the unobstructed views over Copenhagen and beyond.

艺术就是观点

The Art is the View

踏进Krane，你就会立刻感觉到丹麦DNA深处对奢侈品的重新定义。轻描淡写的优雅，只有必需品。莫勒解释说：“这都是愿景的一部分，重点是视觉、声音和感觉的融合(丹麦语中的大气)。”莫勒解释道，他的摄政项目包括Vipp庇护所、Absalon教堂、集装箱办公室、第一叠。

Step inside THE KRANE and you’ll instantly sense a re-definition of luxury deep in the Danish DNA. An understated elegance with only the essentials. It’s all part of the vision, where the focus has been the integration of sensations - sight, sound and stemning (the Danish word for atmosphere),” explains Møller, whose Arcgency projects include the Vipp Shelter, the Absalon Church, the Container Office, STACK I & II made with upcycled, repurposed shipping containers developed in collaboration with Kastbjerg. “THE KRANE involved a 360-degree inside / outside approach. Natural light directly affects how we feel in a space and our happiness overall. So we optimised the inside to capture natural daylight and set the stage for the views of the water outside. Curating the perfect materials and carefully calibrating how the light reflects the surfaces and how that impacts the way people perceive their surroundings. Then there’s the water outside. The water is probably 80% of THE KRANE experience. In Denmark, during the summer we have longer days of sunlight from about 5 am till 10 pm. Along the coastline, the light is very soft and diffused. From inside THE KRANE, even stormy weather looks amazing.”

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

黑色阴影

 Shades of Black

除了暗示煤炭，黑色在静音和尽量减少视觉干扰方面起着关键作用，因此人们感觉几乎被包围在内部。同时，黑色戏剧化了外界变化的光线和令人叹为观止的观点.对莫勒来说，黑色不仅仅是黑色。“有数百种不同的黑色。根据时间的不同，你可以看到很多细微的细微差别。“对Kastbjerg来说，“通常你去一家酒店，就会发生上千件事情。你在酒店是为了减轻工作压力，但现在你必须从酒店解除压力。有了克兰，黑色的内饰加上香脆的白色床单，一切都变得安静起来。你可以感到平静，平静。欣赏作为艺术的风景。“

In addition to its allusions to coal, black plays a pivotal role in muting and minimising visual distractions so people feel almost enveloped in the interior. At the same time, black dramatizes the changing light and breath-taking views outside. For Møller, black isn’t just black. “There are hundreds of different shades of black. Depending on the time of day, you can see so many subtle nuances.” For Kastbjerg, “Usually you go to a hotel and a thousand things are happening. You’re at the hotel to de-stress from work but now you have to de-stress from the hotel. With THE KRANE, the black interior combined with the crispy white bed sheets makes everything quiet. You can feel calm, at peace. Enjoying the view as the art.”

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

皮革，木头，石头和钢铁。他们只是一些高贵的材料，你会看到家具，设计和装饰细节。家具不仅是为适应概念和尺寸而定制的，内部结构也因此而消失-床铺、座椅和橱柜被整合在墙板上，功能部件被隐藏起来。其结果是一个额外的发现元素，在那里，物体变成了令人惊叹的静物中的雕塑。每件事都是由工匠手工制作的，以纪念丹麦在工艺方面的专长。增加了更多的排他性。

Leather, wood, stone and steel. They’re just some of the noble materials you’ll see in the furniture, designs and décor details. Not only is the furniture custom-made to fit the concept and the dimensions, the interior is constructed so the primary pieces disappear - with the beds, seating and cupboards integrated into wall panels and the functional pieces hidden away. The result is an extra element of discovery, where objects become like sculptures in a stunning still life. Everything is handcrafted by artisans in homage to Denmark’s expertise in craftsmanship. Adding even more to the exclusivity.

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

旧的重生变成新的东西

The Old Reincarnated Into Something New

就地点而言，Krane是排他性的，但也是包容性的。无论您是租用居住空间、水疗中心、会议室还是接待区，您都可以离开城市，而不会感到太遥远，但距离城市的脉搏只有几分钟的路程。Kastbjerg解释说：“在丹麦很难找到这样的港口，诺德哈文仍然有一个工业的外观和感觉，吸引企业家，工匠和其他人。我们保持了那种粗犷的工业感觉，增加了一些意想不到的东西。一个古老的机舱，现在是一个高端的休息，在那里你可以享受香槟和壮观的景色。这就是奢侈。“

In terms of location, THE KRANE is exclusive yet inclusive. Whether you’re renting the living space, spa, meeting room or reception area, you’re removed from the city without feeling too remote, yet close to the pulse of the city just minutes away. “It’s rare to find a harbour like this in Denmark,” explains Kastbjerg, “Nordhavn still has an industrial look and feel that’s attracting entrepreneurs, artisans and others. We kept that rough, industrial feeling and added something unexpected. An old engine room that’s now a high-end retreat where you can enjoy champagne and a spectacular view. Now that’s luxury.”

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

 Side Elevation

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

考虑到只有50平方米的顶层，包括卧室，休息室和露台，每个细节都很重要。当你考虑到外面巨大的空间感时，这是一个欺骗性的大小。与Kastbjerg展示丹麦设计的意图相匹配的一个令人惊叹的因素。“我和ArneJacobsen和VernerPanton的家人一起工作过，”Kastbjerg说。因此，我希望Krane给出一些丹麦在全球舞台上最具创新性的品牌的信号。“寻找高知名度的丹麦品牌的生活方式和设计，选择他们的签名风格，无可挑剔的质量和工艺。

Given the 50 m2 of the top level alone, encompassing the bedroom, lounge and terrace, every detail matters. It’s a deceptive size when you consider the enormous sense of space outside. A wow factor matched by Kastbjerg’s intention to showcase Danish design. “I’ve worked with the families of Arne Jacobsen and Verner Panton,” notes Kastbjerg. So I wanted THE KRANE to signal some of Denmark’s most innovative brands on the global arena.” Look for high-profile Danish brands within lifestyle and design, selected for their signature style, impeccable quality and craftsmanship. 

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

当其他城市对被忽视的地区进行改造，最终消除其过去的吸引力时，克兰人却以一个新的存在理由来纪念它的过去。“你怎么能告诉你的孩子关于一个旧的工业港口，如果没有剩下的？”新建筑没有同样的魅力和故事可讲。我想保留起重机，把它变成诺德哈文的图标。我认为我们已经与麦德斯，他在阿肯色州的团队，以及所有为这一结果做出贡献的人一起实现了这一目标。这是一次美妙的经历。我们花了两年时间，所以很高兴能和那些有着同样梦想的人合作。“

While other cities renovate areas overlooked and end up eliminating appealing aspects of their past, THE KRANE honours its past with a new reason for being. “How can you tell your kids about an old industrial port if there’s nothing left of it? New buildings don’t have the same charm or story to tell. I wanted to retain the crane and transform it into an icon for Nordhavn. Which I think we’ve achieved with Mads, his team at Arcgency and everyone else who contributed to the outcome. It was a fantastic experience. It took us two years, so it was nice to collaborate with people who shared the same dream.”

 © Rasmus Hjortshøj

.Rasmus Hjortsh j

Architects Arcgency

Location Skudehavnsvej 1, 2150 Nordhavn,Copenhagen, Denmark

Area 285.0 m2

Project Year 2017

Photographs Rasmus Hjortshøj

Category Installations & Structures

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