架构师提供的文本描述。总之，这不是一个容易的任务。

Text description provided by the architects. All in all, it was not an easy task.

一座建于20世纪70年代的无痛办公楼，楼层间的自由高度不足，但同时又高于现行法律允许的高度，建在铁路拱门上方，使其受到无法忍受的高振动。

An anodyne office building from the 1970s with not enough free height between the floor structures but at the same time higher than the current law allows, constructed above railway arches which subjected it to an insufferably high level of vibration.

丑陋，太高，同时又太低，最重要的是，喧闹得令人难以忍受.你还能要什么？

Ugly, too high, and at the same time, too low, and above all, unbearably noisy... what else can you ask for?

 © Adrià Goula

(AdriàGoula)

基于上述三个条件因素，本项目基于以下三个概念：

With the above three conditioning factors, the project was based around these three concepts:

技术：这使我们可以安装一些地震减震器，每个支柱在底层，启动液压千斤顶。该系统将建筑物分为两部分，将街道层的所有东西与地下室分开，从而实现酒店所需的舒适。

The Technology: this allowed us to install some seismic shock absorbers to each pillar on the ground floor level, activated by hydraulic jacks. This system divided the building into two parts leaving everything at street level separate from the basement, thus achieving the comfort that a hotel requires.

 © Adrià Goula

(AdriàGoula)

美学：在室内，这个项目建立了现存的建筑之间的对话，它是赤裸的和暴露的，它作为一家酒店的用途，在非常高质量的伴侣里展现出来，不会超出每个房间的范围。

The Aesthetic: in the interior the project establishes a dialogue between the existent structure, which is left naked and exposed, and its use as a hotel, which is revealed in very high quality mate- rials which do not go beyond the perimeters of each room.

因此，在有混凝土地板、金属柱子和天花板拱顶的空间中，通过使用木材、陶瓷和灰泥，建立了一种对话，不允许这两种元素相互侵入，其中可以找到一些经过精心挑选和完全照明的家具。

Therefore, in spaces with concrete floors, metal pillars and ceiling vaults, revealed by the use of wood, ceramic and plaster, a dialogue is established in which the two elements are not allowed to intrude on one another, and amongst which, some carefully chosen and perfectly lit pieces of furniture can be found.

 © Adrià Goula

(AdriàGoula)

城市：立面，建筑与周围环境的联系方式，作为一种过滤位置的方法，尽管它是非常中央的，但由于靠近巴尔墨斯街，它让人感到不舒服。

The City: the facade, the manner in which a building relates to its surroundings, works as a way to filter out aspects of the location, which despite being very central, is made uncomfortable by the close proximity of Balmes Street. 

 © Adrià Goula

(AdriàGoula)

因此，立面由深度很大的垂直和横向元素组成，这会调节模糊的垂直节奏，因此很难计算出建筑物的楼层数。然后，外墙被五个木箱打乱，这些木箱就像阳台一样。陶瓷是为外墙选择的，这是一种与城市历史有很强联系的材料，音乐对此有着额外的价值。

A façade was thus composed of vertical and horizontal elements of great depth, which modulate a blurred vertical rhythm, making it difficult to work out the building’s number of floors. The façade is then disrupted by five wooden boxes, which act as balconies. Ceramic was chosen for the façade, a material which has a strong link to the city’s history, to which an extra value was added – music. 

 © Adrià Goula

(AdriàGoula)

在Cerámica Cumella和IAAC的帮助下，我们发明了一种基于声音的算法，该算法建立了一个机器人在挤压过程中雕刻在陶瓷表面的模型，这个过程使我们能够创造出无限多件，每件都是独特的，不同的，但每一件都有相同的图案。

With the help of Cerámica Cumella and the IAAC, we invented an algorithm which, based on sound, created a model which a robot then engraved on the surface of the ceramic during its extrusion. This process allowed us to create an infinite number of pieces, each one unique and different but each with the same pattern.

 © Adrià Goula

(AdriàGoula)

在这首乐曲中，马克斯·里克特创作的“Vivaldi再创作”被选中。这个作品，就像我们的项目一样，使用过去的一些东西作为基础，在这个例子中，Vivaldi的“四季”(Four Seasons)被赋予了一个现代的转折。

For this piece, the musical composition “Vivaldi Recomposed” by Max Richter was chosen. This piece, like our project, uses as its base something from the past, in this case Vivaldi’s Four Seasons, which are then given a modern twist. 

 © Adrià Goula

(AdriàGoula)

同样的系统被用来创造伟大的陶瓷壁画，它填满了整个底层，从接待处开始，一直延伸到餐厅的后面。

The same system is used to create the great ceramic mural which fills the whole of the ground floor, starting at reception and reaches right to the back of the restaurant.

Architects Isern Associats

Location Carrer de Còrsega, 291, 08008 Barcelona, Spain

Architect in Charge Daniel Isern

Area 7365.0 m2

Project Year 2016

Photographs Adrià Goula

Category Hotels

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