The Terraces House Accent Design Group

2017-08-18 02:00

 © Jad Ghorayeb

c.Jad Ghoraye

架构师提供的文本描述。黎巴嫩楚夫山的一座独栋别墅的设计，从景观和领土中汲取了灵感。别墅位于BRIH小村庄，在黎巴嫩战争期间目睹了破坏和荒凉。

Text description provided by the architects. The design for a single-family villa in the Chouf mountains in Lebanon, took its inspiration from the landscape and the territory. The villa is located in the small village of Brih, which witnessed destruction and desolation during the Lebanese war.

这一概念以两卷书的形式演变而成，分开但通过正门/大厅相连：正面是公共功能，后面是两层结构中的家庭区域。由此产生的U形配置覆盖了一个带有游泳池的室外空间，几乎就像一个私人广场，对景观开放。

The concept evolved as a composition in two volumes, separate yet connected through the main entrance/lobby: on the frontal side, the public functions, and in the back the family areas contained in a two-storey structure. The resulting U-shape configuration encloses an outdoor space with a pool, almost like a private piazza, open to the landscape.

 © Jad Ghorayeb

c.Jad Ghoraye

通往别墅的途径是在山下蜿蜒曲折的道路上，经过梯级橄榄林，这遵循着自然的地形。这座建筑强调了这一水平构成，作为终点，将天然石材与对比白色灰泥结合在一起。

The approach to the villa is through a meandering road at the bottom of the hill, passing though the terraced olive groves, which follow the natural topography. The building accentuates this horizontal composition, as a terminal point, combining natural stone with a contrasting white stucco in its finishing.

 © Jad Ghorayeb

c.Jad Ghoraye

 Ground Floor Plan

 © Jad Ghorayeb

c.Jad Ghoraye

别墅通过这种敏感的元素排列，隐约地嵌入在场地内，从以现代形式呈现的传统形式的类型学中，衍生出其极简主义的美学。它重新诠释了传统的类型学，向景观开放，同时重新创造了一系列的通道和庭院，让人联想到传统建筑。这座房子避免了当代对“魅力”形式的迷恋，也避免了反动强加的“不朽”豪宅，而是把重点放在景观、环境和历史的整合上。

The villa embeds itself discretely within the site through this sensitive arrangement of elements, deriving its minimalistic aesthetic from the typology of traditional forms, rendered in modern forms. It reinterprets the traditional typology by opening up to the landscape, while recreating a sequence of passages and patios reminiscent of traditional architecture. The house avoids contemporary fascination with ‘glamorous’ forms, or the reactionary imposition of ‘monumental’ mansions, focusing instead on the integration in the landscape, the context, and its history.