© Ben Hosking

本·霍斯金

架构师提供的文本描述。这所房子紧靠着一条蜿蜒的山脊，坐落在菲什克里克小镇的郊区。房子周围是一堵质地很好的砖墙，以应对当地强风和附近一条乡间公路的暴露位置。这堵长长的墙像一条粗糙的毛毯，包裹着房子里三个嵌套的黑色木材展馆，为他们提供了栖身之所，而他们则坐在较低的墙壁边缘，凝视着威尔森海角起伏不定的海岸线。这三个亭子是从彼此之间以及从粗糙的砖墙的北缘拉出来的，这样阳光就能深入到一系列遮蔽和种植的庭院中，这些庭院为室内空间提供了直接的花园和甲板关系。这些内部提供了一个温暖和强大的调色板木材内衬的墙壁，黑色着色的混凝土地板和黑色的形式层天花板。

Text description provided by the architects. The house sits firmly along a winding ridgeline on the outskirts of the small township of Fish Creek. The home surrounds itself in a highly textured brickwork wall in response to its exposed position to strong local winds and a nearby country road. This long wall wraps the three nested, black timber pavilions of the house like a rough and coarse blanket and offers them shelter while they sit upon the lower wall edge and gaze out upon the undulating and extraordinary coastline of Wilsons Promontory. The three pavilions are pulled out from each other and from the northern edge of the rough brick wall to allow sunlight to slide deep into a series of sheltered and planted courtyards that offer immediate garden and deck relationships to the interior spaces. These interiors provide a warm and robust palette of timber-lined walls, black-pigmented concrete floors and black form-ply ceilings.

 © Ben Hosking

本·霍斯金

在回应澳大利亚的景观状况时，我们认为住宅、景观和占领者之间的对话或情感对话是至关重要的。在这方面，这所房子被故意设计成既对其场地完全不和谐，又完全和深深地同情它。这种明显的摩擦关系之间的房子和它的地点，允许出现差距之间的已知和未知的特点的地方。这座房子最初与景观形成了强烈的对比，它首先作为纪念碑出现，与周围环境不一样。然而，如果仔细观察，房屋坚固、柔软和质感的墙会以远比其质量强得多的方式将建筑物锚定在工地上；它的土质更符合周围景观和当地社区经过深思熟虑的优雅和深沉的谦卑，并已成为其关键的决定性特征之一。

In responding to an Australian landscape condition we see it as vital that a conversation or an emotional dialogue emerge between house, landscape and the occupier. In this regard, the house has been intentionally designed to appear as both thoroughly dissonant to its site, and at once entirely and deeply sympathetic to it. This relationship of apparent friction between the house and its site allows for a gap to emerge between the known and unknown characteristics of that place. Establishing an initial contrast of high solidity with the landscape, the house appears first as monument, and as foreign to its surroundings. Upon closer inspection however the robustly solid yet soft and textured walls of the home anchor the building to the site in a manner far stronger than their mass alone; it’s earthen qualities more attuned to the considered grace and deep humility of both the surrounding landscape and local community and which has become one of it’s key defining characteristics.

 © Ben Hosking

本·霍斯金

 © Ben Hosking

本·霍斯金

可持续性这座房子是建立在一个黑色的，有光泽的混凝土板上，其中包含了一个粉煤灰。

Sustainability The house is built upon a black pigmented, burnished concrete slab, which incorporates a fly-ash & waste slag blend. This slab is hydronically heated via the kitchen wood-fired oven/stove, which also boosts the home’s solar hot-water system. In a response to the conditions of the site, the house is oriented along a north-west axis, however it is given strong protection from the western sun and then pulled apart into three independent pavilions, sliced to allow for a direct northern exposure to all living spaces and to passively heat the concrete slab floor. The course masonry wall protects the house from the harsh winds of the region and yet allows for deep and effective cross flow ventilation. A large sliding screen, designed with just the right porosity to fragment the heavy winds of the area gives additional protection to the large northern courtyard when required. 60,000L of rainwater is caught and stored on site to supply the house. All waste is treated on-site with a worm farm composting treatment system. Materials are specified as Low VOC, and the bricks are recycled. A 7kw solar PV system is incorporated into the roof of the shed to supply the house with on-site power.

 © Ben Hosking

本·霍斯金

 © Ben Hosking

本·霍斯金

Architects Edition Office

Location Fish Creek, Australia

Lead Architects Aaron Roberts, Kim Bridgland

Area 294.0 m2

Project Year 2016

Photographs Ben Hosking

Category Houses

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