架构师提供的文本描述。哈萨建筑师已经完成了将伦敦北部高盖特碗废弃的园艺温室改造成一个新的活动空间的工程。该项目受到原建筑框架和建筑的启发，通过一系列小规模的干预措施，探索了这座被遗忘的城市的可能性，使其重新投入使用。这些敏感的干预措施采取了新的外部和内部通道，以及房间和家具件，引导游客穿过温室的大开敞的海湾，同时为周围的景观和碗外的景观造景。

Text description provided by the architects. HASA Architects has completed works to transform a derelict horticultural glasshouse at Highgate Bowl in North London into a new event space. The project, inspired by the frame and construction of the original building, explores the possibilities of this forgotten piece of the city by bringing it back into use through a series of small-scale interventions. These sensitive interventions take the form of new external and internal pathways, as well as rooms and furniture pieces that guide visitors through the large open bays of the glasshouse while framing views of the surrounding landscape and Bowl beyond.

 © Simone Bossi

西蒙尼·博西

这一做法于2017年1月访问了该网站，并着手设计一项提案，以恢复被遗弃的温室，创造一个可用于包括展览和表演在内的一系列活动的多才多艺的活动空间。他们在2017年2月向客户展示了他们对温室的愿景，让他们相信该网站的潜力，并在此后不久就开始了工作。

The practice visited the site in January 2017 and set about devising a proposal that would result in the restoration of the derelict glasshouse, creating a versatile event space that could be used for a range of activities including exhibitions and performances. They presented their vision for the glasshouse to the client in February 2017 convincing them of the site’s potential and work began shortly thereafter.

 © Simone Bossi

西蒙尼·博西

该设计的胶合板皮肤创造了一个折叠景观，灵感来自原始结构的框架和面板结构。新的通道，房间和家具件设计成一个模块化的配置，以谈判在每个海湾之间的水平变化，并提供游客和脆弱的玻璃外壳之间的隔离。

The design’s plywood skin creates a folded landscape that is inspired by the original structure’s frame and panel construction. The new pathways, rooms and furniture pieces are designed in a modular configuration to negotiate the change in levels between each bay and provide separation between visitors and the fragile glass outer skin.

 © Simone Bossi

西蒙尼·博西

 © Simone Bossi

西蒙尼·博西

桦木胶合板，在白色的奥斯莫油，是用来形成新的平台和细木工组件。原来的滑动门被取代了新的胶合板门与超大手柄，模仿结构鳍形成的两侧平台。整个使用一种材料创造了连续性，并加强了每个海湾之间的联系，而轻色调的胶合板完成提供了一个微妙的对比温室和景观。为了提供对比，在现有的结构上应用了深色涂饰，从而区分了旧的和新的。(鼓掌)

Birch plywood, finished in a white Osmo oil, is used to form the new platform and joinery components. The original sliding doors are replaced with new plywood doors with oversized handles that mimic the structural fins that form the sides to the platform. The use of one material throughout creates continuity and reinforces the connection between each bay while the light tone of the plywood finish offers a subtle contrast against the glasshouse and the landscape. To provide contrast, the application of a dark finish is applied to the existing structure creating a distinction between old and new.  

 © Simone Bossi

西蒙尼·博西

为了确保在5月份切尔西花展开幕前完成，详细的设计采用了物理模型和1：1的结构元素模拟。工程在6周内在现场进行，分三个阶段进行：(一)对温室进行修复；(二)在玻璃上应用保护膜；以及(三)安装细木工部件。

To ensure completion by the opening of the Chelsea Flower Show in May, the detail design was developed using physical models and 1:1 mock-ups of the structural elements. The works were carried out on site within a 6-week period, phased into three separate packages: i) restoration to the glasshouse; ii) application of protective film to the glass; and iii) installation of the joinery elements.

 Axonometric

胶合板组件是利用数控(计算机数控)切割服务在场外制造的，并在10天内组装。白色的奥斯莫油被应用在木材一旦组件在现场，以确保整个结构的一致性。

The plywood components were manufactured off site using CNC (computer numerical control) cutting services and assembled within a 10-day period. The white Osmo oil was applied to the wood once the components were on site to ensure consistency throughout the structure.

 © Simone Bossi

西蒙尼·博西