© Guilherme Pucci

.Guilherme Pucci

架构师提供的文本描述。这座面积为2000.00平方米的棚屋位于Vila Leopoldina-圣保罗附近，靠近边缘皮涅罗斯，50年来一直被用作工厂和仓库，并被视为一种新功能的潜在结构。

Text description provided by the architects. This 2000.00m² shed located in the neighborhood of Vila Leopoldina - São Paulo, near Marginal Pinheiros was used as a factory and warehouse for 50 years and was seen as a potential structure for a new function.

 © Guilherme Pucci

.Guilherme Pucci

业主们在时尚界工作，并习惯于前往许多城市工作(主要来自美国)。他们发现，这种结构被改造并经常用作摄影工作室，尤其是在洛杉矶和纽约。

The owners, who work in the midst of fashion and accustomed to travel to many cities working (mainly from the United States), have found that this type of structure, being transformed and used quite often as photo studios and especially In Los Angeles and New York.

 © Guilherme Pucci

.Guilherme Pucci

这样，这个项目的想法是利用现有的结构，并使所有的基础设施，一个电影摄制组可能需要的位置在同一个地方。

With that, the idea of the project was to take advantage of the existing structure and to make all the infrastructure that a film crew could need located in the same place.

 © Guilherme Pucci

.Guilherme Pucci

因此，该项目的目的是离开工地前部的公共区域，包括接待、管理、储存材料、会议室、凯瑟琳·库费斯特、摄影师设备储藏室，甚至是摄影师个人房间；这样，摄影师甚至不必去Estudio，因为他们可以直接在那里办公。

As a result, the project was intended to leave the common areas at the front of the site with reception, administration, storage of materials, meeting room, Cathering cofestore, depository for photographers equipment and even individual rooms for photographers; With this, the photographer does not even have to go to Estudio because they can make their office right there.

 Floor Plan

在场地的后面，有5间大的摄影和摄影室，每场会议都配有所有必要的基础设施，并配有专用更衣室。

In the back of the grounds, 5 large rooms of photography and filming with their mezzanines and exclusive dressing rooms with all the necessary infrastructure for each session.

 © Guilherme Pucci

.Guilherme Pucci

整个结构与棚屋原有的墙壁和桁架无关。

The whole structure was independent of the original walls and trusses of the shed.

 © Guilherme Pucci

.Guilherme Pucci

采用仅支撑在楼板上的金属结构制成，土质部分采用混凝土砌体，干墙采用水泥砌体。

The mezzanines were made of metal structure only supported on the floor and the lateral closings were made with concrete masonry in the earthy part and in the mezzanines in dry-wall.

它已经做了一项工作的热-声绝缘整个屋顶的原始屋顶和修复原来的木桁架，达到2.5米高。还必须为录音室制造空调系统，使欧洲和美国的夏季服装在巴西冬季生产，从而给模特带来更大的舒适感。

It has been done a work of thermo-acoustic insulation throughout the original roof of the roof and restoration and repairs on the original wooden trusses that get to be 2.5m high. It was also necessary to make a system of air conditioning of the recording rooms, cause the production of the summer clothes of Europe and USA are made in the Brazilian winter; Giving thus; Greater comfort to the models.

 © Guilherme Pucci

.Guilherme Pucci

这样做的目的是在保留建筑的原始工业特性的同时，将项目的表面材料留在那里。原白棚屋顶的木结构与灰色铅的钢结构的对比表明，该项目的哪些部分已经有半个多世纪的历史，谁最近来了。空间经常被用于其他目的，如活动和游行，吸引业内最大的公司使用其设施。

The idea was to leave the project with the apparent materials while maintaining the original industrial identity of the construction. The contrast between the wooden structure of the original White Shed Roof and the steel structure of the gray lead mezzanines make it clear what part of the project has over half a century old and who has recently arrived. Space has been used very often for other purposes such as events and parades attracting the largest companies in the industry to use their facilities.

 © Guilherme Pucci

.Guilherme Pucci

Architects Pietro Terlizzi Arquitetura

Location R. Hassib Mofarrej, 1011 - Vila Leopoldina, São Paulo - SP, Brazil

Authors Pietro Terlizzi, Roberto Terlizzi

Team Julia Guadix, Paula Traven

Area 2000.0 m2

Project Year 2015

Photographs Guilherme Pucci

Category Offices

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