架构师提供的文本描述。第01号无主住房是客户购买的三个毗连土地中的第一个，目的是在圣保罗内陆城市Avaré建造投资公司。单一家庭住宅项目通常会转向客户的愿望和特殊性，但在这种情况下，客户只是未来居民的中介，项目和空间应该足够灵活，以适应最多样化的家庭动态。

Text description provided by the architects. The Ownerless House nº 01 is the first of three contiguous lands bought by the client with the intent of building investment houses in Avaré, a city in the interior of São Paulo. The single family housing projects usually turns to desires and particularities of the clients but in this case, the client being only an intermediary to the future resident, the program and space should be flexible enough to accommodate the most diverse families dynamics.

 © Pedro Kok

(佩德罗角)

整个项目不是作为一个对象设计的，而是作为一条返回室内的路线，在这里，自然光和反射随时间和季节的变化而交替开放和封闭。从外部看，这座房子就像一个雕刻的凹槽，被雕刻成一团，在那里，斜靠的红墙指引着整个旅程的开始。

The entire project was designed not as an object but as a route back to the interior with alternating open and closed spaces where natural light and reflections change according to the time and the season. Viewed externally, the house presents itself as a sculpted recess into the built mass, where the leaning red wall directs the perspective to the beginning of the journey.

 © Pedro Kok

(佩德罗角)

 Floor Plan

 © Pedro Kok

(佩德罗角)

由于在城市标准维度[10.6×20米]中没有强制性的挫折，该项目占据了整个项目的宽度。因此，单层房屋不再是一个植物狭小的松散物体，而是具有更好的空间比例和更集中、更有利的外部区域。

The absence of mandatory setbacks in the urban lot of standard dimensions [10.6 x 20m] allowed the project to occupy its entire width. Thus, instead of a loose object with narrow plant and small lateral recesses, the single-storey house had better spatial proportions and more concentrated and profitable external areas.

 Longitudinal Section

利用地面上60厘米的小坡度将方案分为两层：第一层包括社会和服务区，由入口直接进入；第二层是私人区域[卧室和浴室]，由梯子进入。房子的入口处是右下角的，从外面可以看到混凝土的体积。体积通过曲线进入房屋，发展起来组织卫生间、厨房和服务区的程序。

The small slope of 60cm on the ground was used to divide the program into two levels: the first one includes the social and service areas, accessed directly by the entrance, while the second are the private areas [bedrooms and bathrooms], accessed by a ladder. The entrance to the house is made by a lower right foot, leveled by the volume of apparent concrete that can be seen from outside. The volume enters the house through a curve and develops to organize the programs of the toilet, kitchen and service area.

 © Pedro Kok

(佩德罗角)

居住、就餐和厨房区域被分散在一个位于规划中心的庭院中，这个庭院被巨大的玻璃板包围着，通过视觉上的整合，冲淡了它们的界限。露台和它的延伸，一个降低的地板的液压瓷砖，是覆盖着一个连续的佩高拉。这些Pergola元件分别在床上预制，然后组装，以便于组装和节省形状和支柱。这项技术是从对巴西建筑师里诺·莱维的研究中获得的，在那里，建筑师使用首都住宅中预制的混凝土构件在楼板中间建造轻型入口。

The living, dining and kitchen areas are spread out over a courtyard located in the center of the plan which, surrounded by large panels of glass, dilutes the limits by integrating them visually. Both the patio and its extension, a lowered floor of hydraulic tiles, are covered by a continuous pergola. These pergola elements were prefabricated individually on the bed and later assembled in order to facilitate assembly and save on shapes and struts. This technique was rescued from studies of the work of the brazilian architect Rino Levi, where the architect uses the prefabricated elements of concrete in residences in the capital to create light entrances in the middle of slab.

 © Pedro Kok

(佩德罗角)

最后，公共空间和私人空间之间的过渡是通过一个由自然光三角照明的花园进行的，最后由人行道旁的一条长凳完成，这一长凳邀请人们在内陆城市中进行一种非常普遍的做法：坐下来观察街道。

Finally, the transition between public and private space takes place through a garden illuminated by triangles of natural light and finished off by a bench next to the sidewalk that invites to a practice very common in the cities of the interior: to sit and to observe the street.

 © Pedro Kok

(佩德罗角)