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架构师提供的文本描述。银座广场是东京著名的银座购物区的主要商业开发项目，可以说是日本最近最突出的开发地点。银座以优雅和精致而闻名，这使它成为一个多世纪以来的日本文化和商业中心。银座广场通过引入一个大胆和精心设计的街景立面来完成社区的中心交叉口。

Text description provided by the architects. Ginza Place, a major commercial development in Tokyo’s famous Ginza shopping district, occupies arguably the most prominent recent development site in Japan. Ginza’s reputation for elegance and sophistication has made it a center of Japanese culture and commerce for more than a century. Ginza Place completes the neighborhood’s central intersection by introducing a bold and well calculated facade to the streetscape.

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总部位于东京的克莱恩·戴瑟姆建筑公司(Klein Dytham Ar Chture)负责立面和建筑的聚集，并负责创建一张公众面孔，合成周围的建筑，并捕捉到交叉口的能量。同时，设计必须反映该地区复杂的特点。银座不仅以其精英时装公司和艺术画廊而闻名，而且以其著名的当代建筑收藏而闻名。许多著名的日本和国际建筑都是在银座建造的。

Tokyo based Klein Dytham ar chitecture handled the facade and building massing, and was tasked with creating a public face that synthesized the surrounding architecture and captured the energy of the intersection. At the same time, the design had to reflect the sophisticated character of the district. Ginza is known not only for its elite fashion houses and art galleries, but for its renowned collection of contemporary structures. Many of the biggest names in Japanese and international architecture have built in Ginza.

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札幌是一家以啤酒闻名的公司，旗下的房地产部门拥有该网站已有100多年的历史。为了建造一座与这一重要地点相适应的建筑，他们决定拆除现有的建筑，并举行一次替换竞争。克莱因·戴瑟姆建筑公司与日本领先的建筑公司泰塞公司合作，实现了他们赢得的立面和集结方案。

The realty arm of Sapporo, a company better known for beer, has owned the site for over 100 years. Seeking to create a building befitting a site of this importance, they decided to demolish the existing structure and hold a competition for the replacement. Klein Dytham architecture wor ked with leading Japanese construction company Taisei Corporation to realize their winning massing and facade proposal.

正面的灵感来自于传统日本手工艺中发现的一种开放式格子-sukashibori(Sukashibori)。通常用于诸如篮子或餐具之类的小项目，这里使用的面板系统被炸毁，以配合架构的规模。系统的渗透性使立面设计得以战略性地打开和关闭。灵活的建筑表皮被不均匀地施加在建筑的质量上，把大的立面分成更小的部分。

The facade takes its inspirat ion from sukashibori, a type of open latticework found in traditional Japanese crafts. Typically used in small items like baskets or tableware, the panel system used here was blown up to match the scale of the architecture. The permeability of the system allowed the facade design to be opened and closed strategically. The flexible architectural skin is applied unevenly over the building mass, breaking the large facade into smaller sections.

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正面的更大的构图来自周围的环境，特别是银座主要交叉路口对面的精工大厦(Wako大楼)。精工大厦于1932年竣工，成为银座的象征，其钟楼仍是该地区的标志性建筑。克莱因·迪瑟姆分析了这座建筑的立面，把它分成了一个短讲台，一个较高的中间部分，以及钟塔向上推力所暗示的顶部的垂直延伸部分。

The larger composition of the facade takes cues from the surroundings, especially the Seiko Building (Wako Building) on the opposite corner of Ginza’s main crossing. The Seiko Building became a symbol of Ginza upon its completion in 1932, and its clock tower remains t he icon of the area. Klein D ytham analyzed the facade, breaking it up into a short podium, a taller mid section, and a vertical extension at the top suggested by the upward thrust of the clock tower 

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这种规模的增加，随着建筑物由小到中，大到大，是重新利用银座的地方。面板正面清楚地分为三个部分，其中参考周围结构的高度。该模式是最小的底部，以建立一个更亲密的规模，在行人的水平。面板正面从二楼开始，那里有一个大光圈，用来展示后面的尼桑展厅。

This increase in scale as the building rises from small to medium to large was repurposed in Ginza Place. The paneled facade is clearly divided into three sections, which reference the height of surrounding structures. The pattern is smallest at the base to establish a more intimate scale at pedestrian level. The panel facade begins on the second floor, where a wide aperture was made to reveal a Nissan show room behind.

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面板的大小在中部和上部增加。面板系统的下两部分都是独立的，它们以抛物线的方式膨胀和收缩，形成一个封闭的图案。但是更高的部分继续向上生长，在建筑物顶部的全地板高度面板达到顶峰。这种戏剧性的垂直运动的表现，使银座与著名的精工钟楼在交叉路口直接交谈。

The size of the panels increase in the middle and upper sections. The lower two sections of the panel system are both self contained; they swell and shrink parabolically to form an enclosed pattern. But the higher section continues to grow upwards, culminating in full floor-height panels at the building’s crown. This dramatic expression of vertical movement puts Ginza Place in direct conversation with the famous Seiko clock tower across the intersection.

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这三个部分中的每一个都是由地板到天花板玻璃的水平断裂隔开的.第三层和第七层的玻璃部分向后剥离，在拐角处形成宽阔的阳台。两个阳台都被俯瞰银座交叉的餐馆占据。在拐角处公开公共活动，将建筑物内的活动与下面充满活力的街道联系起来。这也为顾客提供了一个机会，让他们以一种在银座(银座)罕见的方式看到和被人看到，银座是一个大部分门面都是正式而封闭的地区。

Each of the three sections are separated by horizontal breaks of floor-to-ceiling glass. The glazed sections on the third and seventh floor peel back to create broad balconies at the corner. Both balconies are occupied by restaurants that overlook Ginza crossing. Exposing public functions at the corner connects the activity in the building to the vibrant streets below. It also creates an opportunity for patrons to see and be seen in a way that is rare in Ginza, a district where most facades are formal and closed.

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创建如此复杂的面板系统需要Klein Dytham架构和Taisei之间的密切合作。每个面板的正面是由一个单一的圆周率铝板。在板上做切口，然后折叠，焊接在接缝处，然后涂上粉末。每个面板都是预制的，并给出一个单独的地址来记录其在正面的位置。

Creating a panel system of this complexity required close collaboration between Klein Dytham architecture and Taisei. The front face of each panel is made of a single pi ece of aluminum plate. Incisions were made in the plates which were then folded, welded at the seams, and powdercoated. Each panel was prefabricated and given an individual address to record its position on the facade.

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Taisei负责面板的制造和安装。每个零件背面的法兰都被仔细地连接到一个定制的金属子结构上，这个结构是为银座地方开发的，现在由泰泽申请专利。这个框架系统通过允许面板自由移动和重新安装来回应东京的地震问题。隔板间的间隙被最小化到8毫米。表面上可见的细心和工艺水平对激发其形态的sukashibori格子是公正的。

Taisei oversaw the fabrication and installation of the panels. Flanges on the back of each piece were carefully attached to a bespoke metal substructure developed for Ginza Place and now patented by Taisei. This framing system responds to the seismic concerns in Tokyo by allowing panels to shift and resettle freely. Gaps between panels were minimized to a clearance of 8 millimeters. The level of care and craftsmanship visible in the facade does justice to the sukashibori latticework that inspired its form.

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门面解释并反映了银座的支柱-手艺的世系。该面板系统承认传统的日本语形式，但将其重新设计成一种可渗透的皮肤，欢迎社区进入，并为社区的社会氛围做出贡献。

The facade interprets and reflects the lineage of craft that is the mainstay of Ginza. The panel system acknowledges traditional Japanese forms but repurposes them to create a permeable skin that welcomes the community in and contributes to the social atmosphere of the neighborhood.

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银座的设计在社会和建筑两方面都与其周围环境相结合。它特别注重历史上的精工大厦和银座交叉的其他结构，有效地将日本最重要的商业区的中央交叉口连接在一起。在这样做，它设法成为一个引人注目的当代建筑声明和一个负责的管家，成熟的文化，一直定义银座。

The design of Ginza Place engages its surroundings both socially and architecturally. It pays special attention to the historic Seiko Building and the other struc tures on Ginza Crossing, effectively tying together the central intersection of Japan’s foremost commercial area. In do ing so, it manages to be both a striking contemporary architectural statement and a responsible steward of the sophisticated culture that has always defined Ginza.

Architects Taisei Design Planners Architects, Klein Dytham architecture

Location Ginza, Chuo, Tokyo 104-0061, Japan

Architect in Charge Klein Dytham architecture

Area 7350.0 m2

Project Year 2017

Photographs Nacasa & Partners

Category Commercial Architecture

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