建筑师小组Krunal Mistry，Meel Panchal结构设计Rajeev Shah

Architects Team Krunal Mistry, Meel Panchal Structure Design Rajeev Shah & Associates, Mumbai Landscape Design Green Pastels, Brinda Pancholi, Ahmedabad Corten Steel Fabricator Capsicum Wall Ideas Pvt. Ltd., Ahmedabad More Specs Less Specs

 © Krunal Mistry

Krunal Mistry

门户之家的构想是创造多个人和公共领域的重叠，以满足孤独和聚会的观念，住宅是以“纳粹”的概念为基础的。中心有“房子”，这是住宅的中心，四个辐射的手臂指向卧室或“小屋”。这种群众性组织之间的空间是一个过渡空间，它通过模糊内部和外部的边界来定义整体体验的本质。这些空间作为装饰空间、开阔的干燥庭院、有盖的檐篷、反射池、连接通道等被独特地连接起来。

The Portal House is conceived with the idea of creating multiple overlaps of personal and public domains catering to the idea of solitude as well as gathering.The residence is composed on the notions of “swastika”. The center holds ‘the house’ which is the heart of the residence and the four radiating arms orient the bedrooms or ‘cabanas’. The spaces in between this massing organization are the transitional spaces which define the essence of the overall experience by blurring boundaries between inside and outside. These spaces have been articulated uniquely as decked spaces, open dry courtyards, covered canopies, reflective pools, connecting pathways etc. 

 Ground Floor

进入住宅是通过一个6米宽的行人坡道，限制车辆进入现场。这种坡道引起了一种独特和宁静的感觉。缓慢的方法延迟了到达的感觉，成为城市生活的喧嚣和孤独中的平静之间的过渡地带。战略性排列的彩色混凝土景观墙决定了在住宅内与现有树木的位置相一致的移动模式。

The access to the residence is celebrated through a six meter wide pedestrian ramp restricting the vehicular movement into the site. This ramp elicits the sense of distinctiveness and tranquility. The slow approach delays the sense of arrival and serves as a transitional zone between the hustle bustle of urban life and the calmness in solitude. Strategically aligned pigmented concrete landscape walls dictate the movement pattern within the residence in congruence with the position of the existing trees. 

 © Krunal Mistry

Krunal Mistry

“房子”和“小屋”是设计的主要组成部分。这些构建的组件中的每一个都被一个不同的圆柱形钢门户包裹起来，这样它们的零碎空间就被艺术地组合成一个整体。门户不仅绑定了“房屋”和“小屋”的元素，而且在整个网站中充当了一个共同的表达方式。它们标志着这些部件在“纳粹”计划中的地位。从高高的树冠的光过滤启发设计的穿孔模式的corten钢板。这有助于实现与有机和软檐脆金属表面的对比表达。

The ‘house’ and the ‘cabanas’ are the main components of the design. Each of these built components is wrapped with a distinct corten steel portal so that their fragmented spaces get artistically composed as one entity. The portals not only bind the elements of the ‘house’ and the ‘cabanas’ but also act as a common expression throughout the site. They mark the position of these components in the scheme of the “swastika”. The filtration of light from the high canopies of the trees inspired the design of the perforation pattern of the corten steel panels. This helped achieve a contrasting expression of crisp metal surfaces with organic and soft canopies.

 © Krunal Mistry

Krunal Mistry

 © Krunal Mistry

Krunal Mistry

提出了“服务空间”和“服务空间”的概念，将每个构件分解为两个卷，其中服务空间的容量较低，宜居空间和功能空间的容量较高。

Taking forward the concept of the ‘served and the servant spaces’ each built component is split into two volumes, where in the services are housed in lower volumes and the livable and functional spaces are contained in higher volume.

 © Krunal Mistry

Krunal Mistry

“房子”大楼设有公共空间，如居住、就餐和娱乐场所。为了将居住区域扩大到过渡空间，没有正式进入。相反，在16米长的北立面上，透明玻璃的大、可开放表面鼓励了内外空间之间不间断的视觉和物理流动。在“房子”内的开阔庭院中，有一个岩石面，Jaisalmer墙，指示着这些透明空间的连通性。

‘The house’edifices public spaces such as living, dining and recreational areas. With the intent to extend the living areas into transitional spaces, there is no formal entry. Instead large openable surfaces in clear glass across the sixteen meter long north facade encourages uninterrupted visual and physical flow between the inside and outside spaces. The presence of a rock face Jaisalmer wall across the open courtyard within ‘the house’ directs the connectivity of these transparent spaces.

 © Krunal Mistry

Krunal Mistry

“小屋”被设计成工作室卧室，作为一个开放的计划，为生活，学习和睡眠空间。工作室空间的非常规的更高的天花板高度在任何时候都提供了与树冠的连接。景观颜料混凝土墙的存在主导了这些材料的拼贴，创造了一个更开放的工作室生活方式黑暗和亲密的私人浴室空间。

The ‘cabanas’ are designed to be studio bedrooms organized as an open plan for living, studying and sleeping spaces. The unconventional higher ceiling height of the studio space provides a connection with tree canopies at all times. The presence of the landscape pigmented concrete walls dominates the collage of these materials to create dark and intimate private bath space in a rather more open studio lifestyle.

 Cabana Diagram

卡巴纳图

 House Diagram

房屋图

总的来说，住宅是用简陋材料建造的宏伟空间的展示。连接住宅价值组成部分的过渡空间增加了设计的可居住性。表面处理的原始和乡村性质回应了网站的性质，从而为居住者提供了理想的、开放和自由的生活方式。

On the whole the residence is a demonstration of grandeur of space built with humble materials. The transitional spaces connecting the components of the residence value add to the livability of the design. The raw and rustic natures of finishes respond to the nature of the site thus providing its occupants desired open and free lifestyle.

 © Krunal Mistry

Krunal Mistry

Architects Reasoning Instincts Architecture Studio

Location Umargam, India

Architects in Charge Ujjaval Parekh, Bhairavi Dhoot

Area 665.0 m2

Project Year 2017

Photographs Krunal Mistry

Category Houses

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