National Holocaust Monument Studio Libeskind

2017-10-10 13:00

 © doublespace photography

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架构师提供的文本描述。中心位置位于布思和惠灵顿街道的拐角处，对面是加拿大战争博物馆，占地0.79英亩，将博物馆与国会大厦的历史中心连接起来。现浇，裸露的混凝土

Text description provided by the architects. Centrally located at the corner of Booth and Wellington Streets across from the Canadian War Museum, the .79 acre site connects the museum to the historic center of the capitol city. The cast-in-place, exposed concrete

 © doublespace photography

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纪念碑被认为是一个经验性的环境，由六个三角形，具体的体积组成，以创造一个恒星的点。这颗星仍然是大屠杀的视觉象征-纳粹强迫数百万犹太人佩戴这个符号，将他们视为犹太人，将他们排除在人类之外，并将他们标记为灭绝者。三角空间代表纳粹及其合作者用来给同性恋者、罗姆人-辛提人、耶和华见证人以及政治和宗教囚犯贴上谋杀标签的徽章。

Monument is conceived as an experiential environment comprised of six triangular, concrete volumes configured to create the points of a star. The star remains the visual symbol of the Holocaust – a symbol that millions of Jews were forced to wear by the Nazi’s to identify them as Jews, exclude them from humanity and mark them for extermination. The triangular spaces are representative of the badges the Nazi’s and their collaborators used to label homosexuals, Roma-Sinti, Jehovah’s Witnesses and political and religious prisoners for murder.

 © doublespace photography

双空间摄影

纪念碑由两个按意义区分的物理地面层组成：一个是指向未来的提升平面；另一个是引导游客进入专门用于沉思和记忆的内部空间的降层。纪念碑内的六种三角混凝土形式提供了特定的程序区域：以加拿大大屠杀历史为特色的解释空间；三个单独的观想空间；一个大型的中央集合和定位空间；以及一个高耸的天空空洞，以永恒的纪念之火为特征，这是一种14米高的形式，将游客包裹在一个大教堂里-就像太空一样，并把天空从上面固定下来。

The Monument is organized with two physical ground planes that are differentiated by meaning: the ascending plane that points to the future; and the descending plane that leads visitors to the interiors spaces that are dedicated to contemplation and memory. Six triangular concrete forms provide specific program areas within the Monument: the interpretation space that features the Canadian history of the Holocaust; three individual contemplation spaces; a large central gathering and orientation space; and the towering Sky Void that features the eternal Flame of Rememberance, a 14 meter-high form that encloses the visitor in a cathedral-like space and frames the sky from above.

 © doublespace photography

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爱德华·伯廷斯基(Edward Burtynsky)在当代大屠杀遗址的大型单色摄影景观-死亡集中营、杀戮田和森林-都在每个三角形空间的混凝土墙壁上绘上了严格的细节。这些令人回味的壁画旨在运送游客，并为倾斜的墙壁和迷宫状走廊的内部空间创造另一个维度。

Edward Burtynsky’s large scale, monochromatic photographic landscapes of current day Holocaust sites – death camps, killing fields and forests – are painted with exacting detail on the concrete walls of each of the triangular spaces. These evocative murals aim to transport the visitor and create another dimensionality to the interiors spaces of canted walls and labyrinth-like corridors.

 © doublespace photography

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希望之阶从中央集合空间升起，穿过一堵倾斜的墙，指向议会大楼；这一姿态承认并承认加拿大幸存者，他们为加拿大做出了很大贡献，并在揭露国家支持的种族灭绝的危险方面继续发挥着重要作用。

The Stair of Hope rises from the central gathering space, cuts through a dramatically inclined wall and points at the upper plaza towards the Parliament Buildings; a gesture that recognizes and acknowledges the Canadian survivors who have contributed much to Canada and who continued to play an important role in exposing the dangers of state sponsored genocide.

 © doublespace photography

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围绕着纪念碑，各种针叶树的粗糙景观将从岩石鹅卵石的地面上浮现出来。这一景观将随着时间的推移而演变，代表加拿大幸存者及其子女对加拿大的贡献。

Surrounding the monument, a rough landscape of various coniferous trees will emerge from the rocky pebbled ground. This landscape will evolve over time representative of how Canadian survivors and their children have contributed to Canada.

 © doublespace photography

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加拿大政府根据“国家大屠杀纪念碑法”建立的国家大屠杀纪念碑将确保一个永久的国家象征，以纪念和纪念大屠杀受害者，并承认加拿大幸存者。通过一次国际设计竞赛，选定了勋爵文化资源及其多学科和多文化小组，以建立加拿大政府纪念碑。

The National Holocaust Monument, established through the National Holocaust Monument Act by the Government of Canada, will ensure a permanent, national symbol that will honor and commemorate the victims of the Holocaust and recognize Canadian survivors. Through an international design competition, Lord Cultural Resources and its multidisciplinary and multicultural team, was selected to create the Monument for the Government of Canada.