© Fernando Guerra | FG + SG

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架构师提供的文本描述。弗雷克索的牧场面积约300公顷，葡萄园面积26公顷，呈现出典型的阿伦太约景观，起伏，多样化，对周围环境有着有趣的看法。它不时地被野生橄榄树、橄榄树和霍姆橡树丛生，它仍然集中在一座山的高地上，这是由典型的乡村建筑所确定的。

Text description provided by the architects. The herdade of the Freixo, with about 300ha, and 26ha of vineyard, presents itself as a typical Alentejo landscape, undulating, diversified and with interesting points of view on the surroundings. Punctuated by clusters of wild olive trees, olive trees and holm oak, it still concentrates in one of its elevations a mount, identified by typically rural constructions that define it.

 © Fernando Guerra | FG + SG

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现有地面的形态对项目的定义是如此决定性，因此必须保持其不变，尽管这一数量的建筑必须受到干预。任何干预都不会危及现场的平衡。

The morphology of the existing ground was so decisive for the definition of the project, making it imperative to keep it unchanged although subject to an intervention with this volume of construction. Any intervention would never jeopardize the balance found on site.

 © Fernando Guerra | FG + SG

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 Floor Plans

平面图

 © Fernando Guerra | FG + SG

费尔南多·格拉

酒庄呈现在景观的连续性中，与所有的延伸融合在一起。

The winery appears in the continuity of the landscape, merging with all that extension.

 © Fernando Guerra | FG + SG

费尔南多·格拉

功能交集，内部/外部与自然/人工之间的关系，报告了一个内在预设的存在，而我们与之没有直接的视觉接触。这似乎是一个人为的意外，它的匿名性正在失去，因为它的旅行允许不同的电路，跨越干预的核心，中央庭院，统一元素的所有流通。

The functional intersection, the relation between interior / exterior and natural / artificial report the existence of an inner presupposition, with which we have no immediate visual contact. It appears as an artificial accident whose anonymity is being lost as it travels allowing different circuits that cross the heart of the intervention, the central courtyard, unifying element of all circulations.

 © Fernando Guerra | FG + SG

费尔南多·格拉

 © Fernando Guerra | FG + SG

费尔南多·格拉

它被放置在一个流动的和顺序的空间过渡，这些空间的目的是在物理上和视觉上进行交流。其次是提供类似于在畜牧地形上发生的情况，重叠的观点，多样化的，这表明有更多的东西是可以直接到达的。建筑形式的纯正语言利用了建筑的景观效果，吸引了游客，并说服他穿越所有的空间，去感知整体，理解它们之间的功能层次，区分和个性化每个区域的工业和社会组成部分。

It was placed on a fluid and sequential transition of spaces that are intended to physically and visually communicate. These are followed by providing, similarly to what happens in the herdade topography, overlapping views, diversified, which indicate that there is more beyond what is directly within reach. The purified language of architectural forms takes advantage of the scenic effect of the building, captivating the visitor and convincing him to go through all the spaces in order to perceive the whole and understand the functional hierarchy between them, distinguishing and individualizing each of the zones industrial and social components.

 © Fernando Guerra | FG + SG

费尔南多·格拉

在生产过程中，可以选择将酿酒厂埋在几层楼中，深度超过40米，这样就可以利用酿酒过程中的引力，尊重酒群，并使用最先进和最创新的葡萄酒学技术。因此，考虑到温度幅值和低温值的降低，也有可能为葡萄酒的保存创造最佳的热条件。

In the production, the option to bury the winery, projecting it in several floors to more than 40m of depth, allowed that the gravitational force in the process of winemaking was used, respecting the wine masses and using the most advanced and innovative techniques of oenology . It was also possible for this reason to create the best thermal conditions for wine conservation given the reduction of the thermal amplitude and the low temperature values.

 © Fernando Guerra | FG + SG

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Architects Frederico Valsassina Arquitectos

Location Redondo, Portugal

Architect in Charge Frederico Valsassina Arquitectos

Area 1941.0 m2

Project Year 2016

Photograph Fernando Guerra | FG + SG

Category Winery