© Erick Alan Abrego Ambia

c.埃里克·艾伦·阿布雷戈·阿姆比亚

架构师提供的文本描述。一个项目的设计概念可以从不同的基础开始，特别是在这个住宅项目中，概念轴的出现是对项目位置所代表的各种条件的反应，第一个是财产的大小，第二个是背景。

Text description provided by the architects. The concept of design for a project can start from different bases, specifically in this residential project, the conceptual axis emerged as a response to various conditions that the location of the project represented, the first is the size of the property and the second the context.

 © Erick Alan Abrego Ambia

c.埃里克·艾伦·阿布雷戈·阿姆比亚

该房产位于圣佩德罗·加尔扎·加西亚(San Pedro Garza Garcia)历史最悠久的社区之一，可以说，科洛尼亚·德尔瓦勒(Colonia Del Valle)是市政府开始开发的殖民地之一，这第一个因素是在古典风格住宅的背景下形成了一种建筑形式。第二个因素是属性的大小。前方4.61米长22.77米，空间狭小，相邻建筑阻碍了自然光和通风的入口处，同时也缺乏引人入胜的景观。

The property is located in one of the neighborhoods with the largest history within San Pedro Garza Garcia, it could be said that the Colonia del Valle is one of the colonies with which the municipality began to develop, this first factor results in an architectural form in a context of classic style housing. The second factor is the size of the property. Having 4.61 meters in front by 22.77 of length, results in a narrow space, as a consequence, the adjoining constructions hindered the entrance of natural light and ventilation, in addition to lacking attractive views.

 Axonometric

为了回应上面提到的条件，我们决定创造一个空间来代表房子的中心；一个核心，它变成了主轴，房子的其他区域会从这里转向，在视觉上享受它，并利用它提供的优点。这个核心由一个内部庭院所代表，它自然地通风和照亮房屋的不同区域，同时在美学上成为一个主要的焦点，它具有自然赋予我们的雕塑元素，因为它是帕佩利洛树，它把庭院变成了一个不仅过渡的空间，而且适合居住，冥想和休息的空间。

In response to the conditions mentioned above, we decided to create a space that would represent the center of the house; a nucleus that became the main axis and where the rest of the areas of the house would turn from this to enjoy it visually and take advantage the virtues that this offers. This nucleus is represented by an inner courtyard that naturally ventilates and illuminates the different areas of the house and at the same time aesthetically becomes a main focal point having a sculptural element that nature gives us as it is the Papelillo tree, that turns the patio into a space not only of transition, but habitable, of contemplation, and rest.

 © Erick Alan Abrego Ambia

c.埃里克·艾伦·阿布雷戈·阿姆比亚

在立面上，设计了一个具有规则图案的大型钢制格子，以创造完整而空洞的视觉效果，并创造出光和阴影的图案。格子是伴随着混凝土墙的自然接触，以强调这项工作的开始和原则。

On the facade, a large-scale steel latticework with a regular pattern was designed to create full and empty visual effect and create a pattern of light and shadows. The lattice is accompanied by a concrete wall in natural touch in order to accentuate the beginning and principle of this work.

 © Erick Alan Abrego Ambia

c.埃里克·艾伦·阿布雷戈·阿姆比亚

从这个项目开始，我们就确信我们希望通过透明的方式在所有空间之间建立一个视觉连接的家，并承诺用户将享受整个空间的控制，并享受更大的空间感觉。因此，空间用户之间的交互更加有效和直接。这是一所讲真话的房子，而不失去它的功能。

Since the beginning of this project, we were convinced we wanted to make a home visually connected between all the spaces through transparencies, with the commitment that the user would enjoy the total control of the space and enjoy a spatial sensation of greater scale. Because of this, the interaction was more effective and direct among the users that inhabit the space. It is a house that tells the truth, without losing its functionality.

 Wind Study

风研究

所使用的材料必须根据其属性的性质说出真相，通过创造而美丽，因此材料的自然纹理被用作最后的触觉。

The materials that were used had to tell the truth by the nature of their properties, beautiful by creation, so that the natural texture of the material was used as a final touch.

 © Erick Alan Abrego Ambia

c.埃里克·艾伦·阿布雷戈·阿姆比亚

为了促进与城市环境的亲密关系，我们实施了该地区的植被和一些天然材料。

In order to foster an intimate relationship with the urban context, we implemented vegetation and some natural materials from the region.

Architects Tres Más Dos Arquitectos

Location Monterrey, Mexico

Architects in Charge Emmanuel Jiménez Laffitte, Luis Javier Laffitte Armesto

Area 118.0 m2

Project Year 2016

Photographs Erick Alan Abrego Ambia

Category Houses

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