© Kyungsub Shin

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该遗址位于平静的低矮山腰，俯瞰布加克山，既反映了首尔历史中心光华门的普普通通，也反映了它的一般现代性。这位客户，一位即将退休的教授，一位可敬的学者，决定拆除这座日益恶化的老房子，为退休后的岁月建造一个值得纪念的新家。

Site Located in a calm low mountainside overlooking the Bugaksan Mountain, the site reflects both the patina and generic modernity of Gwangwhamun, the historic center in Seoul. The client, a retiring professor, and honorable scholar decided to demolish the deteriorating old house and build a new memorable home for post-retirement years.

 First Level Plan

一级计划

拆除这座由她父亲建造的50年老房子对客户来说不是一件容易的决定。这座老房子积淀了一个宁静的住所和快乐的童年游乐场。经过多年的犹豫之后，客户决定拆除这座有结构缺陷的房子。拆除三天后，木地板、窗格和门板的遗骸被转移到客户手中，以保存这些嵌入的记忆。

Demolition It was not an easy decision for the client to demolish the 50-year-old house, built by her own father. The old house accrued character as a peaceful shelter and joyful childhood playground. After years of hesitation, the client decided to tear down the structurally defective house. After three days of demolition, the remains of the wood flooring, window lattice work, and door plates were transferred to the client to preserve those embedded memories.

 © Kyungsub Shin

c KyungsubShin

开始时，客户在委托开始时提供了一些计划草图。天真的不专业的图画，在比例扭曲的比例，代表了微妙但详细的想法，一个新的家充满了旧房子的怀旧。房子不是建筑师利己主义表达的空间，而是纪念昨天、活现在和梦想明天的地方。因此，建筑师的角色似乎对客户的绘画施加了尊重和尊重的命令。

Beginning A few plan sketches were provided by the client at the start of the commission. The naïve unprofessional drawings, out of scale with distorted proportions, represented the subtle yet detailed thoughts about a new home filled with the nostalgia of the old house. A house is not a space for an architect’s egoistic expression, but a place for commemorating yesterday, living the present, and dreaming of tomorrow. Thus, the architect’s role seemed to impose an order on the client’s drawings with respect and honor.

9平方网格，东亚的3kanx3kan，一直是建筑的基本类型，无论是传统的还是现代的。天炮住宅部分在空间概念上呈九方格结构，具有对称性和中心性。将九方格图概念化为简约而抽象的理想空间，发展成具有程序和功能的具体空间结构。天安舰住宅计划既作为私人住宅，又作为研究机构。位于九平方网格核心的客厅将编程功能与空间精神结合起来。客厅的空隙从二楼的阁楼一直延伸到屋顶的光井，把温暖的自然光和宁静的空气深深地注入到住宅的中心。

Order The nine-square grid, 3 kahn x 3 kahn in East Asia, has been a fundamental typology in architecture, both traditional and modern. The part of the Cheongun Residence was structured as nine-square grid in its spatial conception with symmetry and centricity. Conceptualized as modest but abstract ideal space, the nine-square grid diagram was developed into a concrete spatial structure with programs and functions. Cheongun Residence is planned to function both as private residence and as research institute. The parlor at the core of the nine-square grid integrates programmatic functionality with spatial spirituality. The void of the parlor continues through the mezzanine of second floor to arrive at the light well of the roof, imbuing warm natural light and tranquil air deep into the center of the residence.

 © Kyungsub Shin

c KyungsubShin

 © Kyungsub Shin

c KyungsubShin

集中组织九方格网作为调整几何，在平面上采用水平网格，在剖面上采用垂直网格。核心的空间中心是一个轴，它将公共领域压缩到中心，同时将私人空间传播到外围。空间密度保持在平衡的这种集中的组织，包括向心和离心。厨房区域和底层客房之间的客厅保持了仆人和服务空间之间的平衡。从门厅到屋顶茶室的循环通过中央空隙空间发生，产生有节奏的序列压缩和释放空间张力。二楼的空隙通过主卧室和图书馆之间的对称顺序在个人生活和学术生活之间起中介作用。三楼的光井位于三楼平面图的中心-茶室中心。这间茶室在平面和剖面上都有一个同心正方形的几何图形，成为房子的空间、图像中心。固体光井管对空间的压缩与水平窗空间的释放相协调。

Centralized Organization The nine-square grid was applied horizontally in plan and vertically in section as regulating geometry. The void space at the core centers an axis that compresses the public realm into the center while disseminating private space to the periphery. The spatial density is maintained in equilibrium by this centralized organization, both centripetal and centrifugal. The parlor between the kitchen area and the guest room on the ground floor maintains the balance between servant and served space. The circulation from the foyer to the rooftop tearoom occurs through the central void space, to generate rhythmic sequences compressing and releasing spatial tensions. The void on the second floor mediates between personal life and scholarly life via the symmetrical order between the master bedroom and library. The light well on the third floor is situated at the concentric center of tearoom, the centroid of the third floor plan. This tea room has a concentric square geometry in plan and section that becomes the spatial, iconographic centricity of the house. The compression of the space by the solid light well tube harmonizes with the spatial release through the horizontal windows.

对于一位致力于教育和研究的学者来说，集中组织房屋的材料和形式代表了生活的重要性和方向性。中心结构选用混凝土材料、平静材料和持久材料。砖成为外部覆层的对立面，以温暖的生命力和微妙的节奏来平衡宁静。利用再生砖作为外墙、温室和廊道的墙面，实现了外墙与内部的过渡。

Material and Form For a scholar dedicated to education and research, centralized organization of the house represents the essentiality and directionality of life. Concrete, calm, and enduring patina materials were selected for the central structure. Brick becomes the counterpart for the exterior cladding, balancing the tranquility with warm vitality and subtle rhythms. Recycled bricks were used as wall cladding for the exterior walls, conservatory area, and veranda to mediate the transition between exterior and interior.

 © Kyungsub Shin

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为了处理物质的精神方面，选择拱作为概念和结构技术。拱门的形式是拱顶，引导游客穿过门厅到客厅。在客厅和客厅的中央空隙，两个连续的拱门增加了一系列的过滤器，以保持温和平静的气氛。客厅、温室和阳台的拱门构成花园景观，保护中央空间免受恶劣天气的影响。天安舰住宅位于首尔最具历史意义的地区，它涉及到传统、殖民和当代建筑场景的矛盾共存。拱门可能是对共存的隐喻性解释，它保留了对邻里关系的集体记忆。

To deal with the spiritual aspect of materiality, the arch was chosen as the conceptual and structural technique. An arch in a form of a vault guides visitors through the foyer to the parlor. At the central void of parlor and living room, two consecutive arches add a series of filters to maintain a temperate and calm atmosphere. Arches of the living room, conservatory, and veranda frame the garden landscape and protect the central space from the harsh weather. The Cheongun Residence is located in the most historic district of Seoul, which involves the paradoxical coexistence of traditional, colonial, and contemporary architectural scenes. An arch may be the metaphoric interpretation of coexistence, preserving collective memories of the neighborhood’s patinated materiality

 © Kyungsub Shin

c KyungsubShin

天安舰住宅的正面性来源于房屋的集中组织、对称秩序和关系。房子的北墙，被视为讲台，包括有节奏和对称的放置一个檐篷门廊和两个车辆入口。在后退的北立面，在正门与楼梯拱窗之间有一个中轴线，对称性明显。主花园南面立面呈半对称排列，有一系列拱形窗。房屋的正面性和对称性清楚地体现了集中的组织和相称的方案，最终导致了一种平静的平衡状态，协调了生活中固有的复杂性和矛盾。

The frontality of the Cheongun Residence arises from the centralized organization, symmetric order, and contextual relationships of the house. The north wall of the house, perceived as podium, includes the rhythmic and symmetrical placement of a canopied porch and two vehicle entrances. The symmetricity becomes obvious at the receded north elevation, with a central axis between the main entrance and the arch window of the staircase on top. The south elevation facing the main garden has a semi-symmetrical order with a series of arch windows. The frontality and symmetricity of the house is a clear manifestation of the centralized organization and proportioned programs, ultimately resulting in a state of tranquil equilibrium harmonizing the complexities and contradictions inherent in life.

 © Kyungsub Shin

c KyungsubShin

Architects Hyundai Kim, Tectonics Lab

Location Cheongun-dong, South Korea

Architect in Charge Hyundai Kim (Ewha Womans University)

Design Team Sukyung Kim, Dasom Kim

Area 313.1 m2

Project Year 2017

Photographs Kyungsub Shin

Category Houses

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