Cobogó House Allouchie Arquitetos
2017-10-26 15:00
架构师提供的文本描述。我们正在寻找来自伯南布哥的当代和真正的建筑。
Text description provided by the architects. We are looking for a contemporary and genuine architecture from Pernambuco.
位于伯南布哥农村地区主要城市Caruaru郊区的一个私人共管公寓内,地块呈东南方向,全年风的发生率较高。
Located in a private condominium on the outskirts of the urban perimeter of Caruaru, the main city in the rural area of Pernambuco, the plot of land has southeast orientation, with a higher incidence of winds during the year.
我们选择了一个简单的建筑在炫耀方面,但在情感的问题上,感觉共生的伟大。我们可以说,这种“方式”绝对与建筑师的个性有关,直觉的持有者更多地包含在投射行为中,但有时却有如此多的艺术表现和意义。
We opted for a simple architecture in the ostentation aspect, but great in the matter of the emotion, of the sensorial symbiosis. We can say that this "way" is absolutely related to the personality of the architects, holders of an intuition more contained in the act of projecting, but sometimes implodes of so much artistic expression and meaning.
Cobogóhouse是另一个建筑,它是从空旷而来的,几乎是中央的,一个到达的地方,在一个微妙的建筑长廊之前。
Cobogó House is another architecture that emerges from the emptiness, almost central, a place of arrival, which precedes a subtle architectural promenade.
天然材料,如木材,手工制作的液压瓷砖,表面和“生”的混凝土,铁和玻璃,加上微妙的色彩使用和低天花板(2.26m-一般人的身高与提高臂的模块化)给这个地方一种温暖和“人”的氛围。
Natural materials such as wood, handmade as hydraulic tile, and apparent and "raw" as concrete, iron and glass, coupled with a subtlety in the use of colors and a low ceiling (2.26m - to the height of the average man with raised arm of the Modulor) give the place a warm and "human" ambience.
该项目最实际的挑战是满足相对较大的需求项目(375平方米)和对大的,有时开放的空间的愿望。所有这些都在一层楼里。自然的解决办法是将“强制性挫折”纳入环境,消除地形边界内的任何“死区”,包括外部和内部区域。我们可以清楚地看到这种直觉,从行人通道,通过露台,以及车库和有机花园。
The most pragmatic challenge of the project was to meet the relatively large needs program for the lot size (375sqm) and a desire for large and sometimes open spaces. All this in a single floor. The natural solution was to integrate "mandatory setbacks" into environments, eliminating any "dead space" within the boundaries of the terrain, both in the external and internal areas. We can clearly see this intuition from pedestrian access, through the terrace, as well as the garage and the organic garden.
埃瓦尔多库蒂尼奥为建筑辩护,认为建筑是建筑的产物,而不是设计的产物。而感受其空间本质的唯一途径就是在作品本身。我们设计和建造了这项工作,这一事实使我们能够在执行过程中再次进行实验,这对最终的结果无疑是至关重要的。
Evaldo Coutinho defended architecture as a product of construction, not design. And that the only way to feel its spatial essence was to be in the work itself. The fact that we designed and built the work allowed us to do experiments once more during the execution, which was certainly fundamental to the final result.
对我们来说,另外两个重要的方面是环境舒适和隐私控制。墙壁,大厦,空心砖墙,战略位置和尺寸的框架,是一些建筑元素,似乎是一个解决方案。在某些情况下,保护房间的前墙面的“皮肤”(明显的手工砖墙)等元素似乎是两个问题的解决办法。因为它是一堵漏水的墙,它允许照明和自然通风的通道,同时给用户隐私,并允许他们看到街景。此外,从审美和诗意的吸引力中也可以清楚地看出这一点。
Two other important aspects for us were environmental comfort and privacy control. walls, marquises, hollow brick wall, strategically located and dimensioned frames, are some architectural elements that appear as a solution. In some cases, elements, such as the "skin" (apparent manual brick wall) of the front façade that protects the rooms, appear as a solution to both problems. Because it is a leaked wall, it allows the passage of lighting and natural ventilation while giving privacy to the users of the house and allows the street view to them. In addition it is clear from an aesthetic and poetic appeal.
考虑到房屋的功能尺寸,两个前提在建造工厂方面是很重要的。我们希望有两个独立而遥远的通道,一个用于车辆,另一个用于步行的人。对我们来说,最初带我们去这所房子的社交区是很重要的。这样,房间就出现了一种前厅,只位于建筑物的中心,直接进入亲密的区域和厨房。一个实用而简单的解决方案。
Considering the functional dimension of the house, two premises were important in structuring the plant. We wanted the possibility of two independent and distant accesses, one for a vehicle and another for those who came on foot. It was important for us both to take us initially to the social area of the house. In this way, the room appears with a kind of vestibule, only located in the center of the building, which gives direct access to the intimate area and kitchen. A practical and simple solution.
Architects Allouchie Arquitetos
Authors Leonardo Allouchie, Joana Jordão
Photographs Antônio Preggo
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