技术建筑师Marcos Vázquez Consuegra、Ignacio Gonzalez合作者Juan JoséBaena(协调员)、Eduardo Melero、Alberto Brunello、Martina Pozzi、lvaro露娜、Patricia Fraile(家具)Structure Edartec Consultores、S.L Enginers JG、S.L Acoustics Higini Arau Scenic咨询顾问、GD金属工作顾问Jorge Vázquez Consuegra项目经理Carlos Coronado，玛丽亚·多洛雷斯·卡萨多e IDOM标志Estrada设计模型G-金属和Estudio Vázquez Consuegra更多规格无规格

Technical Architects Marcos Vázquez Consuegra, Ignacio Gonzalez Collaborators Juan José Baena (coordinator), Eduardo Melero, Alberto Brunello, Martina Pozzi, Álvaro Luna, Patricia Fraile (furniture) Structure Edartec Consultores, S.L Engineers JG, S.L Acoustics Higini Arau Scenic Advice GD Consulting Metalwork Advisor Jorge Vázquez Consuegra Project Manager Carlos Coronado, Maria Dolores Casado e Idom Signage Estrada Design Models G-Metal and Estudio Vázquez Consuegra More Specs Less Specs

 © Jesús Granada

(Jesús Granada)

建筑师提供的文字说明。新文化中心CaixaForumSeVilla试图在处理关于现有建筑物的干预措施时始终很重要的两个问题（在这种情况下，现有的结构），因为职业战略和能见度的必要性得到了预期的组织。

Text description provided by the architects. The Project for the new Cultural Centre Caixaforum Sevilla attemps to coherently resolve two questions that are always important when dealing with interventions on existing buildings (in this case, existing structures), as the occupational strategy and the necessity of visibility given an expected organization.

 © Jesús Granada

(Jesús Granada)

 © Duccio Malagamba

c Duccio Malagamba

上述的建筑策略是基于对现有空间的分析，以及先前规划的塔·佩利建筑群“讲台楼”的用途。目前的结构不可避免地决定了程序的分布以及不同用途的空间配置。这样，主要的战略是在目前的结构内放置一系列相当自主的卷，寻找每一种干预措施的共存。

The mentioned ocuppational strategy is based on an analysis of the existing spaces and the previous uses planned for the “Podium Building” of the Tower Pelli Complex. The current structure has unavoidable determined program distribution as well as the spatial configuration of the different uses. That way, the main strategy consists on placing a series of volumes fairly autonomous inside the present structure looking for the coexistence of each one of the interventions.

在这条线上，我们可以突出展示展厅和礼堂的布局，因为它们的高度和尺寸决定了它们的位置，只有这样，才能用独立的围护结构来划分，避免与目前的混凝土结构发生冲突。这些可用的空间发生在地下，事实上，这制约了进入顺序，并沿建筑物流动。同样，餐厅和行政区域也被安置在上层，寻找更好的光线和景观条件。

In that line we could stand out the disposition of the exhibition rooms and the auditorium in the only spaces that, due to their height and dimensions, allowed their positioning, being demarcated by self-standing enclosure elements that avoid conflict with the current concrete structure. These available spaces take place underground, fact that has conditioned the access sequence and flows along the building. Likewise, the cafeteria and administration areas have been placed in the upper levels searching for better conditions of light and views.

 © Duccio Malagamba

c Duccio Malagamba

 © Jesús Granada

(Jesús Granada)

另一方面，CaixaForum-塞维利亚在这座建筑群中的重要性和所需的可见性导致了某些操作来澄清这一条目。展览的主要通道将在一个新的广场下举行，它将覆盖入口和天窗，这是较低层所需的自然光源，形成了一个有盖的广场，位于设计的树排之间，并能渗透到穿过建筑物集合的人流。

On the other hand, the importance and required visibility of Caixaforum-Sevilla inside this complex has led to certain operations to clarify the entry. The main access to the exhibitions will be held under a new marquee that will cover both the entrance and the skylight, source of natural light necessary for the lower levels, creating a covered plaza situated between the designed tree rows and permeable to the flows of people that will go through the buildings ensemble.

 © Duccio Malagamba

c Duccio Malagamba

Architects Vázquez Consuegra

Location Seville, Spain

Architect in Charge Guillermo Vázquez Consuegra

Area 10500.0 m2

Project Year 2017

Photographs Jesús Granada, Duccio Malagamba

Category Cultural Center

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