Serralves’ Pavilion Fala Atelier
2017-11-03 05:00
架构师提供的文本描述。在第32届圣保罗双年展上,将在Serralves基金会一个倾斜的花园里安装一个临时画廊。这份简报含糊不清,易于猜测。
Text description provided by the architects. On the occasion of the 32nd São Paulo Biennial, a temporary art gallery was to be installed in a slopped garden at the Serralves’ Foundation. The brief was vague and open to speculation.
正如这个词本身所暗示的那样,愚蠢是一座奢华、轻浮或虚幻的建筑,与其说是出于功能原因,不如说是为了一种艺术表现。这座亭子的确是所有的一切。通过复调曲目,它的目标是成为一个寺庙,一个临时建筑和一个玩具,新古典和后现代。
A folly, as the word itself suggests, is an extravagant, frivolous or unreal building, thought more for an artistic expression than for functional reasons. The pavilion is, indeed, all of that. Through a polyphonic repertoire, it aims at being both a temple, a temporary construction and a toy, neo-classical and post-modern.
一个合理的结构包含一个立方体。木材元素的可理解的度量发现开口的比例和明显的任意颜色不匹配。浮点消除了与斜坡地形的关系,要求自治。两个圆形的黑色大理石元素标志着入口,而红色的光束穿过内部空间。在里面,五把躺椅提供了一种不确定的家庭生活的感觉,否则,巨大的建设。
A rational structure encloses a cubic volume. The understandable metric of the wood elements finds a mismatch in the proportions of the openings and in the apparently arbitrary colours. A plinth erases the relationship with the sloping terrain, claiming for autonomy. Two round black marble elements mark the entrances while a red beam crosses the inner space. Inside, five lounger chairs provide an uncertain sense of domesticity to the otherwise monumental construction.
愚蠢是务实的严肃和轻浮的讽刺的滑稽结合。每一个元素都有自己的价值,相互补充和相互矛盾的构图。
The folly is a playful combination of pragmatic seriousness and frivolous irony. A composition where each element has its own value, complementing and contradicting each other.
普里西拉·费尔南德斯(PriscilaFernandes)关于沉思和休闲的电影,找到了与公园和建筑轻率的对话。也许,对建筑语言来说,愚蠢就像普里西拉的电影之于休闲:一个快乐而反思广益的…。
Priscila Fernandes’ film about contemplation and leisure found a dialogue with both the park and the light-heartedness of the architecture. Perhaps, the folly was to architectural languages what Priscila’s film is to leisure: a joyful and reflective pastiche…
Design Team Filipe Magalhães, Ana Luisa Soares, Ahmed Belkhodja, Rute Peixoto, Elisa Sassi, Paulo Sousa
Photographs Ricardo Loureiro
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