© Vlad Eftenie

c.弗拉德·埃夫特尼

架构师提供的文本描述。OstașILOR 8的建筑位于布加勒斯特中部的一个分散的传统城市结构中，城市建筑、历史价值和自然环境都受到整体保护，街道结构和建筑环境一样。

Text description provided by the architects. The building in Ostașilor 8 is located in a diffuse, traditional urban fabric of central Bucharest, in which the urban architectural, historical values and the natural environment are protected in their entirety, street texture and built environment alike.

 Site Axonometric

现场轴测

该地区生活水平高，风景如画，坐落在与之截然相反的邻里交汇处。一方面，旧市中心和CIșmigiu花园(布加勒斯特历史上最古老的设计公园)的界限指向一种温和、或许是怀旧的方式；另一方面，新的、有争议的天王星林荫大道(Uranus Boulevard)的临近，由于旧的荒废地区的拆除而引起了轰动，推动了任何一开始所固有的繁荣。(鼓掌)

The area has a high living standard and a scenic air and is located at the convergence of neighborhoods with diametrically opposite characters. On the one hand, the limits of the old city center and Cișmigiu Gardens (historically the oldest designed park in Bucharest) point towards a moderate, maybe nostalgic approach, on the other, the proximity of the new and controversial Uranus Boulevard, whose inception has caused a stir due to demolitions of old, derelict areas, pushes towards the exuberance inherent to any beginning.  

考虑到建筑标准，建筑必须对投资者强加的一个简短的要求作出反应，这些投资者的标准首先是以经济和务实为导向的。

Taking the architectural standards into consideration, the building had to respond to a brief imposed by the investors whose criteria were first and foremost economically and pragmatically driven.

 Apartment Types

公寓类型

因此，经过广泛的城市研究，制定了一套建筑必须遵守的指导方针，剩下的任务是分析环境的现有质量及其潜力。经过拆迁过程，出现了一种对投资者和建筑师都有效的概念，一种清晰的、具有都市责任感的设计。

Thus, following an extensive urban study which elaborated a set of guidelines to which the building had to comply, the remaining task was to analyze the existing qualities of the contextural surroundings, as well as its potential. After the decantation process, the concept, a lucid and urbanistically liable design which had to be valid for the investor as well as the architect emerged.

 © Vlad Eftenie

c.弗拉德·埃夫特尼

我们的架构响应考虑到了客户的实际需求，力求经济理性，而不是否定上下文的性质或盲目地进行整合。我们对现有的建筑环境进行了现代的解释，希望新卷能与存在的、逃避从属/压迫或对立/偏激等关系的人进行自然对话。

Our architectural response takes the pragmatic requests of the client into account, tries to be economically rational, without negating the contextual qualities or being blindly conforming.  We bring a modern interpretation to the existing built environment, wishing that the new volume enters a natural dialogue with the existent, evading relationships like subordination/oppression or antagonism/mimetism.

 © Vlad Eftenie

c.弗拉德·埃夫特尼

通过协商城市需求和特定的附属设施，大量(一楼和六层)与中等规模街道的混合，这座建筑呈现出现代主义建筑的主题之一，即梯级建筑。

Negotiating the urban requirements and the particular vicinities, the mixture of large volumes (ground floor and 6 stories) aligned to a medium sized street, the building takes on one of the themes of modernist architecture, the terraced volumetric.

该建筑物在向ălcescu林荫大道的开口处上升时，先后从街道线形上撤下，从而保持了相邻建筑物的高度状态，并尽可能地投资建起。

The building successively retracts from the street alignment while the height rises towards the opening facing Cobălcescu Boulevard, maintaining therefore the height regime of adjacent buildings and erecting as much as the investment is viable.

 © Vlad Eftenie

c.弗拉德·埃夫特尼

建筑物必须在严格的边界之间找到位置-相邻两座建筑的盲墙、必须遵守的街道线形以及后退的地板规则-因此保持室内空间的自然光照成为主要挑战。哪些功能可以完全剥夺自然光，在适宜居住的空间中创造令人愉悦的气氛的最低光线水平是什么，以及如何配置光线入侵的空间，这些问题有待设计来回答。

The building must find its place between strict boundaries - the blind walls of the two neighboring buildings, the street alignment that must be obeyed, and the receding floor rule – thus preserving the natural illumination of interior spaces becomes the main challenge.  Which functions can be completely deprived of natural light, what is the minimum light level to create a pleasing atmosphere in the habitable spaces and how do spaces invaded by light have to be configured, remained questions to be answered by the design.

 © Vlad Eftenie

c.弗拉德·埃夫特尼

所选择的楼面结构是一种混凝土平板，由最低限度的混凝土支柱支撑，允许在地震活动活跃的国家，从结构限制中解放出大片地区；因此，这些故事变成开放式计划，允许公寓类型或使用情景发生变化-最小或慷慨的公寓、角落公寓或双向公寓。

The chosen floor structure is a concrete flat slab sustained by a minimum of concrete pillars which allows for generous areas liberated from structural constraints in a seismically active country; thus the stories become open plans allowing variation in apartment typologies or scenarios of use - minimal or generous apartments, corner apartments or double orientation apartments.

 © Vlad Eftenie

c.弗拉德·埃夫特尼

任何本质上装饰性的饰面或纹理都会被放弃。清洁、白色的表面、玻璃和冰铜金属是维持雕塑体积和其小单位的图形特征的首选-朱丽叶阳台向内折叠，变成小圆顶，形成有节奏的立面；私人空间之间的金属隔板被挤压，变成硬边界，玻璃栏杆有控制的透明度，并通过丝网印刷的斑点在外墙上涂上柔和的渐变，分隔上层地板的金属百叶窗在露台上留下细小的阴影线。

Any intrinsically decorative finishes or textures are forgone. Clean, white surfaces, glass and matte metal are preferred to sustain a sculptural volume and the graphic character of its small units -- the Juliet balconies are folded inwards and become small loggias that create a rhythmic façade; the metallic separators between private spaces are extruded and become hard boundaries, the glass railings have a controlled transparency and paint a soft gradient on the façade through the screen-printed dotting, the metallic blinds separating the superior floors trace fine shadowed lines on the recessed terraces.

 © Vlad Eftenie

c.弗拉德·埃夫特尼

Architects TAG Architecture

Location Strada Ostașilor 8, București, Romania

Architect in Charge Monica Despina Sache

Design Team Mariana Carstoiu, Andrei Moldoveanu, Irina Georgescu, Vitali Andrei Stanila

Area 4600.0 m2

Project Year 2016

Photographs Vlad Eftenie

Category Apartments

Manufacturers Loading...