© Hyosook Chin

(三)

架构师提供的文本描述。由于遗址位于一条死胡同的尽头，周围到处都是建筑物，所以它需要一些东西，至少可以从主干道上认出这座建筑。在一个典型的汉城社区，宋三东也是由不知名的开发商和当地建筑商建造的不规则建筑，因此，如果建筑物的一个立面变成一个大平面，那么它不仅可以突出建筑物的存在，给它留下独特的印象，而且还有助于促进单位的销售。由于土地所有者也是典型的当地开发商，他无疑要求一个单元配置，以最大限度地为给定条件的利润。考虑到楼面面积比例，试图挤进最大数量的单位会造成楼面平面图不均匀，建筑部分也必须符合受挫的太阳能取用权的规定。这导致了“经济必要性”的典型后果，即在一个相对较小的地块中容纳尽可能多的单元，以及首尔许多中等规模住宅所固有的建筑监管的挫折线所创造的复杂的“自动生成机制”。

Text description provided by the architects. Since the site was located at the end of a dead-end street and surrounded all over by buildings, it needed something that allows the building to be recognized at least from the main road. As shown in a typical Seoul neighborhood, Seongsan-dong is also full of irregular buildings by unknown developers and local builders, so if one elevation of the building becomes one large flat surface, it could not only highlight the presence of the building giving it a unique impression, but also be helpful to promote sale of units. Since the land owner was also a typical local developer, he undoubtedly demanded a unit-configuration that would maximize profits for the given conditions. Attempt to squeeze in a maximum number of units given the floor area ratio resulted in somewhat uneven floor plans, and the building section also had to be in accordance with the lines of the setback regulation of solar access right. This results in the typical consequence of the ‘economic necessity’ to accommodate as many units as possible in a relatively small plot and the complicated “auto-generative mechanism” created by the setback lines of building regulation which are inherent in many medium-size residential buildings in Seoul. 

 Axonometric

 © Hyosook Chin

(三)

如果这种由韩国房地产市场的结构所产生的大量资本和功能与大平面对周围环境的反应并存，可以解释为，这座建筑就像一个戴着面具遮住脸的人，戴着面具，遮住了后面一堆贪婪的面纱。道路上的平面变成了一堵夸张的独立墙，成为一种“装饰棚”，否定了现代主义“形式跟随功能”的命题，破坏了典型的形式与空间的凝聚力。此外，具有代表性的建筑立面“正面”通过联想到一定的形状或形象，也增添了一些讽刺性的幽默。有一天，如果一只巨大的猫或猫头鹰出现在日本动画中的一个场景，它肯定会给附近的生活增添乐趣和乐趣。

If this mass of capital and functions generated by the structure of the Korean real estate market coexist with the large flat surface reacting to the surrounding, it could be interpreted that the building, like a man wearing a mask to conceal his face, wears a mask to veil a heap of greed behind. The flat surface seen on the road becomes an exaggerated free-standing wall, thereby becoming a kind of ‘decorated shed’ which denied the proposition of modernism ‘form follows function’ and thus broke the typical cohesion of form and space. Furthermore, the representative building elevation, ‘the facade’ adds some satirical humor by associating certain shape or figure. One day, if a giant cat or owl appears reminding of a scene in a Japanese animation, it will be sure to liven up the neighborhood adding fun and pleasure.

 © Hyosook Chin

(三)

底层预留供停车，上层共有13个单元：第2层和第3层各有4个单元，第4层有2个梯田单元，第5层有3个阁楼单元。为保护隐私和方便起见，建筑一侧的走廊周围设计了主布局。虽然每个单元都很小，但所有的房间都是标准化的，没有锯齿状的角落，以达到最大的效率，并配备了开放的大窗户。天花板没有灯光固定装置，门的高度比平时略有降低，以达到开放的感觉。考虑到它的复杂形式，外观简单地用白色灰泥完成，部分用蓝色瓷砖处理，以解决污染问题。

While the ground floor is reserved for parking, the upper floors consist of 13 units in total: 4 units each on the 2nd and 3rd floor, 2 units with terraces on the 4th and 3 units with attics on the 5th. For privacy and convenience, main layout is designed around corridors on the one side of the building. Although each unit is quite small, all rooms are standardized without jagged corners for maximum efficiency and equipped with big windows for openness. The ceiling is left without light fixtures and the door height is slightly reduced than usual to achieve the sense of openness. In consideration of its complex form, the exterior was finished simply with white stucco and partially with blue tiles for concerns of contamination.

 Elevation Sketch

高程素描

 © Hyosook Chin

(三)

Architects aoa architects

Location Mapo-gu, South Korea

Architect in Charge Jaewon Suh, Euihaing Lee

Area 485.35 m2

Project Year 2017

Photographs Hyosook Chin

Category Houses

Manufacturers Loading...