DBP House Vertentes Arquitetura

2017-11-25 09:00

架构师提供的文本描述。近年来，一种被称为“共管公寓标准”的住宅类型已成为巴西内陆城市的普遍现象。关于挫折、路面编号和施工技术的内部建筑规范限制，迫使采用类似的设计概念，这反映了有时缺乏线条和风格的不均匀性。在这座位于皮拉奇卡巴市(距圣保罗160公里)的住宅中，最初的情况类似：地形狭窄，需要四面八方的宽背，不可能将屋顶作为可参观的露台和强制性侧壁，等等。最初与客户(一对新婚夫妇)的对话表明，一栋房子比奢华的建筑更实用。最重要的是，他们理想化了一个舒适、通风和照明的房子，房间分布得很好，有利于空间的整合。

Text description provided by the architects. In recent years, a residential typology knew as "condo standard" has become commonplace in Brazilian interior cities. Restrictive internal codes of construction regarding setbacks, pavement numbers, and construction techniques, force the adoption of similar design concepts, which is reflected inhomogeneity that sometimes is poor of lines and styles. In this residence, located in the city of Piracicaba (160 km from São Paulo), the initial scenario was similar: narrow terrain, need for wide backs in all directions, impossibility to enjoy the rooftop as a visitable terrace, obligatory lateral walls, among other rules. Initial dialogues with clients (a newly married couple) pointed to a house following more practical than extravagant architecture. They idealized, above all, a comfortable, well-ventilated and illuminated house, with a good distribution of rooms, favoring the integration of spaces.

 © Leo Giantomasi

利奥·詹托马西

设计一个尊重这些初始参数的房子，遵守细分规则的所有规范，而不屈服于极端的美学或非正统的建设性解决方案，是这个项目的挑战。如何平衡这些指导方针，同时又在建筑和建设性解决方案方面陷入共同的困境？基本上，这个项目被赋予了一种运动感。一种能够抵消强制性挫折的刚性和相邻建筑的正交线的东西，使房子具有自然的个性。在起居室和休闲室所在的底层，最相关的砌体组以45角旋转，避免超过上层路面的凸起或脱离结构(正交)网格。

Designing a house that respected these initial parameters, observing all the norms of subdivision regulations, without succumbing to an extreme aesthetic or to non-orthodox constructive solutions was the challenge of this project. How to equalize these guidelines without falling, at the same time, into a common ditch in terms of architecture and constructive solutions? Basically, this project was given a sense of movement. Something able to counteract the rigidity of the obligatory setbacks and the orthogonal lines of the neighboring constructions, giving natural personality to the house. On the ground floor, where the living and leisure rooms are located, the most relevant masonry sets were rotated at 45 angle-degree, avoiding overtaking the projection of the upper pavement or to disengage from the structural (orthogonal) mesh.

 Ground Floor Plan

 Upper Floor Plan

上层平面图

这允许为外观创建一个动态的感觉，同时产生关于内部空间之间的分布和通信的有趣情况。二楼，即睡区所在，构成一组垂直线，建立在地形的横向和正面界限的门槛上，包括车库的屋顶。在这种情况下，直线的刚性是故意的，有利于上层房间的分布，也有利于建筑工程的进展，寻求与底层的几何对比。二楼的移动概念是通过安装在阳台上的可移动板条板来实现的，面向外部砖石。

This allowed creating a dynamic sense for the facades while generating interesting situations regarding the distribution and communication among internal spaces. The second floor, where the sleeping area is located, constitutes a block of perpendicular lines built on the threshold of the lateral and frontal limits of the terrain, incorporating the roof of the garage. The rigidity of the straight lines, in this case, was intentional, facilitating the distribution of the upper rooms and also the progress of the construction work, seeking a geometric contrast with the ground floor. The concept of movement for the second floor was incorporated through the movable slatted panels, installed on the balconies, facing external masonry.

 © Leo Giantomasi

利奥·詹托马西

铝做的，他们允许光和隐私控制，以及在运动和颜色的正面突出。为了满足客户的愿望，设计了灯火通透的房子，设计了大窗户和门的跨度，以及楼梯上方的长方形天窗。这些资源使房屋全年都能得到充足的自然光和通风。如果一种干净的美学是房子外部的特征，没有装饰，并且以几何体积的强度为标志，那么内部的审美是客户在规范阶段积极合作的结果。在共同协议中定义的材料和颜色色调遵循客户的个人喜好，使项目更接近业主最初希望的建筑。

Made of aluminum, they allow light and privacy control, as well as giving the facades prominence in terms of movement and color. To fulfill the clients’ wish for a light and airy house, large window, and door spans were designed, as well as a rectangular skylight over the staircase. These resources allow the house to be well supplied with natural light and ventilation the whole year. If a clean aesthetic characterizes the house exterior, without adornments, and marked by the strength of the geometric volumes, the internal aesthetic was a result of an active collaboration from the clients during the specification phases. Defined in common agreement, materials and color tones followed the clients’ personal tastes, bringing the project closer to the construction initially desired by the owners.