© Adrien Williams

阿德里安·威廉姆斯

架构师提供的文本描述。该项目是一个开放和匿名的建筑竞赛的结果，设计了一个新的10，000个座位的室外露天竞技场为特罗伊斯-里维雷斯，魁北克。这次比赛要求建筑师们提出一项具有国际意义的里程碑式设计，与悉尼歌剧院水边的设计相媲美。在Tripap造纸厂于2000年关闭后，位于历史悠久的市中心和海滨之间的一处遗址上，Trois-Rivières市清理了废弃的工业用地，为一个名为Trois-Rivières-Sur-le-Saint-Laurent的新城市重建项目让路。位于圣劳伦斯河和圣莫里斯河交界处的地点，是为了让人们重新进入滨水区。该地点的质量，与哈伯勒前公园，市中心街道，圣劳伦斯河和圣昆廷岛，需要一个宏伟的姿态。

Text description provided by the architects. The project is the result of an open and anonymous architectural competition to design a new 10,000 seat outdoor summer amphitheater for the city of Trois-Rivières, Quebec. The competition challenged architects to propose a landmark design of an international scope, comparable to the Sydney Opera House fronting the water. After the closing of the Tripap paper mill in 2000 located on a site between the historic downtown and the waterfront, the City of Trois-Rivières cleared the abandoned industrial site to make way for a new urban redevelopment project called Trois-Rivières-sur-le-Saint-Laurent. The site, at the junction of the Saint-Lawrence and Saint-Maurice Rivers, was to give the population regained access to the waterfront. The quality of the location, in connection with the Harborfront Park, the downtown streets, the Saint-Lawrence River and Saint-Quentin Island, called for a grand gesture.

 © Adrien Williams

阿德里安·威廉姆斯

 Ground Floor Plan

 © Marc Gibert

马克·吉伯特

计划中的几个基础设施(长廊、木板路、公共空间、文化设施)将成为北美最重要水道之一和圣莫里斯河十字路口的锚。这个项目的核心是一个新的室外10，000个座位的夏季圆形剧场。这座城市展示了将重建项目作为一个例子，说明一个社区如何能够围绕一个结合生活环境、工作、休闲和文化的项目重新部署自己。为了实现圆形剧场，市政府选择以建筑竞赛的方式进行，以获得一座具有国际范围的建筑。伦敦金融城认为这是一个独特的机会，可以通过挑战建筑师提交创新解决方案来选择高质量的建筑。

Several planned infrastructures (promenades, boardwalks, public spaces, cultural facilities) are to serve as an anchor at the crossroads of one of the most important waterways in North America and the Saint-Maurice River. The project’s centrepiece is a new outdoor 10,000 seat summer amphitheatre. The City demonstrated the will to make the redevelopment project an example of how a community can redeploy itself around a project combining living environment, working, leisure and culture. For the realization of the amphitheatre, the municipality chose to proceed by way of an architectural competition to obtain a building of international scope. The competition was seen by the City as a unique opportunity to select a quality building by challenging architects to submit innovative solutions.

 © Adrien Williams

阿德里安·威廉姆斯

这也是一个机会，由陪审团召集专家审查具体的建筑解决方案，旨在使未来的竞技场成为一个统一的项目，将巩固和标志着特洛伊-里维雷斯的发展。挑战是创建一个具有初步3400万美元预算的里程碑。为了实现这一点，建筑部分开发了该项目的一个基本核心要素：一个保护公众不受雨水影响的屋顶。在计划中作为一个低元素，仅限于固定的座位区域，它被提升到飞行塔的水平拥抱它，并延伸到它的初始界限，形成一个80×90米长方形在地平线上。为了使其看起来尽可能薄，侧锥度以弯曲的6.4mm厚镀锌钢板结束。在它的中心地区，屋顶有6米厚，房屋的猫道，使人们可以进入舞台设备和照明的技术画廊。在一个开放的地点，竞技场没有单一的正面外观。

It was also an opportunity to examine, with experts convened by jury, concrete architectural solutions that aim at making the future amphitheater a unifying project that will consolidate and mark the development of Trois-Rivières. The challenge was to create a landmark with an initial 34 M$ budget. In order to achieve this, the architectural part exploited a fundamental core element of the program: a roof that protects the public from the rain. Intended in the program as a low element, limited to the fixed seating area, it was raised at the level of the fly tower to embrace it and extended beyond its initial limits to form an 80 x 90-meter rectangle on the horizon. To make it appear as thin as possible, the sides taper to terminate with a bent 6.4 mm thick galvanized steel plate. At its central area, the roof is 6 meters thick, housing catwalks that give access to technical galleries for stage equipment and lighting. Located in an open site, the amphitheater has no single front façade.

 © Marc Gibert

马克·吉伯特

 Longitudinal Section

 © Adrien Williams

阿德里安·威廉姆斯

对称作为一种几何策略来解决它的背景，在帕拉迪奥的别墅罗通达的原则。八根细长的钢柱，直径850毫米，高26米，使屋顶显得庄严而开放，穿过礼堂在圣莫里斯河上看到了交叉的景色。红色和黑色表达了它的功能。这座高楼是一个广阔的空间，面对着通往竞技场的德拉维尔斯大道，上面涂着三种红色的铝制垂直面板。在最后一刻的决定中，屋顶被涂成了鲜红色。到了晚上，它变成了一个发光的倒影幕，在银色彩绘柱的底部，由凹进的投影仪照明。圆形剧场被用作五月至九月的文化夏令营。它有能力展示高容量的现场表演，吸引大量观众，以及更亲密的演示，如当地交响乐团或爵士音乐节。在冬天的几个月里，一个巨大的热门关闭了舞台的开放。因此，室内空间可容纳700人举办展览、公开会议和冬季节目。

Symmetry was used as a geometric strategy to address its context, in the principle of Palladio’s Villa Rotonda. Eight slender steel columns, 850 mm in diameter, 26 meters high, give the roof a stately while open appearance, with crossing views on the Saint-Maurice River through the auditorium. Red and black express its function. The fly tower, an expansive space facing des Draveurs Avenue leading to the amphitheater, is clad with aluminum vertical panel painted in three tones of red. The roof soffit, in the last minute decision, was painted a bright red. At night, it turns into a glowing inverted curtain, lit by recessed projectors at the base of the silver painted columns. The amphitheater is being used as a cultural summer venue operating from May to September. It has the capability to present high capacity live shows that attract large audiences as well as more intimate presentations like to local symphonic orchestra or the jazz festival. During the winter months, a monumental thermal door closes the stage opening. Interior spaces can thus host exhibits, public meetings and a winter programming for a capacity of 700.

 © Adrien Williams

阿德里安·威廉姆斯

Architects Atelier Paul Laurendeau

Location 100 Avenue des Draveurs, Trois-Rivières, QC G9A 5H3, Canada

Area 12500.0 m2

Project Year 2016

Photographs Adrien Williams, Marc Gibert

Category Amphitheater

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